BOOK: “The Emperor in Hell” [Book 5 of the “Journey to the West” Series] ed. by Jeff Pepper; trans. by Xiao Hui Wang

The Emperor in Hell: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary LevelThe Emperor in Hell: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary Level by Jeff Pepper
My rating: 4 of 5 stars

Publisher Site – Imagin8 Press

This is the fifth volume in a series that abridges and simplifies the classic Chinese novel, Journey to the West, so that it can be read by a language learner with about a HSK 3 grasp of Chinese. It tells the story from Chapters 10 and 11 of the original novel. Like the preceding volume, this one doesn’t deal with Sun Wu Kong (i.e. the Monkey King — protagonist of the novel overall,) and doesn’t even deal with the monk Xuanzang — the protagonist of the true story on which the novel was based.) These chapters tell a story that feels like a diversion, though it will be involved in the segue back to the actions of the main cast.

In this book, the Jing River Dragon King gets in trouble when he makes a bet with a fortune-teller. The Dragon King has to cheat to save his pride, but this runs him afoul of the Jade Emperor. The Dragon King appeals to the human Emperor, Taizong, who agrees to help. When wires get crossed, Taizong ends up in the underworld for judgement. With the help of others and with promises made, Taizong is allowed to return to earth.

It’s an interesting story and gives some insight into Chinese mythology. As is always the case with a book such as this, events of the story must be cut or rushed. Readers may vary in their views about whether the right material was cut or thinned.

I continue to enjoy this series. This book was a little more challenging to read than earlier volumes, not because the vocabulary was harder. I think it was more that contextual cues were fewer, owing to it not being so tightly tied to the overall story.

If you’re just learning to read Chinese, I’d recommend this series as an interesting story made readable to a language learner.

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BOOK: “Stories and Myths of Eight Immortals” Trans. by Li Yanjia and Nathaniel Hu

Stories and Myths of Eight ImmortalsStories and Myths of Eight Immortals by Anonymous
My rating: 3 of 5 stars

Available online – Internet Archives

This is a fine collection of stories about the adventures of the Eight Immortals (mostly as individuals, but with a few stories that feature the whole group.) There are twenty-eight chapters, but a few less than that of stories because the first chapter is an introduction to the Eight Immortals, and there are a couple of chapters at the end that discuss the origins of cultural artifacts associated with the Eight Immortals.

The stories are pulled from varied sources. I would give the stories a five, but this edition is loaded with grammatical mistakes — to the point of being distracting and unpleasant to read. It reads not like a present-day Google Translate translation, but rather as if it was being spoken by someone with an uneven (remedial to elegant) grasp of English. [Not everywhere, but enough to be problematic.]

The stories themselves are engaging, often have moral, and are quick reads (mostly a page, a few more than three pages.)

If you can tolerate reading through patches of bad grammar, this is not a bad collection of stories and information about the Eight Immortals, but if it’s too much to stomach, you might want to look elsewhere. The stories themselves are widely available, though not necessarily in English and, if so, not necessarily collected into a single volume. With editing, this would be an excellent collection of stories.

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BOOKS: “The Suppressed Poems of Ernest Hemingway”

The suppressed poemsThe suppressed poems by Ernest Hemingway
My rating: 4 of 5 stars

Available online – Public Domain

I read this book because my curiosity was piqued by a reference to poems Hemingway published in Der Querschnitt, a reference that was made in a biography of Hemingway I’ve been reading recently (Forty-Three Ways of Looking at Hemingway by Jeffrey Meyers.) Five of the seventeen poems in the book are from Der Querschnitt. (Ten of the poems were published in a book entitled Three Stories and Ten Poems and a couple are odds and ends.)

The Der Quershnitt pieces are bawdy by 1920’s standards, though not particularly for today. The other poems can be a bit intense, dealing in subjects like death in war (Champs D’Honneur,) suicide (Montparnasse, and a curse upon literary critics (Valentine,) but tend to be a bit more refined (excepting Valentine. which may be the least elevated of the collected poems.)

The poems include a mix of lyric, free verse, and prose poem, though all are fairly short (the longest, The Soul of Spain, fits in three pages.)

My favorite was a short lyric poem entitled The Age Demanded, which considers the paradox of the 1920’s as a progressive age, restrained. I also found T. Roosevelt to be fascinating because in the act of critiquing Teddy Roosevelt, Hemingway (wittingly or not) gives us a bit of autobiography. (i.e.“And all the legends that he started in his life // Live on and prosper, // Unhampered now by his existence.”)

I give Hemingway more credit for saying interesting things by virtue of being bold than for saying anything in a particularly interesting way, but it’s enough to make these poems worth reading.

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BOOK: “The Dragon King’s Daughter” Trans. by Yang Xianyi and Gladys Yang

The Dragon King's Daughter: Ten Tang Dynasty StoriesThe Dragon King’s Daughter: Ten Tang Dynasty Stories by Gladys Yang
My rating: 5 of 5 stars

Google Book Site

This thin anthology contains ten stories from varied writers of the Tang Dynasty. The stories include a mix of speculative fiction, political fiction, and love stories — some being cross-genre pieces that mix elements of more than one of these categories.

I found a wide variation in how engaging the stories were. The best of them were quite good. The Spendthrift and the Alchemist, The White Monkey, and the titular The Dragon King’s Daughter were among my favorites. Each of those stories included a supernatural element, but also a thought-provoking premise.

If you enjoy Tang Dynasty literature and would like to try some of this golden literary age’s short fiction, this book is a quick and pleasant read.

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BOOK: “The Young Monk” [Vol. 4 of the “Journey to the West” Series] ed. by Jeff Pepper / trans. by Xiao Hui Wang

The Young Monk: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary (Journey to the West Book 4)The Young Monk: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary by Jeff Pepper
My rating: 5 of 5 stars

Publisher Site — Imagin8

This book, Volume 4 of the Journey to the West series, takes a turn from the books thus far. While the first three volumes (Ch. 1-7) focus on Sun Wukong, the Monkey King, this volume leaves him under the mountain where the last volume left him, and — instead — focuses on the origin story of Xuanzang — the monk who is sent by the Buddha to India to get scriptures in the original book — based on the real-world monk who did travel to India to complete the selection of Buddhist scriptures available to Chinese Buddhists.

The monk’s story might not sound like it would be as thrilling as that of the superpowered immortal monkey, but it’s a gripping tale. The story begins before Xuanzang is born and ends in his eighteenth year. So, before he is assigned to travel West to get scriptures.

As I’ve said in earlier reviews, I really like the approach of this series. It has Simplified Chinese script, pinyin, an English translation, and a full glossary of terms used, and it’s organized so as to facilitate reading by a language learner.

I continue to recommend this series for language learners who need a linguistically simplified text to be able to read.

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BOOK: “Islands in the Stream” by Ernest Hemingway

Islands in the StreamIslands in the Stream by Ernest Hemingway
My rating: 5 of 5 stars

Publisher Site – Simon & Schuster

This novel was actually published almost a decade after Hemingway’s death. It was found among his papers, a complete — but rough — draft.

The book’s protagonist is Thomas Hudson, a divorced painter living alone in the Caribbean. The story is told in three parts. In the first, Hudson’s solitary existence is brightened by a visit from his three sons (one from one ex- and the other two from a second.) The second part is the story of a prolonged bender in Cuba. The final section follows Hudson and his crew as they track the survivors of a sunken German U-boat as said Germans try to island-hop their way to safety. The three sections are each quite different in tone. The last part reads like genre fiction (i.e. commercial fiction,) while the former two are character driven literary fiction (but of quite different tones.)

The book is mostly about loss and grief and the varied ways with which it is dealt, and the process through which the griever proceeds.

I enjoyed this book. While, like a life, it may be a bit messy, I found it compelling. I’d recommend it for those who enjoy Hemingway.

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BOOK: “This and That” by Ryōkan [trans. by Stan Ziobro and John Slater]

This and That: Selected Short Poems of Zen Master RyokanThis and That: Selected Short Poems of Zen Master Ryokan by Ryōkan
My rating: 5 of 5 stars

Publisher Site — Monkfish Books

Release Date: March 24, 2026

This is a new selection of Ryōkan’s short poetry (haiku, tanka, and Chinese-Style poems) as translated by Stan Ziobro and John Slater. Ryōkan was a Buddhist monk who lived across the late 18th / early 19th century. These translations are evocative and present the sometimes whimsical and sometimes haunting work of Ryōkan well. While the forms are just three, i.e. haiku, tanka, and kanshi [Japanese Poetry in the Chinese Style,] the style varies, some being imagist and some being more philosophical. Being a monk, Ryōkan’s work is heavily influenced by a Buddhist worldview, as well as by philosophies that interacted with Buddhism — e.g. Taoism.

While I usually have no basis to judge a translation as translation and am left to reflect on it purely as stand-alone verse, in this case, I have enough experience reading translations of Ryōkan to have a feel for his work. I immediately recognized some of Ryōkan’s more famous poems: e.g. the one’s translated in this book as, “Poems? no way // when you see that my // poems aren’t poems // then we can talk poetry” or “Left behind by thief // bright moon // in my window” Yet, at the same time, I felt the translators left some of their own imprint on the poems, and their influence / voice resonated with me.

The book does have front matter to set the stage for readers, and there is a “Notes” section that includes useful background on the poems. I found this ancillary matter useful, but not excessively verbose or intrusive.

If you enjoy Japanese poetry or Buddhist influenced poetry, I’d highly recommend this selection.

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BOOK: “The Ruins” by Ye Hui [Trans. by Dong Li]

The Ruins: PoemsThe Ruins: Poems by Hui Ye
My rating: 5 of 5 stars

Publisher Site — Deep Vellum

This is a Chinese-English bilingual edition of Ye Hui’s first poetry collection. The poems use stark imagery with occasional instances of philosophizing and surreal statements to create a vivid and provocative set of poems.

As I’m learning Chinese, it was nice to have the original poems in Simplified Chinese script next to the English translations. While I’m not up to a reading level sufficient to taking on Modern Poetry (any poetry for that matter,) it was useful to peruse the Chinese text. I did appreciate how much vibrance the author wrings out of a relatively simple vocabulary.

I’d highly recommend this collection for poetry readers.

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BOOK: “The Wanderer’s Song” by Johann Wolfgang von Goethe [trans. by John Kent]

The Wanderer's Song: Essential Poems (Pushkin Press Classics)The Wanderer’s Song: Essential Poems by Johann Wolfgang von Goethe
My rating: 4 of 5 stars

Publisher Site — Pushkin Press Classics

This is a new translation of select poems of Johann Wolfgang von Goethe. It’s a clever and varied set of poems by one of German literature’s all-time greats, a polymath of the 18th and early 19th centuries.

It can be a challenge for a general poetry reader to relate to this work. Over two hundred years since most of these poems were composed, the collection reflects a worldview quite different from that which one finds today. That said, the translations are readable and pleasant and don’t feel strained or clunky, and the collection has instances of sublimity. Having no background in German Literature, I can’t say how true the translations are to source material, but they stood solidly as poems in their own right. The book does offer a substantial introduction by the translator for individuals who are particularly interested in the German literature, translation decisions, or the life of Goethe.

I would recommend this for poetry readers, even though casual readers may find it a bit archaic. If you like the Romantic poets, and haven’t given Goethe a try, it’s well worth the time investment.

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BOOK: “The Immortal Peaches” [Vol. 3 of “Journey to the West”] Ed. by Jeff Pepper / Trans. by Xiao Hui Wang

The Immortal Peaches: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary (Journey to the West Book 3)The Immortal Peaches: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary by Jeff Pepper
My rating: 5 of 5 stars

Publisher Site – Imagin8

This is the third volume in this Journey to the West series aimed at language learners. It covers Chapters 5, 6, and 7 of the book, which includes events from Sun Wukong’s return to heaven acknowledged with the title “Great Sage Equal to Heaven” through the conflicts that result from his lack of control and decorum to Buddha’s bet with Monkey King.

I’ve enjoyed this series. The pinyin is interspersed with an abridged and linguistically simplified Chinese telling of the story on a paragraph basis, and the English translation is at the end. This allows one relatively quick access to the pinyin without continually cheating by stray glance. Also, one can determine whether one wants to read the English translation before or after reading the Chinese, as is appropriate to one’s level and language learning strategy. The book also has a glossary of all the Chinese words it uses, and the words beyond the most basic (beyond HSK3, or so) are footnoted. (I read on kindle, so looking up translations of any words is as quick as highlighting them.)

This is a great language learning tool, featuring one of Chinese literature’s most engrossing stories. I’d highly recommend it for those learning Mandarin Chinese with Simplified script.

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