little Zen Garden
evokes a craggy cliff
despite scale issues.
Zen Garden [Haiku]
Reply
Category Archives: Zen
BOOKS: “Improv Wisdom” by Patricia Ryan Madson
Improv Wisdom: Don’t Prepare, Just Show Up by Patricia Ryan MadsonMy rating: 4 of 5 stars
Publisher’s Website
One might expect this to be a book about how to perform improvisational comedy, but it’s better described as a philosophy of life that employs lessons from improv. There are books that take a much more tailored approach to building an improv act. This one, rather, broadens its target demographic from those interested in theater and comedy to everybody. It discusses applying lessons such as default to positivity (the famous “Yes, and…” of improv) both on and beyond the stage.
Each of the thirteen chapters is built around a maxim that might be heard in an improv theater or troupe. The crux of the matter is building the confidence and sense of freedom to be able to behave spontaneously in an environment that’s stressful and somewhat chaotic. Most of the lessons approach an aspect of the problem of surrender and free response action, though there are broader lessons such as the benefits of gratitude and helpfulness. While I call the book’s content a philosophy of life, the author doesn’t spend a lot of time drilling down into established philosophies, with the exception of Buddhism — specifically of the Zen variety. As one might imagine, Zen — with its emphasis on non-attachment and avoidance of overthinking — has a substantial overlap with the approach to living that Madson is proposing.
“Improv Wisdom” is set up as a self-help book, featuring not only lesson-based organization but also offering a few exercises in each chapter.
This is a quick read and might prove to be of great benefit to those who have never thought much about the challenges and lessons of improv. The book can’t be said to be groundbreaking in terms of the lessons it presents, but its focus on what improv elucidates about these lessons is interesting and unique.
View all my reviews
Share on Facebook, Twitter, Email, etc.
Zen Garden [Lyric Poem]
I see those serene figures sit
amid Zen Garden evergreens.
Like Benkei, they don't move a whit,
Their minds are free of thoughts & dreams.
The moss is growing on them, now,
and birds have left their fecal splat.
Don't envy how they've found the Dao,
but how they have no need of hats.
Share on Facebook, Twitter, Email, etc.
PROMPT: Comfort
What strategies do you use to increase comfort in your daily life?
I don’t, but I have a lot of strategies for being more content in the face of various situations and environments — including uncomfortable ones. These include the yogic practice of dispassionate witnessing, minimalism, travel (and specifically minimalist travel to places – the less familiar the better,) and intense physical activity.
I think comfort as a major objective in life is overrated, and virtually insures a discontented life. A life in which one can be content, whatever may come along, is a happy life.
Share on Facebook, Twitter, Email, etc.
Ikkyū’s Poetry: The John Steven’s Wild Ways Selection / Translation
Wild Ways: Zen Poems of Ikkyu by IkkyuMy rating: 5 of 5 stars
This is the John Stevens selection and translation of poetry from Ikkyū’s Crazy Cloud Anthology. Ikkyū was what might be called a mad sage of the Rinzai sect of Zen Buddhism. He once showed up at a temple in his vagabond rags and was turned away, when he came back the next day in the ceremonial robes that revealed him as a preeminent monk and was subsequently treated like royalty, he took the robes off and told the abbot that it was apparently the robes that were honored and deserving of a meal. Ikkyū was known not only for his rejection of dogmatic and highfalutin approaches to Buddhism, but also for his love of sex, brothels, meat eating, and poetry. Much of the poetry touches on those two subjects (disdain for dogma and pretension and love of pleasure,) though there are also poems that explore nature and the kind of imagery one might be more likely to expect in Japanese poetry.
Ikkyū mostly wrote in quatrains, using a Chinese style of verse. Though Ikkyū was no more dogmatic about following poetic protocols than he was following monastic precepts, and often went with the flow.
I read the Stephen Berg translation, Crow with No Mouth several years ago. I would put this one on par with that one. There are actually several translated selections from the Crazy Cloud Anthology poems that are available. If you are interested in Ikkyū’s poetry, this is as good a place to start as any. It should be noted that while some of the poetry is around sexuality, it’s not particularly graphic but more suggestive.
View all my reviews
Share on Facebook, Twitter, Email, etc.
Crow Sound [Tanka]
the sharp caw of a crow triggers a monk's enlightenment. a second crow responds. a sailor doesn't look up.
Share on Facebook, Twitter, Email, etc.
Ikkyū Limerick
There was a Zen master named Ikkyū who was thought by many to be cuckoo. He'd allow a toot on his very own flute. Which was unbecoming of flutists (& monks, too.)
Share on Facebook, Twitter, Email, etc.
Satori [Free Verse]
It was a moment of silent spaciousness. In the midst of a fight, there was no enemy -- just the effortless dance of the thing. That moment expanded to the infinite, & snapped back to one tick after the tock. Since then, no catastrophe has felt too great for a smile.
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: Singing and Dancing Are the Voice of the Law by Busshō Lahn
Singing and Dancing Are the Voice of the Law: A Commentary on Hakuin’s “Song of Zazen” by Bussho LahnMy rating: 5 of 5 stars
Amazon.in Page
Release Date: December 20, 2022 [In India, may be out in your area.]
This book consists of a collection of essays inspired by the poem, “Song of Zazen,” written by the 18th century Zen master, Hakuin. Hakuin’s poem is brief (about forty lines,) and the essays composed by a present-day Zen priest (Lahn) offer commentary on a stanza-by-stanza basis. The book is divided into fourteen chapters, though the final chapter isn’t a stanza commentary.
I enjoyed reading this book and learned a great deal from it. The book benefits from the fact that the author is not rigidly sectarian. Therefore, the book is not doctrinaire, which warms the reader to the teachings. It’s also useful because it allowed the author to freely draw examples and quotes from a variety of sources, some of which may be more familiar or relatable to neophyte readers.
The last chapter offers a discussion of the fundamentals of zazen (seated meditation) as well as some other ancillary information that may be useful to readers new to Zen Buddhism, its practices, and its sutras. If you’re interested in Zen Buddhist meditation and philosophy, you may want to give it a look.
View all my reviews
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: Dropping Ashes on the Buddha by Seung Sahn
Dropping Ashes on the Buddha: The Teachings of Zen Master Seung Sahn by Seung SahnMy rating: 4 of 5 stars
Amazon.in Page
This book’s one-hundred brief chapters mostly consist of interactions between the Korean Zen Buddhist teacher, Seung Sahn, and students of his. However, there are also some old Zen stories, and a few odds and ends: such as the transcript of a completely unproductive “dialogue” between Seung Sahn and a Hindu yogi. Some of the student-teacher interactions are epistolary, but others are face-to-face “dharma combat” or Q&A sessions (which also, ultimately, became dharma combat — given Seung Sahn’s teaching methods.) Dharma combat is a dialogue that resembles Socratic dialogue except that the goal isn’t to use logic and sound reasoning to persuade another, but rather to demonstrate a lack of attachment and proclivity to overintellectualize. It involves a lot of seemingly nonsensical answers and occasional shouting and slapping / hitting. It sounds unproductive, but the objective is to break established cognitive modes and to induce epiphany, rather than to build a rational argument.
It’s a thought provoking and informative book, if a bit repetitive. Most of the conversation revolves around less than a dozen ko-an [kong-an in Korean,] which are questions or statements that’re intended to provoke a kind of realization rather than to produce a straightforward / rational answer. It’s not a problem that there’s repetition, as these aren’t straightforward ways of thinking, and oftentimes it takes many varied looks at a ko-an to grasp what’s being conveyed. That said, I felt this book could’ve used some editing to streamline the dialogue a bit to make it feel a bit less punitively redundant.
If you’re interested in ko-an and dharma combat, this is a great book to look into. However, if you’re familiar with many of the popular ko-an and Zen stories, it may feel a bit redundant.
View all my reviews
Tiger Riding for Beginners 