Strong winds ripple water; Forest trees are laid low... A bitter urge to die -- One can't come; one can't go. Ten decades flow, stream-like; Riches are cold, gray ash. Life 's a death procession -- Unless you're adept and brash, And can take up the sword To hasten the anguish... No rustling dry leaves, or Leaky roof as you languish.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the nineteenth of the twenty-four poems. This poem’s Chinese title is 悲慨, and it has been translated as: “Despondent,” and “Sorrowful.”
The male is not less the soul nor more, he too is in his place, He too is all qualities, he is action and power, The flush of the known universe is in him, Scorn becomes him well, and appetite and defiance become him well, The wildest largest passions, bliss that is utmost, sorrow that is utmost become him well, pride is for him, The full-spread pride of man is calming and excellent to the soul, Knowledge becomes him, he likes it always, he brings every thing to the test of himself, Whatever the survey, whatever the sea and the sail he strikes soundings at last only here, (Where else does he strike soundings except here?)
The man's body is sacred and the woman's body is sacred, No matter who it is, it is sacred -- is it the meanest one in the laborers' gang? Is it one of the dull-faced immigrants just landed on the wharf? Each belongs here or anywhere just as much as the well-off, just as much as you, Each has his or her place in the procession.
(All is a procession, The universe is a procession with measured and perfect motion.)
Do you know so much yourself that you call the meanest ignorant? Do you suppose you have a right to a good sight, and he or she has no right to a sight? Do you think matter has cohered together from its diffuse float, and the soil is on the surface, and water runs and vegetation sprouts, For you only, and not for him and her?
This is the female form, A divine nimbus exhales from it from head to foot, It attracts with fierce undeniable attraction, I am drawn by its breath as if I were no more than a helpless vapor, all falls aside but myself and it, Books, art, religion, time, the visible and solid earth, and what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play out of it, the response likewise ungovernable, Hair, bosom, hips, bend of legs, negligent falling hands all diffused, mine too diffused, Ebb stung by the flow and flow stung by the ebb, love-flesh swelling and deliciously aching, Limitless limpid jets of love hot and enormous, quivering jelly of love, white- blow and delirious juice, Bridegroom night of love working surely and softly into the prostrate dawn, Undulating into the willing and yielding day, Lost in the cleave of the clasping and sweet- flesh'd day.
This the nucleus -- after the child is born of woman, man is born of woman, This the bath of birth, this the merge of small and large, and the outlet again.
Be not ashamed women, your privilege encloses the rest, and is the exit of the rest, You are the gates of the body, and you are the gates of the soul.
The female contains all qualities and tempers them, She is in her place and moves with perfect balance, She is all things duly veil'd, she is both passive and active, She is to conceive daughters as well as sons, and sons as well as daughters.
As I see my soul reflected in Nature, As I see through a mist, One with inexpressible completeness, sanity, beauty, See the bent head and arms folded over the breast, the Female I see.
Tiger Riding for Beginners 