“The Death of a Soldier” by Wallace Stevens [w/ Audio]

Life contracts and death is expected,
As in a season of autumn.
The soldier falls.

He does not become a three-days personage,
Imposing his separation,
Calling for pomp.

Death is absolute and without memorial,
As in a season of autumn,
When the wind stops,

When the wind stops and, over the heavens,
The clouds go, nevertheless,
In their direction.

“Do Not Weep, Maiden, For War Is Kind” by Stephen Crane [w/ Audio]

Do not weep, maiden, for war is kind.
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.

Hoarse, booming drums of the regiment,
Little souls who thirst for fight,
These men were born to drill and die.
The unexplained glory flies above them,
Great is the battle-god, great, and his kingdom—
A field where a thousand corpses lie.

Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.

Swift, blazing flag of the regiment,
Eagle with crest of red and gold,
These men were born to drill and die.
Point for them the virtue of slaughter,
Make plain to them the excellence of killing
And a field where a thousand corpses lie.

Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind.

This poem opens War Is Kind and Other Lines (1899.)

BOOKS: “Violence: A Very Short Introduction” by Philip Dwyer

Violence: A Very Short Introduction (Very Short Introductions)Violence: A Very Short Introduction by Philip Dwyer
My rating: 4 of 5 stars

Publisher Site – Oxford University Press

This is a brief overview of various types of violence, starting with the question of what counts as violence. The book explores violent acts carried out by individuals, mobs, movements, governments, and religions. It reflects upon how the nature of violence has changed over the centuries while hinting at potential reasons for said changes (along with counterarguments.)

This book raised some provocative questions, such as: Why would people go to watch executions? Does Steven Pinker’s hypothesis that humanity is becoming less violent hold water? [Pinker made this argument in his book The Better Angels of Our Nature, but it has been refuted on number of grounds — definitional, methodological, etc. Though Dwyer only briefly touches on Pinker’s book and its critics in this book and a detailed critique will require looking elsewhere.] How (and why) do violent tendencies vary across cultures. And, when and how did governments end up with a monopoly on legitimate use of force.

I found this book interesting and informative and would recommend it for those looking for answers as to why and how our species is so violent.

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Pillbox Bunker [Tanka]

pillbox bunker from
a war a lifetime ago
sits in a field.
what the farmer must think
as he plants around it.

BOOKS: “The Last Brother” by Nathacha Appanah

The Last BrotherThe Last Brother by Nathacha Appanah
My rating: 5 of 5 stars

Publisher Site — Gray Wolf Press

When Mauritius made it onto my shortlist for upcoming travel, I needed to find an enlightening work of Mauritian literature, and this book was prominently discussed as one that might fit the bill.

The book is narrated by an old man telling a story from his boyhood. It is a poignant and riveting tale. The book’s title, The Last Brother reflects the protagonist’s (Raj’s) first tragedy, losing his two brothers in a natural disaster in Mapou, Mauritius. Raj’s family then moved south where his father got work in a prison.

Much of the book revolves around a strange historical event — the imprisonment of a large number of Jews on Mauritius during World War II. These Jews had fled Europe and were trying to make their way to Palestine but were not granted entry because of a lack of acceptable documentation. They were then sent to Mauritius where they were imprisoned in a detention camp.

The reader only sees this event through the relationship of Raj and David. Raj is taken to the prison infirmary after being beaten by his alcoholic father. There he meets David, a Jewish boy in the detention camp. It isn’t until the very end of the book that the author presents the facts of the historic event. I think this is a wise move, allowing the reader only knowledge of what the characters would know (which – as nine-year-olds – is not much.) The late reveal adds to the tension and makes some of the characters’ decisions more understandable.

The last part of the book is a little reminiscent of Huck Finn, except without Twain’s lightheartedness and with a more melancholic and tragic tone and ending, but featuring two young men on the lam for different reasons.

I found this novel to be a potent read and would highly recommend it for readers of global literature — especially if you expect to find yourself in Mauritius at some point.

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BOOK REVIEW: “Becoming Ghost” by Cathy Linh Che

Becoming Ghost: PoetryBecoming Ghost: Poetry by Cathy Linh Che
My rating: 5 of 5 stars

Publisher Site – Simon & Schuster

This collection is built around the surreal emotionality of the author’s parents having both lived through the war in Vietnam and also having served as extras in the film, Apocalypse Now. [For those unfamiliar, Apocalypse Now was a Francis Ford Copp0la film based loosely (and partially) on Joseph Conrad’s novel,Heart of Darkness. The film follows a military officer sent upriver to assassinate a rogue Special Operations colonel during the Vietnam War, and shows the war from various perspectives as the would-be assassin travels through the country to complete his mission.]

At times, the poems read like a poem-shaped biography, but that’s not all there is to the book. There are points that imagery and language are used to shoot beyond a mere telling of events, in order to create emotional resonance with the core strangeness of living through a traumatic event only to portray a background individual (someone like one’s own past self) in a fictional retelling of events based on those through which one lived.

The poetic forms vary somewhat, though all within the modern, free verse style. Most notably, the author uses the golden shovel approach of Terrence Hayes extensively.

This collection grabbed me both with its clever language and its thought-provoking central premise. I’d highly recommend it for readers of poetry.

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“Concord Hymn” by Ralph Waldo Emerson [w/ Audio]

By the rude bridge that arched the flood,
Their flag to April's breeze unfurled,
Here once the embattled farmers stood
And fired the shot heard round the world.

The foe long since in silence slept;
Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
Down the dark stream which seaward creeps.

On this green bank, by this soft stream,
We set today a votive stone;
That memory may their deed redeem,
When, like our sires, our sons are gone.

Spirit, that made those heroes dare
To die, and leave their children free,
Bid Time and Nature gently spare
The shaft we raise to them and thee.

Sung at the Completion of the Battle Monument, July 4, 1837

BOOKS: “How to Fight Tough” by Jack Dempsey

How to Fight ToughHow to Fight Tough by Jack Dempsey
My rating: 5 of 5 stars

Read online at Archive.org

This book was put out by the Coast Guard during World War II as a commando fighting manual. The lead on the project was heavyweight boxing champion Jack Dempsey, aided by a small team of others — all with varied bona fides in Combatives.

This is a fun book to read. It’s loaded with 1940’s slang, over-the-top reminders to fight tough and mean, and jokes that — while dated — still amuse with their quirky language. Seriously, the voice in my head was playing in Trans-Atlantic dialect (1940’s radio announcer voice) or as James Cagney playing a gangster the whole time I was reading this book.

That said, while the text was campy, the actual techniques are solid. The book consists of eighteen lessons that are built on well-established grappling and submission techniques such as hadaka jime (rear naked choke.) Also, while there is often only one (or — at most — a few) photos per technique, they seemed to put some effort into doing them conscientiously. (And they are almost full-page shots, so one can actually see a bit of detail.) The techniques include: unarmed v. various unarmed attacks, unarmed v. knife, unarmed v. gun (holstered, and front and rear approaches,) and unarmed v. bayonet.

I’d highly recommend reading this book. It’s a quick and amusing read with some useful techniques inside.

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PROMPT: Technology

What technology would you be better off without, why?

That’s a tough question. While not a Luddite, I do think there are a number of technologies that are out of control, figuratively (or may – literally – become so.) But that doesn’t mean I think they should be gone altogether (it just makes me wishful that people can find a way to moderate their use.)

I’ll go with nuclear weapons, the one technology whose only use lies in not being used. I choose them because they result in low-level existential dread and inflated tax bills. [There is the argument that they may have staved off a colossal Third World War, but one can also argue that two really shitty wars in rapid succession led to institutions (e.g. UN agencies & permanent alliances) and approaches (e.g. low-intensity proxy wars) to avert such a war as well (Those things also being extremely expensive, but not so much with the existential dread.)]

“Shiloh: A Requiem” by Herman Melville [w/ Audio]

Skimming lightly, wheeling still,
The swallows fly low
Over the field in clouded days,
The forest-field of Shiloh--
Over the field where April rain
Solaced the parched ones stretched in pain
Through the pause of night
That followed the Sunday fight
Around the church of Shiloh--
The church so lone, the log-built one,
That echoed to many a parting groan
And natural prayer
Of dying foemen mingled there--
Foemen at morn, but friends at eve--
Fame or country least their care:
(What like a bullet can undeceive!)
But now they lie low,
While over them the swallows skim,
And all is hushed in Shiloh.