I see this lion, swords in teeth,
And find myself in disbelief,
Am I to believe this wild cat
Swallowed two men, coats, belts, and hats,
But the swords got stuck?
Sword-Lion Inquiry [Lyric Poem]
Reply
Category Archives: Poetry
“Slender” [Poetry Style #3] by Sikong Tu [w/ Audio]
Picking, picking where water flows
From a distant fountainhead.
Moving up the narrow valley,
One may see a stunning beaut.
Peachtrees laden with ripe fruit
As breezes blow by the water
And willows wind along the stream,
While warblers consult with branch-mates.
The more one walks, the more Truth joins,
And more Truth may reveal the Way.
If this world is without end,
The old must be made new again.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the third of the twenty-four poems. This poem’s Chinese title is 纤秾. Giles translated the title as “Slim — Stout” and it’s also been translated as “Delicate – Rich.”
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Roses & Weeds [Haiku]
roses in peak bloom,
but butterflies prefer
the weeds below.
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Tamed (Lyric Poem]
Ah, so nice to be Tamed --
Never again the same.
What style of Wild do you
Think one could retain?
Being tamed would just be aces,
If one could keep some Wild, in traces.
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Note to Self [Lyric Poem]
Allow me to make a
Socratic suggestion:
That you pursue the lowly
Art of the question.
Showing you love knowing
More than you love learning
Shows only that you're not
Discerning, and lack requisite
Yearning to find the Truth.
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“Success is counted sweetest” (112) by Emily Dickinson [w/ Audio]
Sucess is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.
Not one of all the purple Host
Who took the Flag today
Can tell the definition
So clear of victory
As he defeated -- dying --
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!
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Impromptu [Haiku]
impromptu stream
flows an uncut course
from Spring spillage.
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Painted Hills [Haiku]
after harvest,
farmers burn off stalks:
distant painted hills.
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BOOK: “Twenty-Nine Goodbyes” by Timothy Billings
Twenty-Nine Goodbyes: An Introduction to Chinese Poetry by Timothy BillingsMy rating: 5 of 5 stars
Publisher website
The premise of this book is simple, Billings presents twenty-nine different translations of a famous farewell poem by the Tang Dynasty poetic genius, Li Bai, and compares, contrasts, and critiques them in detail. The included translations weren’t all crafted in the English language, but English translations (of the translations) are presented as needed. There are translations from French, Spanish, Japanese, and even modern Mandarin Chinese — among others.
Despite how that may sound, it is a tremendously readable book. Billings writes with engaging prose, employs humor (especially when critiquing his own contribution in the final chapter,) and uses complicated jargon only when necessary and with comprehensible explanations.
Still, it does take a certain level of passion to read because one is repeatedly examining the same poem, and one has to have an interest in the minutiae of said poem and – more importantly — an interest in the broader lessons conveyed about translation. If whether a color is translated as green or blue (or what symbolic object tumbles on the ground, or what sound a horse makes) doesn’t seem change the emotional experience of the poem for you, then you’ll probably have a hard time getting into this book. That said, the ability to take a longitudinal view –seeing same points in a given poem through the lens of different poets and translators cross time and cultures, does offer insight that one would be unlikely to get from reading any of the twenty-nine translations in isolation as part of a single translator’s collection of translations.
The most useful thing the book did for me was to increase my understanding of the nature of translation and its tradeoffs, as well as to elucidate how easy it is to miss the mark when one is translating from a perspective so different in time and worldview.
I’d highly recommend this book for anyone interested in Tang Dynasty poetry, translation, and the interface of culture and language.
View all my reviews
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“If thou must love me” [Sonnet 14] by Elizabet Barrett Browning [w/ Audio]
If thou must love me, let it be for nought
Except for love's sake only. Do not say,
"I love her for her smile -- her look -- her way
Of speaking gently, -- for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day" --
For these things in themselves, Beloved, may
Be changed, or change for thee -- and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou mayst love on, through love's eternity.
Tiger Riding for Beginners 