BOOK REVIEW: Border Zone by John Agard

Border ZoneBorder Zone by John Agard
My rating: 5 of 5 stars

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This amusing collection of poems combines autobiography with biography. It’s autobiographical in that it shines light on the poet’s experience growing up in the Caribbean and then living as an expat in the United Kingdom. It’s biographical in that it reflects the author’s interests in people and history, interests that are most boldly combined in the book’s final poem, “Casanova the Philosopher,” a long poem (though broken in to forty bite-sized chunks) that riffs on the life and legend of Casanova. The poems draw on literature, historical events, and mythology, and also include a few elegies.

The lighthearted tone — even when dealing with evocative subjects such as racism, censorship, and death – makes for a read that is at once pleasant and thought-provoking. A couple of my favorites were “The Migration of Coconut Water,” which plays with the panacea-like qualities that people attribute to their local favorite consumables, and “We Mosquitoes” which is from the perspective of the annoying little malaria-vectors.

Much of the collection is rhymed verse, often featuring the lyrical qualities that come of short lines. If you enjoy poetry with and international flavor and no shortage of humor, this collection is well worth checking out.


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BOOK REVIEW: The Physiology of Yoga by Andrew McGonigle & Matthew Huy

The Physiology of YogaThe Physiology of Yoga by Andrew McGonigle
My rating: 5 of 5 stars

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This is a much-needed book for two reasons. First, while there are a number of fine books on anatomy as it applies to yoga, such books focus on the musculoskeletal system, occasionally venturing into the respiratory system – re: pranayama (breathwork.) However, yoga anatomy books rarely giving an overview of the workings of the body as a whole or describe how yoga influences and is influenced by other bodily systems. This book systematically reviews not only the muscles, bones, and lungs, but offers insight into the less familiar systems, such as the lymphatic, immune, and endocrine systems. Unless you want to know more about yoga and the integumentary system (skin, hair, and nails,) this book has got you covered. The book does an excellent job of avoiding muddling science with mythological beliefs about the body, a common sin among yoga books.

Second, there are many physiology misunderstandings and mistakes that are widespread and have come to be repeatedly parroted by new generations of teachers. These range from ideas that are unsupported by scientific evidence to those that are completely in conflict with well-understood science. This book has text boxes throughout that investigate widely taught physiology myths (e.g. twists detox the liver, shoulder stands stimulate the thyroid & pineal glands, kapalbhati (forced exhalation breathing) stops the aging process, heavy sweating detoxifies the body, and various claims about specific asana / practices curing specific ailments.) These boxes review what studies have been done on each claim, and (in the absence of scientific literature) it discusses whether claims make any sense in light of well-established physiological science.

The book is clear and easy to read, and has well-drawn anatomical drawings and diagrams to help communicate the workings of the body. It also has an extensive bibliography of works referenced.

The book wasn’t perfect. I thought the last chapter, which is a collection of yoga sequences, was out of place and unnecessary, given the objectives of this book. I suspect its inclusion was solely to remind readers flipping through the book that they were reading a book about yoga as well as physiology. (The graphics and headings don’t necessarily scream yoga.) However, I think this could have been more relevantly and effectively by including more graphics throughout that show individuals engaged in yogic practices / asana, or – alternatively – focusing on the physiological aspects of the practices and sequences in the last chapter. There was also a place or two where I wasn’t sure what the authors were saying, not because they didn’t write in a clear and readable style or because what they were saying wholly conflicted with what I understood to be true, but just because there was enough ambiguity that I was left puzzled.

Overall, I’d recommend this book for yoga teachers and practitioners looking to expand their understanding of the workings of the human body, and to liberate themselves from some misinformation that has gained a following.


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BOOK REVIEW: Anarchism: A Very Short Introduction by Colin Ward

Anarchism: A Very Short IntroductionAnarchism: A Very Short Introduction by Colin Ward
My rating: 4 of 5 stars

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Despite having graduate level education in Political Science, I never learned about anarchism. Even as an individual holding libertarian [classically liberal] beliefs, I dismissed anarchism as a philosophy without practical merit, one that failed to grasp the realities of human nature. And I apparently wasn’t alone as all those professors who built the curriculum that I studied didn’t find anarchism worthy of more than a passing mention as the theoretical endpoint on a continuum, a point that could never be reached in reality.

I read this little guide to the history and political philosophy of anarchism to help rectify this gap in my education, and to determine whether I was correct to dismiss anarchism as a pie-in-the-sky ideology of no practical value.

This introductory guide makes the point that anarchists have had influence in areas like labor and education policy. In essence, the book suggests that anarchism isn’t as bleakly devoid of success as it would appear. While we don’t see any functional and long-lived political entities devoid of governance by an organization with a monopoly on use of force, that doesn’t mean anarchist ideas haven’t made an impact.

The book starts with definitions and an overview of those thinkers who made anarchism seem potentially viable. It examines anarchist history and how anarchism related to competing ideologies. There’s a chapter that looks at the individualist / libertarian approaches to anarchism (in contrast to the leftist / socialist strains that dominated the early history of anarchism.) There’s a chapter that investigates the connection between anarchism and federalism. The book ends with a discussion of the green anarchists and how anarchism might move forward (to the degree it does so.)

This was a fine overview, offering insight into anarchist history, philosophy, and the divergences of thinking between anarchist scholars. It’s dry reading, and while that’s almost unavoidable in a book that’s brief, scholarly, and on a specialized subject, I’d say this volume is probably in the lower half of VSI titles for readability. Still, if you’re interested in the subject, it’ll give you the gist in a small package.


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BOOK REVIEW: Thor, Vol. 1: Goddess of Thunder by Jason Aaron

Thor, Volume 1: The Goddess of ThunderThor, Volume 1: The Goddess of Thunder by Jason Aaron
My rating: 3 of 5 stars

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I applaud what they were trying to do with this comic book, to hand the title and powers of Thor to a female in order to shake things up and break readers’ calcified thought processes. That said, I felt the story execution was poor. The art was well done, the dialogue was solid, but the story did not impress.

The story picks up with Thor having spontaneously become unworthy for reasons that are teased but left unclear, and the God of Thunder is pining for his hammer. The hammer, Mjolnir, is inscribed / enchanted with a spell: “Whosoever holds this hammer, if he be worthy, shall possess the power of Thor.” Then Frost Giants attack a Roxxon (Marvel’s Evil Corp) deep drilling facility, with the support of Malekith, the Dark Elf King, to add a cleverer and more competent adversary to the brute power of the giants. Over the five-issue arc, the main action is involved with battling this incursion into Earth (Midgard) by the Frost Giants.

My biggest problem with the story had to do with the fluctuating rules of Mjolnir. First of all, I’m no fan of having all of the power and capabilities of Thor being contained in the hammer. I know that’s what the aforementioned inscription reads, but I think it makes for a poor hero because one has to wonder why the person is necessary, why not just a hammer flying around thrashing enemies. I prefer the way the “Thor: Ragnarök” movie handled this by insisting that Thor isn’t “the god of hammers” and that it is he who holds the power. However, that aside, there’s a point during which [Goddess] Thor becomes separated from the hammer. As I read this, I thought, “This is great, now she will have to do something clever and self-empowered to at least stall or escape.” But she didn’t have to because she was still every bit as powerful as before (maybe more so, it’s kind of hard to judge the wandering power levels of insanely overpowered superheroes.) Long story short, I was tripped up by the “the hammer is the source of all Thor’s power” to “the hammer is irrelevant” quick change. My only other problem with the story was that it felt like they left more unresolved baggage to serve as hooks than they reconciled.

I can see that a lot of people like this story, but I found it unworthy.


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BOOK REVIEW: Darryl Openworld by Rémi Guérin

Darryl OpenworldDarryl Openworld by Oliver Peru
My rating: 3 of 5 stars

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Out: July 26, 2022

This fantasy comic book is set in a multiverse where journalists are rock stars, and none more so than the protagonist, Darryl Openworld. It combines high and low fantasy (moving between created / fantastical worlds and our own world – the latter being called the gray world.) It’s Darryl’s quest to solve the mystery of a series of improbable events so that he can get his story, doing so with an entourage of living and dead, human and fairy, and a magician and a magic bird.

At the broad-brush level, the story is interesting and coherent. It’s got the makings of a fine quest adventure with a love triangle on the side. However, when it came to the story details, it was clunky. The biggest problem was a lack of emotional resonance tied to a lack of pacing, a lack of ebb and flow. I found myself on several occasions thinking, “Why is this person being so emotional right now?” I think the author was trying to establish every moment as fraught to the max by showing the characters as being emotional, and because no story can sustain every moment being at max stakes, it just feels like overacting (or that the characters have low emotional IQ, which doesn’t jibe with what we’re told about them – especially not our iron-willed protagonist.)

The art is beautiful and creates a distinct otherworldliness of the other worlds. The one criticism I would present is that many characters had a similar androgenous appearance (including some of the main characters) and it wasn’t always instantly clear who was who.

The book has some unique features going for it. It’s nice to imagine a world in which journalism hasn’t crashed and burned, and where it’s still a respectable profession. But in the end, it wasn’t my cup of tea. Your results might vary. While there were a few small story problems, the bulk of what felt off about it boiled down to feeling like they were trying to keep the emotion dialed to eleven, but that just compressed the emotional arc of the book.


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BOOK REVIEW: God Bless You, Mr. Rosewater by Kurt Vonnegut

God Bless You, Mr. RosewaterGod Bless You, Mr. Rosewater by Kurt Vonnegut Jr.
My rating: 5 of 5 stars

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This novel presents a satire of American socio-economic existence. It spends much of its time poking fun at old money folk (trust fund kids, as they’d be called today,) but the book has plenty of barbs to go around. The story centers on Eliot Rosewater, the head of the Rosewater Foundation, the charitable arm of an old money robber-baron kind of family corporation. Eliot is cut from different cloth, however. He’s in love with the work-a-day blue collar American, and does everything in his power to eliminate his separation from such people, including obsessively working with volunteer fire departments, setting up his foundation in his hometown (Rosewater, Indiana,) and making the Foundation an extremely personal organization that gives what would today be called micro-grants to ordinary citizens for ordinary uses.

Opposing Eliot Rosewater is a lawyer named Norman Mushari who’s made it his mission in life to have Eliot proven insane so that he can have the Rosewater Foundation fortune shifted to Fred Rosewater (of the middle-class Rhode Island Rosewaters.) The challenge is knowing whether Eliot is truly insane or not, even Eliot, himself, doesn’t always seem clear on the matter. For many, such as Mushari, just the fact that Eliot is acting in opposition to the societal norm (e.g. setting up in Rosewater, Indiana v. New York or Chicago and not making big grants to corporations and colossal NGO’s but rather giving a few hundred dollars at a time to residents of Rosewater) is proof enough. And, if Eliot is crazy, is it because there’s something wrong with him, or that there’s something wrong with the world.

This book is hilarious, and the last chapter leaves the reader with a great deal to mull over. I’d highly recommend this book for all fiction readers.


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BOOK REVIEW: Dropping Ashes on the Buddha by Seung Sahn

Dropping Ashes on the Buddha: The Teachings of Zen Master Seung SahnDropping Ashes on the Buddha: The Teachings of Zen Master Seung Sahn by Seung Sahn
My rating: 4 of 5 stars

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This book’s one-hundred brief chapters mostly consist of interactions between the Korean Zen Buddhist teacher, Seung Sahn, and students of his. However, there are also some old Zen stories, and a few odds and ends: such as the transcript of a completely unproductive “dialogue” between Seung Sahn and a Hindu yogi. Some of the student-teacher interactions are epistolary, but others are face-to-face “dharma combat” or Q&A sessions (which also, ultimately, became dharma combat — given Seung Sahn’s teaching methods.) Dharma combat is a dialogue that resembles Socratic dialogue except that the goal isn’t to use logic and sound reasoning to persuade another, but rather to demonstrate a lack of attachment and proclivity to overintellectualize. It involves a lot of seemingly nonsensical answers and occasional shouting and slapping / hitting. It sounds unproductive, but the objective is to break established cognitive modes and to induce epiphany, rather than to build a rational argument.

It’s a thought provoking and informative book, if a bit repetitive. Most of the conversation revolves around less than a dozen ko-an [kong-an in Korean,] which are questions or statements that’re intended to provoke a kind of realization rather than to produce a straightforward / rational answer. It’s not a problem that there’s repetition, as these aren’t straightforward ways of thinking, and oftentimes it takes many varied looks at a ko-an to grasp what’s being conveyed. That said, I felt this book could’ve used some editing to streamline the dialogue a bit to make it feel a bit less punitively redundant.

If you’re interested in ko-an and dharma combat, this is a great book to look into. However, if you’re familiar with many of the popular ko-an and Zen stories, it may feel a bit redundant.


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BOOK REVIEW: Pulp: The Process Edition by Ed Brubaker

Pulp: The Process EditionPulp: The Process Edition by Ed Brubaker
My rating: 5 of 5 stars

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Out: July 26, 2022

This is the “how the sausage gets made” edition of a popular standalone graphic novel, “Pulp.” It takes the reader through the various stages of the book’s development from conception through book “trailer,” drafting, penciling, coloring, and on to the final product. It offers explanatory notes by the author and artist at each stage along the way, in addition to showing the work at that stage of development. For the more substantial stages (e.g. drafting and final edition) it shows the full product, but for intermediary stages (e.g. inking and coloring) it just shows a few representative pages to give one the idea.

If you’re just looking to be entertained by a story, this isn’t the edition you want. Which isn’t to say that it’s not the book you want, “Pulp” offers a well-crafted and intriguing tale of a man, Max, who lived the gangster life in the wild west in the prime of his life (late 1800’s) and then “went straight” to become a pulp fiction writer in 1930’s New York during his senior years. The action of the story takes place in 1930’s New York, with flashbacks to violent episodes of Max’s past out west. It’s a take on “the life sucks you back in” storyline.

The main market for this edition is artists and writers interested in the comic writing / drawing tricks and techniques of seasoned professionals. I can also imagine actors, filmmakers, and those with cinematic interests benefiting from learning how choices are made with respect to how scenes are set and framed – i.e. to learn from the economy of the graphic novel format.

If you’re a creative type looking to work with comics or wanting to learn about how scene choices are made, give this book a look. If you’re just looking for an action-packed story, pick up the original edition of “Pulp.”


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BOOK REVIEW: The Art of Auditioning, Second Edition by Rob Decina

The Art of Auditioning: Second EditionThe Art of Auditioning: Second Edition by Rob Decina
My rating: 4 of 5 stars

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This is a revised edition of a book about how to audition for television shows. The first edition was written in 2004 by a successful casting director (now VP for Casting at CBS) and teacher of casting, and the revision includes industry changes due to technology and the pandemic. For example, it explores the post-COVID shift toward more self-taped auditions and the best practices for them. It also has a few new notes about how the author’s perspective has changed on an issue or two with his new experiences.

This book is niche. Except for a chapter on how to become a casting director, it’s all about preparing actors to audition for a television series. While it might seem that auditioning would be auditioning, apparently television auditioning is quite different from stage auditions and even a little bit different from other on-camera auditioning (e.g. for movies.) To a neophyte, such as myself, the book might be expected to present teachings about acting, but one of the major recurring themes is that acting and auditioning are separate (if related / overlapping) skills and that the latter presents a number of additional considerations. It’s these considerations that are explored in the book – e.g. how to plan and determine your own acting choices (being undirected,) how to behave before and after the audition, how to know what are good or poor investments for a new actor, and how to not be unappealing or ridiculous with your attempts to distinguish yourself.

The book is honest and direct, to the point that the most frequently repeated advice is to not expect to get the job. That’s probably also among the book’s most controversial advice, but the author feels it helps new actors to get out of their heads, to deal with the tons of rejection all of them will face, and to not fall into the bad behaviors that some novice actors think will help to separate him from the pack [while such behaviors often only serve to annoy the casting agent.]

As I said, it’s niche, but if you want to learn how auditioning works or how the sausage is made in the entertainment industry, it’s a quick and well-organized read.


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BOOK REVIEW: A Short History of Tractors in Ukrainian by Marina Lewycka

A Short History of Tractors in UkrainianA Short History of Tractors in Ukrainian by Marina Lewycka
My rating: 5 of 5 stars

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This is a comedy of family dysfunction. The family consists of Cold War era immigrants to England from Ukraine. One adult daughter (Nadezhda) narrates the story, which about how her estranged relationship with her sister (Vera) is renewed through battle with a common enemy, Valentina, the gold-digging Ukrainian woman (younger than either sister) who’s moving in with the sisters’ eighty-four-year-old father.

There’re a few divides that generate the story’s tension. First, Vera grew up with war during her formative years, while Nadezhda was a child of the post-war peace. This informs how each sees the world and the other. Vera sees her younger sister as a naïve bleeding-heart socialist, while Nadezhda sees Vera as a cold and distrusting Thatcherite scoundrel. Second, there’s the chasm between established immigrant and new arrival, the former feeling that they kept their heads down, did the work, assimilated, and earned their status as citizens, while feeling someone like Valentina is tricking her way in and expecting to be handed all the perks of first-world living without working for them. Finally, there’s the gap between what a new immigrant expects life is like in a wealthy country, and what it’s actually like. Valentina has a television view of England that assumes the characters she sees are typical.

The story is funny, but occasionally poignant – e.g. as when we learn the family’s war-torn backstory or even when Valentina is shown in a more sympathetic light by our “bleeding-heart” narrator, who waivers between her family obligation self (who despises Valentina) and her socialist-feminist self (who empathizes with Valentina to some degree.)

I’d recommend this book for readers of literary fiction. It’s well-crafted and humorous. But it’s literary fiction, so if you need your characters likable and your plot strong, you may find it a bit dull.


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