
cattle graze,
in an alpine meadow,
under giant pines.

cattle graze,
in an alpine meadow,
under giant pines.

clouds retreat,
revealing a new mountain, then...
vanish it again.
As I walk through the woods,
I flow through something
As it flows around & against me...
-- Like a slipknot --
I don't know what it is.
I just feel the slightest of drags
As I feel the greatest of exhilarations.
The drag is subtle...
-- Like a slipknot --
What it is in me that slips past
Whatever it is in nature --
I don't know.
But I know there is an interaction,
Of sorts,
Like a free end through a noose...
-- Like a slipknot --
If I’m being entirely honest, everything that’s come out of this enterprise has been of selfish motive — even those activities that seem like they have broader purpose. For example, I started book reviewing because: a.) I found it disheartening how many books I read that I had virtually no recollection of a couple years down the line, and b.) because, while I felt I knew good writing when I read it, I couldn’t really say what it was that made it good or bad without taking a more analytical look into the matter. (And I was pretty sure good writing wouldn’t come to me osmotically — merely by reading good writing — if I didn’t understand why it was good writing.)
I started recording classic poems to get a better sense of the sound quality of well-crafted poetry (and to become more comfortable with the sound of my own voice.)
I guess the honest answer is that I hope to be smarter and more capable as a result of the practice. It is continuing education, a fostering of the Beginner’s Mind.
View flowers like a bandit;
Let nature flow through you,
Breathing in the Great Way
As you let your crazy brew.
Wander like the free winds --
Sea and mountain in gray-blue.
Feel true power overflow,
As all nature lives through you.
Before: sun, moon, and stars;
Behind: the one from two.
By dawn, sea turtles have gone,
Soak your feet where they withdrew.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the eleventh of the twenty-four poems. This poem’s Chinese title is 豪放, which has been translated to “Free,” “Set Free,” and “Broad-minded” in various English language translations.