Tap the resonance
And vibrate at the rate
Of those eternal emanations --
The thrumming under-pulse
Of the Universe.
The ripples that can't be heard
Or felt haptically,
But must be tuned into
To feel, otherwise.
Downshift what is you --
Put your Self into idle.
Don't panic
As you start to slide --
Frictionlessly,
A lack of friction that's
Unfamiliar & Uncomfortable,
But which will be the way
One's worldline plays out --
Effortlessly -- to the end.
Play: How It Shapes the Brain, Opens the Imagination, and Invigorates the Soul by Stuart M. Brown Jr.
Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.
This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from sea,
And the hunter home from the hill.
Walk with a mind that's clear and unburdened,
With life force that flares -n- flows like rainbows,
Traversing the witch's gorge through the mountains --
Among the floating clouds and blowing winds.
Drink up the spiritual; dine on the real;
Let them ever build up in your body.
Emulate the health and might of the gods,
Preserve your energy through harmony.
Be one with Heaven, be one with the Earth.
See in yourself divine transformations.
Know all this to the utmost -- be all this,
And hold on to it 'til the bitter end.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the eighth of the twenty-four poems.
Of what use for us is a man who, although he has long practiced philosophy, has never upset anyone?
Diogenes of sinope on Plato, according to themistius
The superstition that we must drive from the Earth is that which, making a tyrant of God, invites men to become tyrants.
Voltaire in On Superstition
The progress of an artist is a continual self-sacrifice, a continual extinction of personality.
T.S. Eliot in Tradition and the Individual talent
What’s the difference between a king and a poor man if they would both end the same bundle of white bones.
Zhuangzi
The absence of evidence is not the evidence of absence.
Carl sagan (Note: There are variations on this quote that long predate Sagan’s)
HONORABLE MENTIONS:
You live off the crumbs that fall from the festive table of my genius.
Kurban Said in Ali and Nino [Not so much wisdom as a wicked burn]
To roam Giddily and be everywhere, but at home, Such freedom doth a banishment become.
John donne in a Poetic letter to rowland woodward
Lions are not the slaves of those who feed them, it is the feeders, rather, who are the lion’s slaves. For fear is the mark of a slave, and wild beasts make men fearful.
Diogenes the cynic
The Dangerous Life and Ideas of Diogenes the Cynic by Jean-Manuel RoubineauWhich aspects do you think makes a person unique?
Genetic code and life story.
Inner Space Philosophy: Why the Next Stage of Human Development Should Be Philosophical, Explained Radically by James TartagliaBy the measure of having taught still useful lessons about HOW to think (those who taught me WHAT to think are largely forgotten along with their lessons,) that would be a tie between my 11th grade Psychology teacher and an undergrad Religious Studies professor. The former, among other ideas, first exposed me to what I would come to believe is the most important lesson of human existence under his label of the “gestalt of expectations.” [I’ve never heard anyone else refer to it as such, but the lesson was sound and I would latter find it in philosophies from Buddhism to Stoicism.] The latter teacher, among other ideas, exposed me to two common opposing modes of fallacious thinking, what he called “the outhouse fallacy” and “the first-est is best-est fallacy” (he was a folksy, if erudite, professor.)
In terms of personal growth and development, generally speaking, there are numerous teachers of martial arts, yoga, and other mind-body practices that are incomparable and thus unrankable. Not to mention, a sound argument can made for the repugnantly unhumble statement that I am my most influential (and most important) teacher. (I state this claim not as though I am unique, but as one that could apply to anyone.)
Anyone
can see beauty
in the flawless.
Artists
can see beauty
in the flawed.
Sages
can see beauty
in chaos.
Tiger Riding for Beginners 