“Drinking at Night in Dongpo” by Su Shi [w/ Audio]

Drunk at night in Dongpo.
I sober, then drink once more;
I return at three A.M.
To hear boy's thunderous snores.
I knock but there's no answer --
Lean on my staff and listen
To water, and feel my regrets
As ripples in river glisten.
I could vanish in this boat,
And see out my life afloat.

Note: The Song Dynasty poet Su Shi [苏轼] was also known as Dongpo [東坡] or Zizhan [子瞻.]

“One of the ‘Hundred Views of Fuji,’ by Hokusai” by Amy Lowell [w/ Audio]

     Being thirsty,
I filled a cup with water,
And, behold! -- Fuji-yama lay upon the water,
Like a dropped leaf!

“A Carafe, that is a Blind Glass” by Gertrude Stein [w/ Audio]

A kind in glass and a cousin, a spectacle and
nothing strange a single hurt color and an
arrangement in a system to pointing. All
this and not ordinary, not unordered in not
resembling. The difference is spreading.

“The Oven Bird” by Robert Frost

There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down
in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.

BOOKS: “Wen-Tzu” Trans. by Thomas Cleary

Wen-TzuWen-Tzu by Lao-Tzu
My rating: 5 of 5 stars

Publisher Site – Shambhala

This work is presented as “further thoughts of Laozi [老子].” Readers of the Dàodé jīng [道德经] will recognize many a familiar statement of that work, but this book is much more extensive and detailed. I say “presented as” because scholars no longer believe this was a product of Laozi and his lifetime (if such an individual ever existed.) For one thing, the book seems more syncretic than the Dàodé jīng, that is to say there are points at which it sounds strikingly Confucian — rather than purely Taoist.

As with the Dàodé jīng the Wénzǐ [文子] covers a lot of ground from metaphysics to individual ethics to political philosophy, but this book has more room to sprawl on each subject.

As with other Cleary translations, it’s a pretty readable translation.

I’d recommend it for readers interested in Chinese Philosophy.

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“In this short Life…” (1292) by Emily Dickinson [w/ Audio]

In this short Life that only lasts an hour
How much - how little - is within our power

“Mending Wall” by Robert Frost [w/ Audio]

Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
'Stay where you are until our backs are turned!'
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, 'Good fences make good neighbors.'
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
'Why do they make good neighbors? Isn't it
Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn't love a wall,
That wants it down.' I could say 'Elves' to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, 'Good fences make good neighbors.'

BOOKS: “The Last Brother” by Nathacha Appanah

The Last BrotherThe Last Brother by Nathacha Appanah
My rating: 5 of 5 stars

Publisher Site — Gray Wolf Press

When Mauritius made it onto my shortlist for upcoming travel, I needed to find an enlightening work of Mauritian literature, and this book was prominently discussed as one that might fit the bill.

The book is narrated by an old man telling a story from his boyhood. It is a poignant and riveting tale. The book’s title, The Last Brother reflects the protagonist’s (Raj’s) first tragedy, losing his two brothers in a natural disaster in Mapou, Mauritius. Raj’s family then moved south where his father got work in a prison.

Much of the book revolves around a strange historical event — the imprisonment of a large number of Jews on Mauritius during World War II. These Jews had fled Europe and were trying to make their way to Palestine but were not granted entry because of a lack of acceptable documentation. They were then sent to Mauritius where they were imprisoned in a detention camp.

The reader only sees this event through the relationship of Raj and David. Raj is taken to the prison infirmary after being beaten by his alcoholic father. There he meets David, a Jewish boy in the detention camp. It isn’t until the very end of the book that the author presents the facts of the historic event. I think this is a wise move, allowing the reader only knowledge of what the characters would know (which – as nine-year-olds – is not much.) The late reveal adds to the tension and makes some of the characters’ decisions more understandable.

The last part of the book is a little reminiscent of Huck Finn, except without Twain’s lightheartedness and with a more melancholic and tragic tone and ending, but featuring two young men on the lam for different reasons.

I found this novel to be a potent read and would highly recommend it for readers of global literature — especially if you expect to find yourself in Mauritius at some point.

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“Wang Chuan Village After Rain” [积雨辋川庄作] by Wang Wei [王维]

Smoke slowly rises from sodden woods;
Millet 's steamed to feed the fieldhands;
Egrets fly over foggy paddies;
Hidden birds sing from lush tree stand.
Mountain hikers study hibiscus,
Under dewy pines chew sunflower seeds,
Give mat space to any old traveler.
Gull and I: wary of each other's deeds.

Original Poem in Simplified Chinese:

积雨空林烟火迟, 蒸藜炊黍饷东菑。
漠漠水田飞白鹭, 阴阴夏木啭黄鹂。
山中习静观朝槿, 松下清斋折露葵。
野老与人争席罢, 海鸥何事更相疑?

Wen Fu 5: “Writing Styles” [文赋五] by Lu Ji [陆机] [w/ Audio]

Among ten thousand writing styles,
There's no one standard or measure.
The styles: many, muddled, and free --
Form, the unattainable treasure.
Talent in word-wrangling shows skill.
Idea conveyance shows craft.
Writers strive 'twixt have and have not --
Unyielding in shallow or deep draught.
An escape artist of fine lines --
Yet time and space consume in kind.
Intricacy excites the eye,
But frugality soothes the mind.
One of few words is not confined.
Verbose writers drift the Undefined.

The original in Simplified Chinese:

体有万殊,物无一量。
纷纭挥霍,形难为状。
辞程才以效伎,意司契而为匠。
在有无而黾勉,当浅深而不让。
虽离方而遯员,期穷形而尽相。
故夫夸目者尚奢,惬心者贵当。
言穷者无隘,论达者唯旷。