Quotations Stumbled Upon [Recently]

To survive in this world you have to be many times a coward but at least once a hero.

Adam Johnson, The Orphan Master’s son

The metaphysical assumptions upon which you want to build your life cannot be an inherited duty.

Patrick levy, Sadhus

It is true that if there were no phenomena which were independent of all but a manageably small set of conditions, Physics would be impossible.

Eugene wigner, the unreasonable effectiveness of mathematics in the natural sciences

I feel about literature what Grant did about war. He hated it. I hate literature. I’m not a literary West Pointer; I do not love a literary man as a literary man, as a minister of the pulpit loves other ministers because they are ministers: it is a means to an end, that is all there is to it.

Walt whitman, as quoted in Yone Noguchi’s the spirit of japanese poetry

Know that all the sects in existence are a way to Hell.

Nichiren, as quoted by yone Noguchi in the spirit of japanese poetry

It is so easy to convert others. It is so difficult to convert oneself.

oscar wilde, the critic as artist

If you meet at a dinner a man who has spent his life in educating himself — a rare type in our time, I admit, but still one occasionally to be met with — you rise from the table richer, and conscious that a high ideal has for a moment touched and sanctified your days. But Oh! my dear Ernest, to sit next to a man who has spent his life trying to educate others! What a dreadful experience it is!

Oscar wilde, tHE CRITIC AS ARTIST

BOOK REVIEW: The Critic as Artist by Oscar Wilde

The Critic as Artist: With Some Remarks Upon the Importance of Doing NothingThe Critic as Artist: With Some Remarks Upon the Importance of Doing Nothing by Oscar Wilde
My rating: 5 of 5 stars

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Free to Read Online

In this dialogue, the characters of Ernest and Gilbert reflect upon the value, nature, and limits of artistic criticism. Ernest serves largely as foil and questioner, taking the everyman view that critics are failed artists and that criticism is a puny endeavor that isn’t good for much. Gilbert, on the other hand, defends criticism of art as an art unto itself, and a difficult one at that, one that requires revealing elements and ideas of the artistic piece that the artist didn’t put in the piece in the first place. Throughout, Gilbert lays down his counterintuitive bits of wisdom about the job of the critic, the characteristics of good critics, and – also – about artists and art, itself. [Ideas such as that all art is immoral.]

Oscar Wilde was famed for his wit, quips, and clever – if controversial – turns of phrase, and this dialogic essay is packed with them. A few of my favorites include:

“The one duty we owe to history is to re-write it.”

“Conversation should touch everything, but should concentrate itself on nothing.”

“If you wish to understand others you must intensify your own individualism.”

“Let me say to you now that to do nothing at all is the most difficult thing in the world, the most difficult and the most intellectual.”

“Ah! don’t say that you agree with me. When people agree with me I always feel I must be wrong.”

“…nothing worth knowing can be taught.”

This is an excellent essay, and I’d highly recommend it for anyone who’s interested in art, criticism, or who just likes to noodle through ideas. You’re unlikely to complete the essay as a convert to all of Gilbert’s tenets, but you’ll have plenty to chew on, mentally speaking.


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