We cast our spells by way of words --
Each sound, sacred. Its magic blurred
By mundane ways and untrained ears --
Failure to feel one's way to tears.
So, we're lost upon silent seas
Even when one could hear with ease:
Because boundless is speech's spread,
And boundless, still, within one's head.
Some seek their way to the magic
By means that are truly tragic,
When all they really need to do
Is listen as it passes through.
There was an Old Man with a beard,
Who said, "It is just as I feared! --
Two Owls and a Hen,
Four Larks and a Wren,
Have all built their nests in my beard!"
NOTE: This poem no. 1 of Lear’s The Book of Nonsense.
No hawk hangs over in this air:
The urgent snow is everywhere.
The wing adroiter than a sail
Must lean away from such a gale,
Abandoning its straight intent,
Or else expose tough ligament
And tender flesh to what before
Meant dampened feathers, nothing more.
Forceless upon our backs there fall
Infrequent flakes hexagonal,
Devised in many a curious style
To charm our safety for a while,
Where close to earth like mice we go
Under the horizontal snow.
A road lined with burnt out junkers,
And garbage fires 'round which hunker
Cold souls sitting in drizzling rain --
That rain, that rain, their eternal bane.
Blue skies are a distant memory --
Except for in every reverie
That denies claustrophobic skies
The main villain role - e'er reprised.
Where's our long-lost hero, the sun?
Have stout clouds got him on the run?
Or maybe our hero 's bleeding out;
Its feeble showing leaves room for doubt.
To be under a cloud
Is not so sad a thing;
If you can love the rain,
And you can dance and sing.
I am not now.
I was not then.
That makes it sound
Like I've never been.
But I once was
And will be again,
But who can know
Just where & when?
Plain and simple words are chosen,
Even to express tangled thoughts.
Then one comes upon a hermit,
And one glimpses the heart of Dao.
The clear stream burbles its soft song
Amid the shady ancient pine grove.
A woodsman passes with his cordwood;
A stranger listens to a lute song.
A strong feeling takes one over,
Bringing with it bliss and wonder,
And one's easy link with heaven
Is tender as the sound of water.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the eighteenth of the twenty-four poems. Translated titles vary — e.g. Herbert A. Giles titled this translation “Actualities.”
He clasps the crag with crooked hands;
Close to the sun in lonely lands
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
An evergreen and a red, red rose:
One slowly, but dully, ever grows;
One springs to life only for a short time.
Lifespan pine and beauty rose, apposed?
And risk vice versa? One never knows!
When I am dead, my dearest,
Sing no sad songs for me;
Plant thou no roses at my head,
Nor shady cypress tree:
Be the green grass above me
With showers and dew drops wet;
And if thou wilt, remember,
And if thou wilt, forget.
I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain:
And dreaming through the twilight
That doth not rise nor set,
Haply I may remember,
And haply may forget.
Tiger Riding for Beginners 