Early Bloomer [Haiku]

the early blooms
are wilted; they’ll be gone when
the tight buds open.

“Fulani Creation Myth” by Anonymous [w/ Audio]

At the beginning there was a huge drop of milk.
Then Doondari came and he created the stone.
Then the stone created iron;
And iron created fire;
And fire created water;
And water created air.
Then Doondari descended the second time.
And he took the five elements
And he shaped them into man.
But man was proud.
Then Doondari created blindness,
and blindness defeated man.
But when blindness became too proud,
Doondari created sleep,
and sleep defeated blindness;
But when sleep became too proud,
Doondari created worry,
and worry defeated sleep;
But when worry became too proud,
Doondari created death,
and death defeated worry.
But then death became too proud,
Doondari descended for the third time,
And he came as Gueno, the eternal one.
And Gueno defeated death.

NOTE: The Fulani (also known as Fula and Fulbe) are a West African herding tribe that live in Mali, Niger, Nigeria, Guinea, and Senegal.

“My Life had stood — a Loaded Gun” (764) by Emily Dickinson [w/ Audio]

My Life had stood - a Loaded Gun -
In Corners - till a Day
The Owner passed - identified -
And carried Me away -

And now We roam in Sovreign Woods -
And now We hunt the Doe -
And every time I speak for Him
The Mountains straight reply -

And do I smile, such cordial light
Opon the Valley glow -
It is as a Vesuvian face
Had let it's pleasure through -

And when at Night - Our good Day done -
I guard My Master's Head -
'Tis better than the Elder Duck's
Deep Pillow - to have shared -

To foe of His - I'm deadly foe -
None stir the second time -
On whom I lay a Yellow Eye -
Or an emphatic Thumb -

Though I than He - may longer live
He longer must - than I -
For I have but the power to kill,
Without - the power to die -

“Excelsior” by Henry Wadsworth Longfellow [w/ Audio]

The shades of night were falling fast,
As though an Alpine village passed
A youth, who bore, 'mid snow and ice,
A banner with the strange device,
Excelsior!

His brow was sad; his eye beneath,
Flashed like a falchion from its sheath,
And like a silver clarion rung
The accents of that unknown tongue,
Excelsior!

In happy homes he saw the light
Of household fires gleam warm and bright;
Above, the spectral glaciers shone,
And from his lips escaped the groan,
Excelsior!

"Try not the Pass!" the old man said;
"Dark lowers the tempest overhead,
The roaring torrent is deep and wide!"
And loud that clarion voice replied,
Excelsior!

"Oh stay," the maiden said, "and rest
Thy weary head upon this breast!"
A tear stood in his bright blue eye,
But still he answered, with a sigh,
Excelsior!

"Beware the pine-tree's withered branch!
Beware the awful avalanche!"
This was the peasant's last Good-night,
A voice replied, far up the height,
Excelsior!

At break of day, as heavenward
The pious monks of Saint Bernard
Uttered the oft-repeated prayer,
A voice cried through the startled air,
Excelsior!

A traveller, by the faithful hound,
Half-buried in the snow was found,
Still grasping in his hand of ice
That banner with the strange device,
Excelsior!

There in the twilight cold and gray,
Lifeless, but beautiful, he lay,
And from the sky, serene and far,
A voice fell like a falling star,
Excelsior!

“Broadminded” [Poetry Style #23 (旷达)] by Sikong Tu [w/ Audio]

One may live a century --
Short span though it may be:
Joys are bitterly brief
And sorrows are many.
You may take a wine jug
On your wisteria rounds:
See flowers grow to the eves
As sparse rains wet the grounds.
And when the wine is gone,
One strolls with cane and croons.
We become wizened with age;
South Mount, fair through countless moons.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry (二十四诗品.) It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the twenty-third of the twenty-four poems. This poem’s Chinese title is 旷达, which has been translated as: “Illumed” [Giles,] “Big-hearted and Expansive [Barnstone and Ping,] “Expansive,” and “Open-minded.”

“Behold, the grave of a wicked man” by Stephen Crane [w/ Audio]

Behold, the grave of a wicked man,
And near it, a stern spirit.

There came a drooping maid with violets,
But the spirit grasped her arm.
"No flowers for him," he said.
The maid wept:
"Ah, I loved him."
But the spirit, grim and frowning:
"No flowers for him."

Now, this is it --
If the spirit was just,
Why did the maid weep?

“I felt a Funeral, in my Brain” (340) by Emily Dickinson [w/ Audio]

I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading -- treading -- till it seemed
That Sense was breaking through --

And when they all were seated,
A Service, like a Drum --
Kept beating -- beating -- till I thought
My mind was going numb --

And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space -- began to toll,

As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race,
Wrecked, solitary, here --

And then a Plank in Reason, broke,
And I dropped down and down --
And hit a World, at every plunge,
And Finished knowing -- then --

Poppy Mind [Haiku]

wild poppies
take my mind to a tragic
poem learned in youth.

“Sad” [Poetry Style #19 (悲慨)] by Sikong Tu [w/ Audio]

Strong winds ripple water;
Forest trees are laid low...
A bitter urge to die --
One can't come; one can't go.
Ten decades flow, stream-like;
Riches are cold, gray ash.
Life 's a death procession --
Unless you're adept and brash,
And can take up the sword
To hasten the anguish...
No rustling dry leaves, or
Leaky roof as you languish.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the nineteenth of the twenty-four poems. This poem’s Chinese title is 悲慨, and it has been translated as: “Despondent,” and “Sorrowful.”

“Surgeons must be very careful” (156) by Emily Dickinson [w/ Audio]

Surgeons must be very careful
When they take the knife!
Underneath their fine incisions
Stirs the Culprit -- Life!