Tag Archives: Philosophy

BOOKS: “Be Funny or Die” by Joel Morris

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Be Funny or Die: How Comedy Works and Why It MattersBe Funny or Die: How Comedy Works and Why It Matters by Joel Morris
My rating: 5 of 5 stars

Author Site

Release date: Sept 4, 2025 [paperback, hardcover is already out]

This is a comedy writer’s guide to how humor is crafted. It’s a bit popular psychology and a bit of a how-to guide. If one is expecting, because it’s on comedy and humor, a book that is a laugh riot on every page, this isn’t the book for you. That’s not so say Morris doesn’t pepper the book with witty commentary and humorous examples, but it’s ultimately a book about how the sausage gets made and is, thus, somewhat analytic — if in a readable style.

At the core of Morris’s theory of comedy is a three-component structure: construct, confirm, and confound. Other major ideas are the fundamental tribalism of comedy and the connections between comedy and music. It wouldn’t be a present-day book on comedy if there wasn’t some discussion of the idea of offense and the “limits” of what can be said.

I can’t say all of Morris’s ideas found immediate resonance with me, but even when I didn’t fully buy the argument, I did find the presentation thought-provoking. For example, I don’t know that I buy Morris’s argument about the importance of tribality to comedy. I do agree that one needs a common language and some overlap of experience, but all of humanity has a domain of overlap of experience. Yes, one may have an easier time the more extensive that overlap is, but ease doesn’t necessarily mean one can’t get big laughs from an audience whose worldviews and experience are radically different from one’s own. [Of course, I may just be being overly sensitive as a traveler in a tribal world.]

For writers, the end of the book has a few chapters that are more about story than comedy – per se, and – while these chapters compare and contrast comedy and drama writing – they provide information useful to any writer engaged in storytelling.

I’d highly recommend this book for any readers interested in comedy writing, be it of standup material, scripts, or other content.

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PROMPT: Influential Teacher

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Daily writing prompt
Who was your most influential teacher? Why?
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I’d say my first full-time martial arts teacher, because I was young enough to have considerable open domain in which said teacher could be influential and because the lessons were so diverse — from kinesthetics to ethics to culture to psychology.

By “most influential” I think one means having had either the broadest or most profound influence. (I favor the importance of the latter, the lessons that stick with one and which inform one’s philosophy of life.) This definition favors earlier teachers, but as I don’t remember any specific lesson taught by a specific elementary school teacher, they’re out (though I learned useful things from them and they ranged from competent to quite skilled as teachers go.) The earliest profound lesson I received through scholastic education, one that became a core tenet in my philosophy of life rather than just a skill, was in high school — and in my junior or senior year at that.

As with books, if I can take away one profound lesson from a teacher, I consider my experience well worth the time and energy. And most influential isn’t necessarily the prime criterion for a teacher — and certainly doesn’t necessarily mean best or most skilled or most in command of a diverse array of knowledge.

PROMPT: More Every Day

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Daily writing prompt
What do you wish you could do more every day?
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Have epiphanies. They are quite hard come by.

PROMPT: Negative Feelings

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Daily writing prompt
What strategies do you use to cope with negative feelings?
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Feel them, but don’t feed them. By that I mean take time to be aware of the feelings, but do not let the mind go into its default mode of fixation upon the object informing these sensations and worst-case scenario building. Give the feelings your attention but recognize that you influence your experience of the world and don’t give the mind free reign to build an illusory scenario that it accepts as its reality. (i.e. Remember what Mark Twain said, “I’ve had a lot of worries in my life, most of which never happened.”)

The biggest problem with negative feelings is that the go-to modern strategy is attempted distraction (by vice, by entertainment, by activity, etc.) this leads the body to turn up the heat. If you give the sensations your attention without adding value judgements, it becomes impossible to obsess. For yoga practitioners who’ve done Yoga Nidra (Yogic sleep) the experience will be familiar. One often begins by being attentive to sounds, by giving the sounds attention without judgement, your mind starts to lose interest and it becomes harder for those sounds to distract you throughout the practice. This approach to negative feelings is much the same.

Also, breathwork that extends the exhalation component of breath will shift the balance toward rest and digest activity.

Ultimately, realize that these feelings are just sensations your body and brain use to turn your attention in certain directions. They have no more power than that, other than what one grants them. They are not identical to — or inextricably linked with — the events of the world that triggered them, and — therefore — you get to be the master of, and not the slave to, your feelings.

The next time you find yourself getting bogged down by a negative feeling, give the feeling a minute or two of pure undivided attention, and then think, “This is a wonderful opportunity to learn how my body and mind work.” See what happens.

Wen Fu 1: “Poetic Experience” [文賦一] by Lu Ji [陆机] [w/ Audio]

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The poet stands in the Center
   And stares into deep mysteries.
 He's nourished by reading Classics
   And tombs of the men in Histories.
 He sighs as four seasons pass by
   And thinks upon ten-thousand things.
 He's saddened by Autumn's leaf drop
   And gladdened by the tender Spring.
 He feels Winter's frost on his heart,
   Though his mind may be up in a cloud.
 And when he sings of ancestors'
   Heroic deeds, he belts the song aloud.
 He combs through great literature
   Just as he roams the forest wild,
 But in search of a "natural" --
   Shown in elegant phrase and style.
 And it's just such thoughts and feelings
   That set my brush and mind wheeling.

The Original Chinese:

佇中區以玄覽，頤情志於典墳。
遵四時以嘆逝，瞻萬物而思紛。
悲落葉於勁秋，喜柔條於芳春，
心懍懍以懷霜，志眇眇而臨雲。
詠世德之駿烈，誦先人之清芬。
游文章之林府，嘉麗藻之彬彬。
慨投篇而援筆，聊宣之乎斯文。

PROMPT: Superstitious

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Daily writing prompt
Are you superstitious?
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No. I’ve trained myself to recognize factors, such as selection bias, that contribute to superstitions. And I try to hold all beliefs only so tightly as they can be shaken away by better understanding, particularly beliefs that aren’t strongly supported by experience and reason.

PROMPT: Learned

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What is the last thing you learned?
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I was just reading George Bernard Shaw: A Very Short Introduction and learning about how his philosophy informed his plays. In particular, I learned why the play Pygmalion, which I recently read and which is the origin of the popular musical My Fair Lady, has an odd appendix which tells of the main characters’ continued life stories after the events of the play — as Shaw imagined them. Apparently, audiences pined for a love story between Henry Higgins and Eliza Doolittle, and Shaw never wanted that. Apparently, when Shaw saw what actors and directors were doing to tilt the story toward that love affair, he felt the need to add a postscript to set things straight.

PROMPT: Hated Question

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Daily writing prompt
What is one question you hate to be asked? Explain.
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Being a traveler who lives abroad, the answer is simple: “Where are you from?”

As a traveler, I can’t grasp tribal / jingoistic people’s obsession with where one fell out of one’s mom, and it always feels a bit xenophobic — as though, noticing one’s foreignness, there is a rush to determine whether one is one of the tolerable foreigners or one of the really bad ones.

As an introvert, the question offends my preference to be talked to by people who have something to say, and to be left alone by people who are just playing out social programming with the objective of breaking silence that they find objectionable (but which I, as a rule, find delightful.) (Even being highly introverted, I can converse for hours with someone who has something to say on a topic that is neither themselves nor me — i.e. I love ideas but hate small talk and interaction for the sake of interaction.)

Plus, it just gets annoying being asked the same question sixty times a day when I’m in more remote parts — a question, the answer to which will be forgotten in three minutes and is merely sound for sound’s sake. In the unlikely event that one hopes to have an actual conversation with me, one must start with something that is not your culture’s default socially programmed question. One must get to at least the second most commonly asked question, a question varies from person to person (in my case, it’s: “Why are you such an asshole?”)

FIVE WISE LINES [March 2025]

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Would the world ever have been made if its maker had been afraid of making trouble?

george bernard shaw, PygMalion

Refrain from talk of others’ shortcomings; don’t rest on your strengths.
[罔谈彼短; 靡恃己长.]

Thousand Character classic [千字文]

The reasonable man adapts himself to the world: the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.

george bernard shaw, Man and superman

A child is the most reliable measure of time. His daily growth is proof of your daily ageing and decline. The child’s gains are your losses, and the closer a child gets to anything, the farther you withdraw, as though you were tied to one another on opposite spokes of a wheel and the wheel, without your noticing it, turns. Dawn for the child is dusk for you.

Otar chiladze, A Man was going down the road

We are all dependent on one another, every soul of us on earth.

George bernard shaw, Pygmalion

“Lethe” by Walter de la Mare [w/ Audio]

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Only the Blessed of Lethe's dews
   May stoop to drink. And yet,
 Were their Elysium mine to lose,
 Could I, sans all repining, choose
   Life's sorrows to forget?