Category Archives: Buddhism

“Without desire everything is sufficient” by Ryōkan Taigu

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Without desire everything is sufficient.
 With seeking myriad things are impoverished.
 Plain vegetables can soothe hunger.
 A patched robe is enough to cover this bent old body.
 Alone I hike with a deer.
 Cheerfully I sing with village children.
 The stream under the cliff cleanses my ears.
 The pine on the mountain top fits my heart.

Translation by Kazuaki Tanahashi and Daniel Leighton in Essential Zen (1994) HarperSanFrancisco.

DAILY PHOTO: White Buddha, Blue Sky

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FIVE WISE LINES [December 2024]

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Today as in ancient times
it’s hard to write a simple poem.

Mei Yaochen in Poets’ Jade Splinters

To be undefeated lies with oneself;
to be victorious lies with the enemy.

Sunzi in The ART of War (孙子兵法)

A buddha is an idle person.
He doesn’t run around after fortune and fame.
What good are such things in the end?

Bodhidharma; Bloodstream Sermon

Not what we have, but what we enjoy, constitutes our abundance.

Epicurus

Take more time, cover less ground.

Thomas Merton

BOOKS: “Essential Zen” ed. by Kazuaki Tanahashi & David Schneider

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Essential ZenEssential Zen by Kazuaki Tanahashi
My rating: 5 of 5 stars

Google Books Page

This is a collection of short writings (poems, koans, and prose excerpts) on Zen Buddhism arranged into loosely themed sections. The writings tend toward the artistic, creative, and metaphorical, with relatively few straightforward descriptions of technique or philosophy. The writings range from those of Chinese and Japanese monks who lived hundreds of years ago to present-day poets and Zen practitioners. Among the more frequently drawn from sources are: Hanshan, Ikkyu, Dogen, Ryokan, Hakuin, Gary Snyder, Robert Aitken, Seung Sahn, John Daido Loori, Thich Nhat Hanh, and Peter Levitt. But there are many others, including some who have only a single piece included.

There’s a substantial “Notes” section that gives source, translation, and — in some cases — background information. Most of the translations (both Japanese and Chinese) are by the editors, Kazuaki Tanahashi and David Schneider. There are illustrations, but they are all ensō (circular brush paintings) and related forms.

This is a highly readable and insightful collection of short writings, and I’d highly recommend it for individuals interested in Zen or Eastern Philosophy more generally.

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Death Poem of Ikkyū [w/ Audio]

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I borrowed these one month ago, yesterday.
 I'm returning them today.
 I borrowed five and return four --
 Repaid, but for Original Emptiness.

NOTE: This is one of three Death Poems attributed to Ikkyū, supposedly the middle one.

BOOKS: “Tranquil Sitting” by Yin Shi Zi

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Tranquil Sitting: A Taoist Journal on Meditation and Chinese Medical QigongTranquil Sitting: A Taoist Journal on Meditation and Chinese Medical Qigong by Yin Shih Tzu
My rating: 4 of 5 stars

Publisher’s Site

This manual is an English translation of a work earlier published in Chinese. It is nominally on Taoist meditation and is written by a Taoist author, but it does include discussion of Buddhist practices as well (specifically Mahamudra.) Also, part of the author’s declared intent with this text is to write in a manner approachable to a wider audience, and because of this sect is rendered less important. So, for example, the book employs more scientific and physiological modes of explanation as opposed to meridians and other conceptual approaches from Traditional Chinese Medicine.

The book is presented in two parts. I found the first part much more beneficial and productive. Said first part is a general guide to meditation. It discusses fundamentals, theory, physiology, and how to align one’s living with a meditative practice (i.e. how diet, breathwork, sleep, etc. influence one’s practice.)

The second part consists of long and fairly detailed descriptions of the author’s experiences with both Taoist and Mahamudra meditation. I didn’t find this part useful, and I believe it may be counterproductive. Discussion of the author’s subjective experience may lead readers to get hung up on chasing identical experiences to the detriment of just practicing. It may give false ideas about “correct” and “incorrect” experiences of the meditation.

Overall, it’s a fine guide to meditation, particularly the first (i.e. larger) part. I can’t say that it breaks a lot of ground. A reader well-versed in meditation may not gain much insight from this book, but it’s as good as any to get started.

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DAILY PHOTO: Scenes from Melaka’s Chinese Temples

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“Monkey God Temple” [Properly, 齊天府]
Cheng Hoon Teng (Temple of the Green Cloud) is the oldest Chinese temple in Malacca. It is a syncretistic temple (combining Taoist, Buddhist, Confucian, and Chinese Folk Religion elements.)

“I’m Happy to Be a Free Yogi” by Drukpa Kunley [w/ Audio]

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I'm happy to be a free Yogi,
   growing evermore into inner happiness.

I can have sex with many women
   as it helps them find the path of liberation.

Outwardly I'm a fool
   and inwardly I live a clear spiritual path.

Outwardly I enjoy wine and women
   and inwardly I work for the benefit of all beings.

Outwardly I live for my pleasure
   and inwardly I do everything in the right moment.

Outwardly I'm a ragged beggar
   and inwardly a blissful Buddha.

BOOKS: “The Art of Writing” Trans. / Ed. by Tony Barnstone and Chou Ping

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The Art of Writing: Teachings of the Chinese MastersThe Art of Writing: Teachings of the Chinese Masters by Tony Barnstone
My rating: 5 of 5 stars

Publisher Website

This thin volume is packed with insights on writing — especially, but not exclusively, poetry. It consists of four chapters. The first two are the ars poetica of Lu Ji and Sikong Tu, respectively (i.e. The Art of Writing and The Twenty-Four Styles of Poetry.) The second half of the book consists of two chapters of collected sayings and poetry commentary excerpts.

I haven’t read a book so dense with quotable lines in a while. Some of the advice offered is universal and timeless (e.g. avoid cliches and read voraciously,) but some of it reflects a uniquely Chinese perspective rooted in Taoist and Zen sentiments (e.g. how to use wu wei [effortlessness] in one’s writing and so forth.)

There is a preface and each of the sections has its own editorial opening, but these never feel like padding (which often happens with books that come out to less than a hundred pages of content.) Instead, this ancillary material is concise and helps to offer historic and cultural context.

I’d highly recommend this book for writers and those interested in Eastern aesthetics and literature. That said, you don’t necessarily have to be interested in both. Any writer could pick up some beneficial tips while reading this book, and it’s compact, highly readable, and even humorous in places.

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“Tiantai” [天台] by Fēnggān [w/ Audio]

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I came once to Tiantai,
 And back ten-thousand times.
 Like clouds or water tides:
   Drift and flow, come and go.
 I stroll, free of worry,
  Buddha's Path - in no hurry.
 While the world's forked roads
  Lead men to fret and scurry.