
brisk morn dragonfly:
too cold to move, or dead?
unmoved by footfall.

brisk morn dragonfly:
too cold to move, or dead?
unmoved by footfall.
Afoot and light-hearted I take to the open
road,
Healthy, free, the world before me,
The long brown path before me leading
wherever I choose.
Henceforth I ask not good-fortune, I myself
am good-fortune,
Henceforth I whimper no more, postpone
no more, need nothing,
Done with indoor complaints, libraries,
querulous criticisms,
Strong and content I travel the open road.
The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to
them.
(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them
with me wherever I go,
I swear it is impossible for me to get rid of
them,
I am fill'd with them, and I will fill them in
return.)
Jnana-Yoga–The Way of Knowledge by Ramakrishna PuligandlaSome keep the Sabbath going to Church --
I keep it, staying at Home --
With a Bobolink for a Chorister --
And an Orchard, for a Dome --
Some keep the Sabbath in Surplice --
I, just wear my Wings --
And instead of tolling the Bell, for Church,
Our little Sexton -- sings.
God preaches, a noted Clergyman --
And the sermon is never long,
So instead of getting to Heaven, at last --
I'm going, all along.
Writing is joy --
so saints and scholars all pursue it.
A writer makes new life in the void,
knocks on silence to make a sound,
binds space and time on a sheet of silk
and pours out a river from an inch-sized heart.
As words give birth to words
and thoughts arouse deeper thoughts,
they smell like flowers giving off scent,
spread like green leaves in spring;
a long wind comes, whirls into a tornado of ideas,
and clouds rise from the writing-brush forest.
Translation by Tony Barnstone and Chou Ping in The Art of Writing (1996) Boston: Shambhala.