Category Archives: Book Reviews

BOOK REVIEW: Born a Crime by Trevor Noah

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Born a Crime: Stories From a South African ChildhoodBorn a Crime: Stories From a South African Childhood by Trevor Noah
My rating: 5 of 5 stars

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As a rule, I don’t read books by celebrities. This is the first one I can remember reading. My reasoning is rooted in publishers’ beliefs that such books will sell no matter what, and anything that doesn’t have to be good is unlikely to be.

And yet, I’m glad I made an exception for this book. Perhaps, because it’s not a book about Noah’s rise to fame, there are only a few off-hand references to his early career successes in South Africa. This book is about his youth in South Africa as a mixed-race child under Apartheid (hence the title, as such interracial progeny were illegal.) The book focuses heavily on race and the bizarre logic of South African governance during those days, as well as how rulers set groups against each other to make their own misbehavior less conspicuous. However, it’s also a very personal story, telling of his close relationship with his mother, the abuse he and his mother suffered from his drunkard stepfather, and the challenges that compelled him to adapt to survive loneliness and the awkwardness of youth.

Given Noah’s comedic merits, it will come as no surprise that the book is humorous, despite the tonal burden of its subject matter – i.e. racism, poverty, and abuse. Often, the subject matter makes the humor dark and bitter, but it’s nevertheless amusing.

If you’re curious about life under apartheid, or in an abusive household, you’ll likely find yourself in the grips of this tense and hilarious memoir.


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BOOK REVIEW: Darjeeling by Jeff Koehler

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Darjeeling: A History of the World's Greatest TeaDarjeeling: A History of the World’s Greatest Tea by Jeff Koehler
My rating: 5 of 5 stars

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As Bordeaux or Tokaj are to wine, Darjeeling is to tea, producing a quality beverage considered by many to be the best in the world. However, this isn’t merely the story of how this region of northern Bengal (or, alternatively, Gorkhaland) came to produce a unique kind of tea that would be sought-after around the world. It’s also a story of empire and how Britain’s insatiable demand for tea drove major developments in geopolitics. It’s yet further the story of recent troubled times of Darjeeling tea, from labor shortages to environmental degradation, and what tea estates have done to adapt – from management / organization changes to organic production techniques.

Lessons in the history and geography of tea may seem niche and uninteresting, but the story of tea is actually quite fascinating, involving Opium Wars, the Black Hole of Calcutta, and an industry shakeup resulting from India’s independence.

I found this book compelling, and thought it did a good job of zooming in and out between local and global (and past to present) to maintain the interest of a diverse readership. Whether the book is exploring attempts to transplant tea shrubs and expertise from China or the changing customer base for Darjeeling tea, it’s an engaging and thought-provoking story. If you’re interested in tea, world history, or agribusiness, you’ll likely find something in this book to hold your attention.


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BOOK REVIEW: Drunk Flies and Stoned Dolphins by Oné R. Pagán

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Drunk Flies and Stoned Dolphins: A Trip Through the World of Animal IntoxicationDrunk Flies and Stoned Dolphins: A Trip Through the World of Animal Intoxication by Oné R. Pagán
My rating: 5 of 5 stars

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Humanity’s proclivity to think ourselves above nature has led us to miss the fact that we aren’t the only intelligent creatures and that we share more in common with the rest of the animal kingdom than – perhaps – we’d like to think. Science’s recognition of this truth has spawned a vast collection of books on animal (and, for that matter, plant) intelligence as well as the other traits we share in common with different species. This book carves out an interesting niche in this literature by discussing how other creatures use psychoactive substances (i.e. what we think of as “drugs and alcohol.”) While people tend to think that we are alone not only with respect to intelligence, but also with respect to our vices, it turns out this doesn’t seem to be the case. Of course, there’s a lot we don’t know about dolphins that play with blowfish or monkeys on magic mushrooms – e.g. what their internal experience of the substance is like, and to what degree consumption is purposeful versus accidental, but there is an increasing number of studies that suggest other species use drugs, and like it. The book also delves into the role plants play, particularly in producing substances that have psychoactive effects.

This book is humorous (the material is certainly there) and intriguing. It’s an easy pop science read, and avoids becoming too bogged down in the minutiae of biochemistry. That said, it does include graphics, such as chemical diagrams of psychoactive molecules, and does have to dip its toe into concepts of biology and chemistry. If you find the topic intriguing, you should give it a read.

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BOOK REVIEW: The Divine Madman by Keith Dowman

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The Divine Madman: The Sublime Life and Songs of Drukpa KunleyThe Divine Madman: The Sublime Life and Songs of Drukpa Kunley by Keith Dowman
My rating: 5 of 5 stars

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This book offers stories from the life of Drukpa Kunley, along with some interspersed poetry. Kunley was a “mad sage” (a Nyönpa, as Tibetan Buddhists call such individuals) / tantric yogi of the Vajrayana Buddhist tradition who lived during the 15th and 16th centuries in Tibet and Bhutan. Today, his most well-known legacy is the phallic graffiti that is common in Bhutan (encouraging it, not drawing it all himself.) Kunley’s approach was definitely tantric and ran counter to the mainstream. By “tantric” I mean that he did not eschew those activities that mainstream religion seeks to prohibit, but rather saw them as a means to master the mind through mindful practice. So, as the Bhutanese phalluses might suggest, he often comes across as sex-obsessed as well as being a drunkard, but the whole idea of this crazy form of wisdom is to rise above the programming of societal convention, and to be free of all the little niggling value judgements that culture and religion impose on the world in order to see life through a less distorted lens.

I’m not qualified to speak to how well concepts are translated, but the book is readable and thought-provoking, and that’s enough for me. There’s humor throughout, as when Kunley tells the monks of the monastery he’s visiting that he has a friend who is an excellent singer, and then proceeds to bring a goat in to bleat for them. That said, those who are attached to the mainstream religious approach and who place a high value on societal conventions are likely to find much to be offended by in the carefree discussions of sex and the wild statements designed to shock people out of their stupors.

I enjoyed reading this book, found it full of interesting ideas, and would recommend it for anyone interested in the person or philosophy of Drukpa Kunley.

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BOOK REVIEW: unMind: A Graphic Guide to Self-Realization by Siddharth Tripathi

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unMind: A Graphic Guide to Self-RealizationunMind: A Graphic Guide to Self-Realization by Siddharth Tripathi
My rating: 5 of 5 stars

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This clear and concise guide uses graphics and story to make the self-realization teachings of Sri Ramana Maharshi (and those influenced by him) approachable and even entertaining. Ramana Maharshi was a Jnana yogi who advocated a single-minded path of self-inquiry as a means of coming to grips with one’s life. This book does a spectacular job of conveying the method of self-realization and exploring the philosophical ideas that inform it.

For those unfamiliar with Jnana Yoga, there can be said to be three forms of yoga. Bhakti Yoga is the devotional form practiced by those who have an affinity for worship. Karma Yoga is associated with actions and a selfless works. This leaves Jnana Yoga, which is the studious branch of Yoga. Jnana yoga is widely considered to be the most difficult path because it requires constant self-investigation, and because one is working without a net in that one takes nothing on faith, but rather one must see for oneself. This makes Jnana Yoga the least appealing “flavor” of yoga, but if one is a scientifically-minded and studious person, it offers an option that one will find far preferable. While terms like “self-inquiry” and “self-realization” may sound pretty pie-in-the-sky, the approach is really quite grounded.

I found both the text explanations and the artwork to be incredibly effective in explaining the ideas behind self-inquiry and Jnana Yoga. The artwork combines comic strip style graphics with full-page stylized images. Not all the material features graphics, but the text-only pages are concise and easy to follow.

If you are looking for insight into Jnana Yoga, self-inquiry, self-realization, or just the way the mind works, generally, I’d highly recommend this book.


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BOOK REVIEW: Zen Art for Meditation by Stewart W. Holmes and Chimyo Horioka

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Zen Art for MeditationZen Art for Meditation by Stewart W. Holmes
My rating: 5 of 5 stars

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This is a clear and insightful exploration of what puts the Zen in Zen art. Zen Buddhism has long been associated with mind states conducive to peak performance in everything from tea making to swordsmanship. This book examines how Zen philosophy and mindset shows up in paintings and haiku poetry.

Fifteen tenets of Zen are presented, and for each of them two paintings (i.e. sumi-e) and several poems (i.e. haiku or tanka) are shown that have subject matter exemplifying the precept in question. The text points the way to understanding how the art is informed by Zen ideas.

I’ve read other books on the nexus between Zen and art, but this one became my favorite. It is concise, well-organized, and illuminating. There are a number of classes of people for whom I’d highly recommend this book. If you are studying Zen meditation (or peak mental performance more generally,) this book is for you. If you are a poet interested in Japanese forms, this book is for you. If you are an artist or a student of Chinese and Japanese painting styles, this book is for you. And, if you are interested in philosophy, be it Buddhist philosophy or aesthetics, this book is for you.


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BOOK REVIEW: A Simpler Life by The School of Life

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A Simpler LifeA Simpler Life by The School of Life
My rating: 3 of 5 stars

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Out: January 6, 2022 (May be later in your market)

This book is hard to rate because for the person who is entirely new to the subject, it will offer some interesting food for thought and point one in the direction of useful resources. However, if you’ve been giving the topic some thought and have read works like Kamo no Chōmei’s “The Ten Foot Square Hut,” you’re likely to find it a disappointing regurgitation of the thoughts of others mixed with banal truisms. So, I wouldn’t recommend it for someone who’s begun simplifying their lives, but for someone who needs an entry point that isn’t as intimidating as hardcore works such as that of Chōmei it might be of use.

My biggest problem with this book was that it seemed to suggest that because simplifying means more simplicity that all readers would be converging toward the same life. In other words, that there isn’t space for a diversity of approaches to simplicity. In one of the great ironies of the book, it advocates for reading less and having at most a dozen books on one’s shelf. The irony isn’t the suggestion of fewer books, but that in a world in which no one had more than a dozen books on their shelves, this book would not exist on any of them. And the kinds of books this book suggests are essentially self-help titles. [To be fair, I almost never read self-help books because they mostly (and certainly in this case) leave me feeling like I would having come from a fortuneteller – i.e. feeling lighter in the wallet, but no wiser in the mind.]

This isn’t a bad book, but I think most readers can do better.


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BOOK REVIEW: Zen in the Art of Writing by Ray Bradbury

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Zen in the Art of WritingZen in the Art of Writing by Ray Bradbury
My rating: 5 of 5 stars

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I rarely re-read books, but I’m glad that I revisited this one. I think I read it more smartly on the second go — more in a way that benefited from Bradbury’s style and message. The book’s nine essays, capped by a small collection of poems, convey lessons on writing, and – specifically – creativity in writing. Bradbury was among my favorite authors because he combined brilliant language with clever stories – i.e. he was creative on both levels. That’s a rarity. There are many excellent storytellers whose language lacks poetry or finesse. And, there are writers who are eloquent and evocative with language, but who either care little for, or have limited gift for, story.

While Bradbury claimed no expertise in Zen and doesn’t hide that he cribbed his title from a popular work by Eugen Herrigel entitled, “Zen in the Art of Archery,” it remains an appropriate title for the book and its eponymous final essay. Throughout the book, one can feel the Zen in Bradbury’s writing. He lets his words and analogies flow without becoming obsessively analytical about them – or at least appearing not to have been. Bradbury uses a lot of short, punchy sentences and a great many poetic applications of figurative language. He practices what he preaches as he both gives lessons and simultaneous demonstrations on how to write. His advice ranges from using single word writing prompts to shake one out of writer’s block, to the very Zen idea of avoiding thought – i.e. letting the words come from the subconscious. Lest one think that there is a conflict in a book on creativity that draws from another book’s title, there’s a recognition that creative writing is never wholly novel.

This book is well worth reading, not just for writers but for other artists and creative types as well. I highly recommend it.


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BOOK REVIEW: Monkey: New Writing from Japan: Vol. 2: Travel ed. Ted Goosen & Motoyuki Shibata

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MONKEY New Writing from Japan: Volume 2: TRAVELMONKEY New Writing from Japan: Volume 2: TRAVEL by Ted Goossen
My rating: 5 of 5 stars

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Out: December 28, 2021

This anthology of travel-themed short writings by prominent Japanese authors includes: short stories, essays, poems, excerpts from longer works, and even an illustrated story [i.e. “The Overcoat” by Satoshi Kitamura.] The nature and degree of travel varies considerably with some pieces being travelogues or setting-centric fiction, but other pieces explore travel in a more symbolic sense (e.g. “Hell” by Kikuko Tsumura or “Decline of the Aliens” by Hideo Furukawa.] And one piece, “Cardboard Boxes and Their Uses” by Taki Monma deals more with the topic of being shut in, so it might be considered a study in travel through its absence.

The anthology includes works by literary stars such as Mieko Kawakami, Haruki Murakami, and Yasunari Kawabata, and showcases translation by some of the most well-know translators of Japanese literature. [The edition ends with a dozen brief statements by translators about what they have found particularly daunting to translate — not necessarily because the literal translation is difficult but because the elegance of the origin language can be lost to clunkiness in the translated language.]

Among my favorite pieces were “The Dugong” (a historical fiction story with a “Journey to the West” feel to it,) Haruki Murakami’s essay entitled “Jogging in Southern Europe” (which anyone who’s ever exercised amid people who don’t exercise will find amusing,) “Five Modern Poets on Travel” [particularly the tanka of Kanoko Okamoto and the haiku of both Hisago Sugita and Dakotsu Iida,] and “Every Reading, Every Sound, Every Sight” by Jun’ichi Konuma. That said, I don’t think there was a clunker in the bunch, each piece was well-composed and translated, and I’d highly recommend reading this book.


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BOOK REVIEW: Why I Am a Hindu by Shashi Tharoor

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Why I am a HinduWhy I am a Hindu by Shashi Tharoor
My rating: 4 of 5 stars

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There are two core premises in this book. First, Hinduism is non-dogmatic and can be almost whatever a given believer needs it to be, and, therefore, the objectionable elements associated with it [e.g. casteism] aren’t the religion’s fault. Second, Hindu nationalism represents a break from Hinduism’s historical proclivity for acceptance, which (circling back to the first point) results from the fact that believers aren’t forced to accept particular beliefs, thus making it easier to accept that believers from other sects have different perspectives.

Overall, the book’s first part does a fine job of showing how Hinduism has historically been accepting, non-dogmatic, and pluralistic; and the second part neatly describes the many ways in which the Hindu nationalist movement has abandoned those same values – ironically moving away from Hinduism’s open and agreeable nature to adopt the parochial and fanatical ways that they’ve decried in others.

As common among those wishing to glorify religions as faultless, Tharoor does some whitewashing. He argues that casteism (as with other faults) isn’t the religion’s problem, but society’s. However, Tharoor doesn’t make a convincing argument that the caste system could stick devoid of religion’s authority, or even that there’s a clear distinction being made.

When I reviewed Kancha Ilaiah Shepherd’s Why I’m Not a Hindu, I mentioned that I was reading these two diametrically titled books to get a clearer picture of the religion. What I found was that they’re both anti-Hindu nationalist works, though coming from very different perspectives. I did learn a great deal from reading each of the books, though they largely talk past each other as opposed to offering the head-to-head one would expect, given the opposing titles.

I would definitely recommend reading this book, with the proviso that one be cautious for instances of embellishing or glossing over, which – it seemed to me – did take place.


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