BOOK REVIEW: Identity: A Very Short Introduction by Florian Coulmas

Identity: A Very Short IntroductionIdentity: A Very Short Introduction by Florian Coulmas
My rating: 5 of 5 stars

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This book explores the slippery metaphysical concept of identity — not only as it’s presented in philosophy, but also in psychology, law, politics, anthropology, and literature. It begins with individual identity and expands outward to encompass gender, political, socio-economic, and linguistic identities. The aforementioned slipperiness of identity stems from the fact that we all have an intuitive grasp of identity that could be leading us astray. It tends to make us believe that aspects of identity are inherent features of the universe, when – in fact – they may be arbitrary designations – in which case, a given criterion or classification of identity may be chopped up in different ways than a given culture happened to glom onto.

I learned a great deal from this Introduction, and feel it was well organized and presented. How we see various dimensions of group identity (as well as how we weight them) has a lot to do with our social tensions and strife, and the issues around identity are worth dissecting — despite the fact that it might seem like a dry academic topic at first blush.

If you’re interested in learning more about identity, selfhood, and how various group identities feature in an individual’s overall identity, this book is worth investigating.


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Squishy [Free Verse]

Nothing is straightforward,
or simple.

Everything is a messy mix
of shades

blended in swirling clouds—
chaos clouds.

Those who can redraw the world
with sharp, angular boundaries
are the masters of self-deception:

for all deception is self-deception.

Socratic Method [Clerihew]

Source: Louvre Museum
Beloved teacher, Socrates
won each debate with great ease.
The first of his winning suggestions?
Ask [don't answer] all the questions.

BOOK REVIEW: Comedy: A Very Short Introduction by Matthew Bevis

Comedy: A Very Short IntroductionComedy: A Very Short Introduction by Matthew Bevis
My rating: 5 of 5 stars

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This introductory guide examines comedy in a broad fashion, covering literary, historical, philosophical, and – to a limited degree – its psychological dimensions. The book investigates the shifting meaning of the word “comedy” and the changes in media and mechanisms through which it’s been conveyed. So, if you’re concerned (or hoping) that this book is simply an accounting of comedy as the literary genre counter to tragedy, that’s not the case. It discusses not only literature and drama, but also standup comedy and other devices by which humor is conveyed, and it uses “The Simpsons” as well as “Candide” and “Don Quixote” as examples to get points across.

This VSI guide does have a little bit of overlap with the “Humour: VSI,” but where that book focuses heavily on the theory of what makes something humorous, this book addresses that subject in a much more superficial way. On the other hand, this book spends more time looking at comedy from ancient times onward and how its ways have changed since the age of the classics. This guide also peers more beyond the cognitive and philosophical aspects of humor to how elements such as physicality, persona, and even death play into comedy.

It is a scholarly introduction, so one shouldn’t expect a laugh riot, but it is a more entertaining read than if it only looked at comedy as the literary mode opposed to tragedy. If you wish to develop further insight into the many facets of comedy, it’s worth checking out.


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BOOK REVIEW: Free Speech: A Very Short Introduction by Nigel Warburton

Free Speech: A Very Short IntroductionFree Speech: A Very Short Introduction by Nigel Warburton
My rating: 5 of 5 stars

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This concise guide outlines the debate on the perennially precarious issue of freedom of speech and expression. What factors (if any) should determine whether speech is restricted or not? Only when harm will be done to other individuals or to society at-large? Under a set of predefined conditions designed to advance societal harmony, or, perhaps, jingoism?

Some of the most interesting discussions in the book involve questions of whether any individuals or entities should have special privileges vis-a-vis freedom of speech? Historically, religions have claimed to be beyond criticism, but even as blasphemy restrictions have been softened (or applied equally to minority as well as majority religions,) there are still other groups seeking special status. For example, should a renowned artist who produces something that would otherwise violate public decency standards be able to publicly display said work because it has some redeeming artistic merit? (One can imagine the challenge presented by this question, given the inherently subjective nature of “artistic merit.”)

The book generally describes two or more opposing stances on any given issue, almost ensuring there will be points with which one agrees and others with which one doesn’t. I found the book thought-provoking, which led to a couple interesting realizations. For one thing, while I’ve been dismayed about how some groups are trying to carve out sacred spaces in which they are beyond criticism, challenge, or even [the nebulous] “being offended,” I was reminded that this is nothing new, and that whether it’s royal families or “the Church” there’s always been some group who wanted “freedom from” offense, challenge, or critique. It’s just a question of which groups make said demands that’s changing. For another thing, while I’m generally about as close to a free speech absolutist as one sees, I did learn that there is one question on which I don’t take the most pro individual liberty stance (in part because I didn’t recognize it as part of the debate.) The issue in question is copyright protection. There are those who argue that access to knowledge should be free and unimpinged, and that – furthermore — this would advance creativity. [I don’t really understand this stance as it seems to assume that creators of intellectual property will work even harder if they don’t get paid, but that’s a discussion for another time.]

If you’re interested in questions of free speech, particularly as they pertain to religious beliefs, pornography, and the changing state of intellectual property, you may want to read this book.


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Marquis de Sade Limerick

There once was a Marquis named de Sade
whose philosophy many found odd:
The pursuit of pleasure,
by any measure,
is to spoil by not sparing the rod!

BOOK REVIEW: A Transcendental Journey by Stephen Evans

A Transcendental JourneyA Transcendental Journey by Stephen Evans
My rating: 4 of 5 stars

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Release date [for 25th Anniversary ed.]: September 10, 2022

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A Transcendental Journey intersperses a quirky travelogue of a rambling road-trip through America with a book report on selected essays of Ralph Waldo Emerson. On a positive note, the book offers genuinely funny lines within a generally amusing wandering discussion of events, and there’s something authentic about the voice – you may find yourself hearing the words in the voice of someone you know (or a character) who is idiosyncratic and nerdy in a way that is not uncommon in America. I did. In addition to the funny lines, there are statements that feel profound and are definitely thought-provoking.

Some of the offbeat elements go a bit too far, reaching the point of distraction. For some reason, the author decided to note not only each time he drank a Coca-Cola, but the size of the beverage. At first, it’s just a bit of weirdness that seems to contribute to the aforementioned authentic voice, but eventually one is made sad by the idea that this guy is giving himself diabetes and involving you, as reader, in the process. I can’t say that the philosophy bit is particularly well integrated into the travelogue, and the author often seems like an Enlightenment guy more than a Transcendentalist. (Transcendentalism being an offshoot of Romanticism, a philosophy meant to counteract the perceived cold, hard rationality of Enlightenment thinking and take a more mystical / spiritual [though not necessarily religious] view of the world.) That said, I can’t fault an inability to keep these schools of thought in boxes, as my own philosophy and worldview are fairly ala carte. My point is just that someone who picked up the book expecting to have a clearer view of what distinguishes Transcendentalism from other philosophies might come away confused.

If you enjoy travelogues, particularly of the United States, you’ll find this book a fun read. If you’re familiar with the works of Emerson, I wouldn’t expect any deep philosophical insight, but there are some fine quotes and discussions to remind you of Emerson’s great ideas and beautiful language. (And there are certainly many varied insights to ponder.)

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Panglossian Limerick

From an 1803 edition of Candide
There was a philosopher named Pangloss
whose sole objective was to get across:
Ours is the best of worlds!
And yet, the crapper swirled
and nothing escaped but dregs and dross.

BOOK REVIEW: Candide by Voltaire

CandideCandide by Voltaire
My rating: 5 of 5 stars

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Do we live in the best of all possible worlds? “Candide” attempts to wrestle with this question. The protagonist, Candide, is taught by his tutor – the renowned philosopher, Pangloss – that their’s is the best possible world. However, as the story unfolds as one bad turn of events after the next, it becomes harder to argue that there couldn’t be a better world.

Candide is forced to flee from his love (Cunegonda,) is conscripted into wartime military service, is arrested for heresy, becomes a serial killer, acquires and subsequently loses a fortune, is robbed, finds himself in the middle of war and other conflicts, and stumbles into and then flees what might be the closest his world has to a utopia, el Dorado. And, it could be argued, Candide gets off relatively easy. Cunegonda is raped, sliced open, and enslaved. Her brother, the Baron, is run through and is also enslaved. Pangloss gets syphilis, is hung, is partially dissected, and is enslaved, as well.

And yet, to the end, Pangloss retains his (and Liebniz’s) belief that they live in the best of all possible worlds. Candide (kind of) does as well, though at the book’s end he’s fatigued by the question and just wants to distract himself from it with some gardening. The degree to which Candide sticks to his guns is impressive, not only because of everything that goes wrong, but also because he gets a new mentor / friend, Martin, a mentor diametrically opposed to the views of Pangloss. Like Pangloss, Martin is also a philosopher, but Martin’s worldview is much less optimistic, but it also reflects the crucial idea that how bad or good the world is has more to do with one’s perception of it than the events that one experiences. (When Candide asks Martin who has it worse: one of the deposed kings they met or Candide, himself, Martin said he couldn’t know without experiencing what’s in the mind of each.)

Despite the steady flow of negative happenings, the book doesn’t definitively answer the thematic question. How could it? The most it can say is that we don’t live in the best of all imaginable worlds, but we can’t know whether those worlds we imagine are possible. For one thing, we are forced to recognize that humans are flawed and that nature is indifferent, and these factors might play a role in the variation between best imagined world and the world we know. For another thing, maybe we couldn’t handle a more perfect world. The old lady character asks the group whether all the trials they’ve collectively suffered are worse, or better, than sitting around doing nothing – as they happened to be [not] doing at that moment.

This book provides a thought-provoking journey, and it’s well worth reading.

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