Summer afternoon:
light plays through the gates, like
glow from a shrine beyond.
Torii [Haiku]
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Tag Archives: japan
BOOKS; “Rental Person Who Does Nothing” by Shoji Morimoto
Rental Person Who Does Nothing by Shoji MorimotoMy rating: 5 of 5 stars
Publisher Site — Harper Collins
This quirky little book is the memoir of a man who formed a business lending himself out as “rental person who does nothing.” At the time the book came out, Morimoto did this without charging his “customers” anything except travel expenses and any food and beverages consumed as part of the activity in question. [As I understand it, he eventually began charging a per session fee ($85 USD at the time of the 2022 BBC piece on him that I watched.)] The book does discuss Morimoto’s thoughts about how to charge (i.e. hourly or per session,) how much to charge, whether to find a different financing model (e.g. sponsorship or patronage,) and why he ultimately rejected them all (at least for a time.) In fact, the whole penultimate chapter (ch. 4) is about the economics of his business.
The most interesting aspect of the book is the psychological insight on offer. The first question that arises is why people would use a stranger for these activities, and not a friend. One might jump to the conclusion that the people who use his service have no friends, but this is generally wrong. There are a number of reasons why people who have friends use his service. First, many times friends can’t just sit and listen empathetically, but rather they have to try to solve the problem. This can be irritating because it is often dismissive of the challenges confronting the other person. But also, as Morimoto points out, it also creates a hierarchy (a top dog) in what would otherwise be a co-equal relationship. A fascinating second factor pointed out by the author is that adults, unlike children, rarely have general-purpose friends. Adults, instead, have contextual friends. So, if one wants to engage in an activity that is outside the domain of one’s contextual (work, bar, hobby, etc.) friendship, it might not be easy. There are many other psychological insights relating to what people ask him to do, the issue of reciprocity, and what Morimoto defines as “doing nothing” for the purposes of this business.
I found this quick and simple book to be packed with insights into human nature, and I’d highly recommend it for readers interested in what makes people tick.
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JAPAN LIMERICK
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BOOK: “The Life of an Amorous Man” by Ihara Saikaku [Trans. by Chris Drake]
The Life of an Amorous Man: A Novel of Love and Desire in Old Japan by Ihara SaikakuMy rating: 5 of 5 stars
Publisher Site – Tuttle
On sale October 14, 2025
Original Title: 好色一代男
As the title suggests, this novel is presented as the biography of a man who is — shall we say — a horndog. Actually, it would be more correct to say that it is the story of the man’s sex life, as it begins with his sexual awakening as a boy of seven and tells stories of his relationships and dalliances throughout his life until he reaches the age of sixty and is no longer physically capable of the act. Of course, the novel does describe non-amorous life events such as the protagonist’s (i.e. Yonosuke’s) brief time as a monk and as (what in modern terms would be called) a “trust-fund kid.” Yonosuke is from a wealthy merchant family, though his inability to keep his mind on task sees him disowned for many years. So, he leads lives both rich and poor, but never without lust in his heart.
Given that the book focuses on Yonosuke’s interactions with geisha and varied sex workers, one might expect that it is a work of erotica (or even pornography.) It is neither. There is no graphic description of sexual activities and often those events are glossed over altogether. This book will be of much more interest to those interested in what life in Edo Period Japan was like, and particularly how sex work operated as a regulated industry with licit and illicit domains, than to anyone wishing to read erotica for sensual or prurient purposes.
The book has a series of illustrations (one per chapter) that were drawn by the author and appeared in the original (1682) edition. There are also poems (tanka and haiku) sprinkled in here and there, many of which were invocative in their own right.
If you are interested in historical Japan and / or its “floating world,” you’ll find this book to be an interesting read. It’s highly readable and entertaining.
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BOOKS: “The Book of Five Rings” by Miyamoto Musashi [trans. by Thomas Cleary] [w/ Yagyu Munenori’s “Book of Family Traditions”]
The Book of Five Rings: A Classic Text on the Japanese Way of the Sword by Miyamoto MusashiMy rating: 5 of 5 stars
Publisher Site – Shambhala Publications
This edition, i.e. The Shambhala Pocket Library edition, contains two guides to strategy, tactics, and philosophy of combat by famous early Edo Period swordsmen. The titular work is Miyamoto Musashi’s The Book of Five Rings, but the volume also contains Yagyu Munenori’s The Book of Family Traditions. The naming of the book is meant to capitalize on the continuing popularity of Musashi, who remains well-known to this day not only because of his own works and legend, but because of an afterlife in pop culture that ranges from Eiji Yoshikawa’s novel to a recent Netflix animated series. That said, one shouldn’t conclude Yagyu Munenori was some sort of slouch. He was, in fact, a martial arts teacher to the Shogun’s son, and he founded a branch of his family’s martial arts school that continues to this day.
It is interesting to see these two guides back-to-back, being by authors whose lifespans largely overlapped, though – in other ways – their lives were quite different. While there is some conceptual overlap in these guides, the two definitely show two very different minds at work, Musashi the pragmatic eccentric and Yagyu the Zen philosopher of noble standing.
Miyamoto Musashi is probably the most famous swordsman in Japan’s history. Oddly enough, he’s not known for his experience in battle (he lived at the tail end of the Warring States period and was only in a couple battles), but – rather – for his 62 duels. The Book of Five Rings and other works he left behind are certainly important factors in his continuing fame. Musashi was a bit of a renaissance man: painter, poet, and sculptor in addition to a swordsman. He also left behind a school of swordsmanship, Niten Ichi-ryū.
The Book of Five Rings is divided into five parts: earth scroll, water scroll, fire scroll, wind scroll, and void scroll.
The earth scroll provides an overview of martial science and an introduction to Musashi’s school, which is noted for its simultaneous use of both the large and short sword. A section is devoted the rhythm of martial arts, a crucial topic. It also includes what might be considered Musashi’s 9-point budō kun (a list of warrior precepts.)It’s worth mentioning a couple of these:
#7 Become aware of what is not obvious.
#9 Do not do anything useless.
The Water scroll describes Musashi’s approach to swordsmanship. It covers a range of elements of a martial art including footwork, the focus of one’s eyes, physical posture, mental posture, techniques, and approaches to cutting and thrusting.
The Fire scroll deals with the strategic or interactive aspects of the battle.
The Wind scroll explores other martial arts. Musashi discusses martial arts that use an unusually long sword, an atypically short sword, that focus on powerful strikes, and those that focus on many rapid strikes. He contrasts other martial arts with his own on subjects such as their focus with the eyes and their footwork.
The void scroll deals with, well, emptiness. It’s actually a short wrap-up.
Yagyu’s guide is much more philosophical and mind-centric. It’s not that Musashi doesn’t deal with such topics, but he also devotes considerable space to more practical nuts and bolts of swordsmanship and strategy. It’s also true that Yagyu gets into technical considerations such as control of distancing (if in a bit more poetic way than Musashi.) One can get a feel for the nature of Yagyu’s Book of Family Traditions [on the Art of War] by seeing how it is organized into three parts: “The Killing Sword,” “The Life-Giving Sword,” and “No Sword.” The latter two indicating the author’s belief in the importance of not equating warrior and killer (nor winning with killing) as well as not fixating on the sword.
These two men had great insight into strategy and the tactics of swordsmanship, their guides are worth being read and reread. And the two authors do offer two intriguingly different approaches to a similar subject.
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Japan Limerick
There was a rich businessman from Japan who'd always wanted to be his country's Batman. But his civil city was not Gotham-gritty, and the cape made him look like a madman.
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Noda City Limerick
There was an executive from Noda, a member of the class, high bourgeois. He was the big boss over all the soy sauce, but when he told people, they heard, "Blah, blah, blah!"
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DAILY PHOTO: Chiyoda Castle
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BOOK REVIEW: The One-Straw Revolution by Masanobu Fukuoka
The One-Straw Revolution by Masanobu FukuokaMy rating: 5 of 5 stars
Amazon.in Page
I kept running into references to this book in my readings about food and farming, and, eventually, I figured it must be a must-read. One topic that’s of interest to me (and should be of interest to everyone) is how [or, perhaps, whether] humanity can be sustainably fed, given the realities of human nature. Fukuoka (d. 2008) was at the vanguard of what’s been called the “natural farming” movement (a term he admitted he didn’t love.) He spent decades growing rice, other grains, and fruits in rural Shikoku, Japan, using a minimalist approach.
The book mixes philosophy, biography, commentary on food / nutrition, and instruction in Fukuoka’s approach to agriculture. Guided by a philosophy of “wu wei” (i.e. “effortless action,”) Fukuoka figured out how to reduce the amount of effort and resources put into farming, while maintaining crop yields that were competitive with the standard farming model. His approach appears backwards, lazy, and unlikely to succeed. He didn’t plow his fields. He planted by casting seed into the previous crop before harvesting it (note: he alternated rice with winter grains.) He didn’t weed, but rather let white clover grow freely and used the stalks and chaff from one harvest as cover for the next (again, rotating crops,) a cover that biodegraded into nutrients. He used no chemicals, neither fertilizer nor insecticide. And yet, important details of his approach kept his yields up while using minimal resources to maximum effect by operating in accord with nature (e.g. no insecticides seems to risk infestation, but it also means that you haven’t killed the creatures that eat pests.)
Fukuoka’s philosophy combines the principles of nature, Buddhist & Taoist concepts, and – believe it or not — something reminiscent of Nihilism (without calling it such.) There are parts of the book that some might find disagreeable. For example, Fukuoka uses an analogy that draws on the Mahayanist view of the distinction between Mahayana and “Hinayana” that Theravadins may find offensive (fyi: the older branch of Buddhism considers “Hinayana” to be derogatory and believes it’s a label based on a mistaken belief.) [To be fair, Fukuoka explicitly stated that he belonged to no religion and he claimed no expertise on the subject.] More likely to take offense are scientists and agricultural researchers, a group who takes it from both barrels. [Fukuoka says his opposition to scientists is that they fill the same role in society as the discriminating mind plays in mental activity, and he values the non-discriminating mind.]
I found this book to be loaded with food-for-thought. It raises a number of questions that aren’t answered inside (e.g. is Fukuoka’s approach scalable?,) but it’s a fascinating and highly readable introduction to natural farming. I’d highly recommend it for those interested in the subject.
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Raging Tengu [Haiku]
i walk a calm street,
but find myself facing
a rabid Tengu
Tiger Riding for Beginners 