BOOKS: “Linguistics: A Very Short Introduction” by P.H. Matthews

Linguistics: A Very Short IntroductionLinguistics: A Very Short Introduction by P.H. Matthews
My rating: 4 of 5 stars

Publisher Site – OUP

This book offers an overview of the territory studied by the discipline of linguistics, from general topics such as what a language is and what distinguishes human language through more technical and scientific subjects such as the nature of vocal sound and the role of the brain in language.

It introduced me to some interesting ideas that I hadn’t previously given much thought, such as: the importance of redundancy in language, the idea that a word can’t necessarily be thought of as simply a label put on a pre-existing notion or thing, the question of whether language developed once or multiple times (independently,) how languages are learned, and how speaking influences thinking and vice versa.

Until the penultimate chapter (Ch. 8 – “Sounds”) I felt the book was doing a fine job of sticking to the basics, being interesting but not obscure. The “Sounds” chapter seemed to get more into the weeds than the rest (but, I’ll concede, it may have been part my relative interest in the topic, your results may vary.)

The book, like others in the series, has a few monochrome graphics as well as a “Further Reading” section.

If one is looking for a broad introduction to linguistics, I’d recommend this as a fine place to start.

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BOOKS: 道德经 by 老子 [a.k.a. Daodejing by Laozi]

老子道德经校释(简体中文版): 中华传世珍藏古典文库 (Chinese Edition)老子道德经校释(简体中文版): 中华传世珍藏古典文库 by 王弼
My rating: 5 of 5 stars

Available in Traditional & Simplified Chinese [w/ multiple translations] at YellowBridge

Packed into the 81 brief chapters of this book is the core Taoist philosophy on life, human relationships, governance, and war. Most often, it offers a wisdom that turns conventional wisdom on its head, advocating for inaction over action, less over more, simplicity over complication, and for recognizing the usefulness of what isn’t.

Some of the book’s central ideas are captured in these quotes:

上善若水。水善利万物而不争. “The greatest good is like water. It benefits all without fighting.” [Ch. 8]
金玉满堂,莫之能守 “A house full of jade and gold cannot be guarded.” [Ch. 9]
知人者智,自知者明。胜人者有力,自胜者强。“He who knows others is smart; he who knows himself is enlightened. He who conquers others has power; he who conquers himself is mighty.” [Ch. 33]
柔胜刚,弱胜强。“Softness overcomes hardness; weakness overcomes strength.” [Ch. 36]
道常无为而无不为。“The Dao is constant inaction, yet nothing is left undone.” [Ch. 37]
善者,吾善之;不善者,吾亦善之;德善。“The good, I treat well; the bad, I also treat well. Yeah Virtue!” [Ch. 49]
知者不言,言者不知。“He who knows does not speak; he who speaks does not know.” [Ch. 56]
千里之行,始于足下。“The journey of a thousand li (“miles”) begins with a single step.” [Ch. 64]
天之道,不争而善胜 “The way of heaven is to win without fighting.” [Ch. 73]
信言不美,美言不信。“True words aren’t pleasing; pleasing words aren’t true.” [Ch. 81]

I think this is one of those works that should be read and reread. It may help rewire your brain in useful ways.

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BOOKS: “Essential Zen” ed. by Kazuaki Tanahashi & David Schneider

Essential ZenEssential Zen by Kazuaki Tanahashi
My rating: 5 of 5 stars

Google Books Page

This is a collection of short writings (poems, koans, and prose excerpts) on Zen Buddhism arranged into loosely themed sections. The writings tend toward the artistic, creative, and metaphorical, with relatively few straightforward descriptions of technique or philosophy. The writings range from those of Chinese and Japanese monks who lived hundreds of years ago to present-day poets and Zen practitioners. Among the more frequently drawn from sources are: Hanshan, Ikkyu, Dogen, Ryokan, Hakuin, Gary Snyder, Robert Aitken, Seung Sahn, John Daido Loori, Thich Nhat Hanh, and Peter Levitt. But there are many others, including some who have only a single piece included.

There’s a substantial “Notes” section that gives source, translation, and — in some cases — background information. Most of the translations (both Japanese and Chinese) are by the editors, Kazuaki Tanahashi and David Schneider. There are illustrations, but they are all ensō (circular brush paintings) and related forms.

This is a highly readable and insightful collection of short writings, and I’d highly recommend it for individuals interested in Zen or Eastern Philosophy more generally.

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BOOKS: “Birds, Beasts, and A World Made New” by Guillaume Apollinaire & Velimir Khlebnikov [ed. / trans. Robert Chandler]

Birds, Beasts and a World Made New: Guillaume Apollinaire and Velimir Khlebnikov (1908-22) (Pushkin Press Classics)Birds, Beasts and a World Made New: Guillaume Apollinaire and Velimir Khlebnikov (1908-22) by Guillaume Apollinaire
My rating: 5 of 5 stars

Publisher Site – Pushkin Press

This poetry collection recalls a time and tells a story. Perhaps it’s not right to call it a poetry collection, not because it isn’t one, but because that’s not all it is. Most of the book consists of selections of poetry from Guillaume Apollinaire and Velimir Khlebnikov juxtaposed by themed grouping. But there is also backstory and biography included throughout as well as in the book’s final section.

One might wonder why anyone would construct a two-poet collection featuring a Frenchman and a Russian. Well, the two men did have a number of things in common, most disturbingly that they both died young in the early twentieth century. Apollinaire died at age 38 in 1918 and Khlebnikov died at 36 in 1922. The fact that these men’s writing careers so overlapped is one of the reasons the book works. They waded through a common zeitgeist. Another commonality that makes the collection relevant and intriguing is that both poets had a penchant for experimentalism in their work.

Seeing the work of these poet’s organized as the volume does, one recognizes both similarities and differences. This includes the fact that the tone of each poet’s work ranges widely from whimsical to the brutal morosity of poems on war and the suffering it entails.

I found this collection to offer a powerful reading experience and would recommend it highly to all poetry readers.

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BOOKS: “Tranquil Sitting” by Yin Shi Zi

Tranquil Sitting: A Taoist Journal on Meditation and Chinese Medical QigongTranquil Sitting: A Taoist Journal on Meditation and Chinese Medical Qigong by Yin Shih Tzu
My rating: 4 of 5 stars

Publisher’s Site

This manual is an English translation of a work earlier published in Chinese. It is nominally on Taoist meditation and is written by a Taoist author, but it does include discussion of Buddhist practices as well (specifically Mahamudra.) Also, part of the author’s declared intent with this text is to write in a manner approachable to a wider audience, and because of this sect is rendered less important. So, for example, the book employs more scientific and physiological modes of explanation as opposed to meridians and other conceptual approaches from Traditional Chinese Medicine.

The book is presented in two parts. I found the first part much more beneficial and productive. Said first part is a general guide to meditation. It discusses fundamentals, theory, physiology, and how to align one’s living with a meditative practice (i.e. how diet, breathwork, sleep, etc. influence one’s practice.)

The second part consists of long and fairly detailed descriptions of the author’s experiences with both Taoist and Mahamudra meditation. I didn’t find this part useful, and I believe it may be counterproductive. Discussion of the author’s subjective experience may lead readers to get hung up on chasing identical experiences to the detriment of just practicing. It may give false ideas about “correct” and “incorrect” experiences of the meditation.

Overall, it’s a fine guide to meditation, particularly the first (i.e. larger) part. I can’t say that it breaks a lot of ground. A reader well-versed in meditation may not gain much insight from this book, but it’s as good as any to get started.

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BOOKS: “Writers’ Journeys That Shaped Our World” by Travis Elborough

The Writer's Journey: In the Footsteps of the Literary Greats (Journeys of Note, 1)The Writer’s Journey: In the Footsteps of the Literary Greats by Travis Elborough
My rating: 4 of 5 stars

Publisher Website

This book discusses important travel events in the lives of thirty-five prominent writers and poets. Some of these were long international travels and some entirely domestic, some aborted and others completed. All of these trips in some way influenced the subsequent works produced by these writers. In some cases, it was just for a scene, as with Sir Arthur Conan Doyle’s use of Reichenbach Falls to kill off his widely beloved (but personally soul-sucking) character, Sherlock Holmes. In others, the trip became the basis of a book, as with Joseph Conrad’s travels on the Congo River. And in yet others, the trip would become the basis of multiple works, such as Jack London’s travels in the Klondike. Of course, there were some travels that had more indirect influence on the writers’ works by way of shifts in worldview and life experience.

The graphics for this book are excellent and include a simple route map for each trip as well as photos from key locations, as well as a few relevant historic artworks. The maps and pictures help to give one a feel for the appeal of these places, and — in some cases — to better understand literary works once read.

If you are a traveler, are interested in literary history, or are both, this book is well worth investigating.

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BOOKS: “Tai-Chi Chuan in Theory and Practice” by Kuo Lien-Ying [ed. Simmone Kuo]

Tai-Chi Chuan in Theory and PracticeTai-Chi Chuan in Theory and Practice by Kuo Lien-Ying
My rating: 4 of 5 stars

Publisher Site

This brief book discusses Taijiquan primarily from a philosophical perspective. Though a significant amount of the book’s page-count consists of full-page pictures of various taijiquan movements, it isn’t so much a how-to book. Readers who enjoy an eclectic book that’s short and sweet but also kind of all over the place have a good chance of liking this book and gaining from its varied tidbits of wisdom. Readers who favor books with a clear organization and internal logic will probably find this to be an odd stew of short writings (essays, guides, poems, scriptural excerpts, etc.) It should be noted that not all of the writings are from Kuo Lien-Ying, himself. It includes a translation of a manual by Wang Tsung-Yue (13th Century) as well as an appendix consisting of writings from the Daodejing, Tang Dynasty poetry, and quotes from Mencius and Confucius. It also features a chapter on the I-Ching and Taiji philosophy by Kuo’s wife, Simmone Kuo. Besides the Wang manual, which is right up the alley of Kuo’s writings, it’s not clear why the other pieces were selected (not that they aren’t beneficial, but that they seem random.)

One thing I really liked about this book is that a lot of it is presented in bilingual format. For someone learning Chinese, this is quite beneficial. (Especially, given that it consists of short pieces that can be more easily consumed by a new reader.) That said, those who don’t read Chinese may see the translations as further indication of padding a pamphlet up to book scale. The monochrome photos are well-done and could definitely be of use to someone who practices taijiquan (though would not be of much use to someone new to it.)

This book is an insightful mess, make of that what you will.

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BOOKS: “Taoism: An Essential Guide” by Eva Wong

Taoism: An Essential GuideTaoism: An Essential Guide by Eva Wong
My rating: 4 of 5 stars

Publisher Site

This book offers the reader clarity about the scope of Taoism, a daunting challenge given Taoism’s long history and how it overlaps with other schools of philosophy as well as with Traditional Chinese Religion, more broadly. The book is divided into three parts: history, specialties (magic, divination, ceremony, inward training, and karma yoga,) and practices (meditation, somatic practices [e.g. qi gong and taijiquan,] and rituals and ceremonies.) The history section covers a period from pre-Taoist shamanic practices of 5,000 years ago, practices that would inform early Taoism, to a period during which Taoism became entwined with Buddhism and Confucianism. The specialties and practices sections attempt to give the reader a broad overview while avoiding discussion of “how-to.”

I found this book to be informative and interesting. It did feel more effectively geared toward someone with an interest in Taoism as religion rather than Taoism as a philosophy. The discussion does sometimes get into the weeds on issues like ceremonies and talismans (again, not in a how-to fashion, but with some arcane detail nevertheless,) but — at the same time — besides some discussion of the teachings of the Tao Te Jing and some exploration of Taoist metaphysics in the Divinational Taoism chapter, there’s not a lot of insight into Taoism as philosophy. That said, it does end each chapter with a “Further Reading” section that can point readers interested in a specific topic elsewhere.

If you’ve ever been overwhelmed at one of those bright and complicated Chinese temples and would like some insight into what Taoists do and how it’s different (or not different) from what Confucianists, Traditional Chinese Religion practitioners, and Zen Buddhists do, this is a good book to check out. If you’re solely interested in Taoism as a school of philosophy or otherwise have a specific focus such as qi gong and breathwork practices, you can probably find books that are better tailored to your needs.

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BOOKS: “The Art of Writing” Trans. / Ed. by Tony Barnstone and Chou Ping

The Art of Writing: Teachings of the Chinese MastersThe Art of Writing: Teachings of the Chinese Masters by Tony Barnstone
My rating: 5 of 5 stars

Publisher Website

This thin volume is packed with insights on writing — especially, but not exclusively, poetry. It consists of four chapters. The first two are the ars poetica of Lu Ji and Sikong Tu, respectively (i.e. The Art of Writing and The Twenty-Four Styles of Poetry.) The second half of the book consists of two chapters of collected sayings and poetry commentary excerpts.

I haven’t read a book so dense with quotable lines in a while. Some of the advice offered is universal and timeless (e.g. avoid cliches and read voraciously,) but some of it reflects a uniquely Chinese perspective rooted in Taoist and Zen sentiments (e.g. how to use wu wei [effortlessness] in one’s writing and so forth.)

There is a preface and each of the sections has its own editorial opening, but these never feel like padding (which often happens with books that come out to less than a hundred pages of content.) Instead, this ancillary material is concise and helps to offer historic and cultural context.

I’d highly recommend this book for writers and those interested in Eastern aesthetics and literature. That said, you don’t necessarily have to be interested in both. Any writer could pick up some beneficial tips while reading this book, and it’s compact, highly readable, and even humorous in places.

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BOOKS: “Zen and the Ways” by Trevor Leggett

Zen and the WaysZen and the Ways by Trevor Leggett
My rating: 5 of 5 stars

Open Library Page

This book is the most densely populated with interesting insights that I’ve read in some time. It’s not new, being first published in 1978, but it takes a variety of approaches to give the reader a better understanding of Zen and the application of Zen mind to martial arts and other activities that found benefit in stillness and clarity. By “the Ways,” Leggett is referring to those arts and activities benefiting from Zen, which include: tea ceremony, flower arranging, painting, poetry writing, and all manner of martial arts. [Often represented by ending “do” in Japanese.] (The latter are dealt with most extensively, but not exclusively.)

The book is arranged in six parts, the first half of which focus mostly upon Zen Buddhism and, particularly, the Kamakura school that found a huge following among warriors and other artists. Those first three chapters take a big to small approach, examining Zen from ever finer levels of detail, starting with an introduction to Zen Buddhism broadly, moving on to the Kamakura developments, and then finally focusing on one particular practice — that of Koans (stories that present riddles which the student can only “solve” in a non-intellectual fashion.)

The second half of the book investigates the ways Zen has been applied to various arts. This is where one sees the varied approaches used to explore the confluence of Zen and artistry. Part Four consists of a series of essays explaining concepts such as ri (universal truth) and ji (formal technique,) ki (vital energy,) and isshin (single-heartedness) / zanshin (lingering awareness.) Part Five consists of historic martial arts scrolls and excerpts, including Yagyu Munenori’s Art of War and Chozan Shisai’s “Tengu’s Guide to the Martial Arts.” The final part consists of stories that illustrate crucial ideas in a readable and memorable fashion.

I was extremely pleased to stumble across a copy of this book in a second-hand bookshop. I’d long ago heard a fascinating story about murders in Edo era Japan of high-level martial artists, all killed in the same manner. They never found the killer, but they figured out how the murders were done easily enough. The killer exploited his knowledge of that school’s techniques to lay a fake that exploited their own technique to create an opening. It’s a cautionary tale that drilling muscle memory is not the end-all be-all of martial arts, and that it can create its own problems. At any rate, I’d never been able to find the source… until now. There is a detailed discussion of it in this book.

For readers interested in how state of mind influences artistic performance, I’d highly recommend this book.

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