BOOK REVIEW: Thor, Vol. 1: Goddess of Thunder by Jason Aaron

Thor, Volume 1: The Goddess of ThunderThor, Volume 1: The Goddess of Thunder by Jason Aaron
My rating: 3 of 5 stars

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I applaud what they were trying to do with this comic book, to hand the title and powers of Thor to a female in order to shake things up and break readers’ calcified thought processes. That said, I felt the story execution was poor. The art was well done, the dialogue was solid, but the story did not impress.

The story picks up with Thor having spontaneously become unworthy for reasons that are teased but left unclear, and the God of Thunder is pining for his hammer. The hammer, Mjolnir, is inscribed / enchanted with a spell: “Whosoever holds this hammer, if he be worthy, shall possess the power of Thor.” Then Frost Giants attack a Roxxon (Marvel’s Evil Corp) deep drilling facility, with the support of Malekith, the Dark Elf King, to add a cleverer and more competent adversary to the brute power of the giants. Over the five-issue arc, the main action is involved with battling this incursion into Earth (Midgard) by the Frost Giants.

My biggest problem with the story had to do with the fluctuating rules of Mjolnir. First of all, I’m no fan of having all of the power and capabilities of Thor being contained in the hammer. I know that’s what the aforementioned inscription reads, but I think it makes for a poor hero because one has to wonder why the person is necessary, why not just a hammer flying around thrashing enemies. I prefer the way the “Thor: Ragnarök” movie handled this by insisting that Thor isn’t “the god of hammers” and that it is he who holds the power. However, that aside, there’s a point during which [Goddess] Thor becomes separated from the hammer. As I read this, I thought, “This is great, now she will have to do something clever and self-empowered to at least stall or escape.” But she didn’t have to because she was still every bit as powerful as before (maybe more so, it’s kind of hard to judge the wandering power levels of insanely overpowered superheroes.) Long story short, I was tripped up by the “the hammer is the source of all Thor’s power” to “the hammer is irrelevant” quick change. My only other problem with the story was that it felt like they left more unresolved baggage to serve as hooks than they reconciled.

I can see that a lot of people like this story, but I found it unworthy.


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BOOK REVIEW: The Old Guard: Tales Through Time, Vol. 1 by Greg Rucka, et. al.

The Old Guard: Tales Through Time, Vol. 1The Old Guard: Tales Through Time, Vol. 1 by Greg Rucka
My rating: 5 of 5 stars

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Out: December 21, 2021

This six-issue graphic novel collects twelve standalone short stories from “The Old Guard” universe. For those who’ve neither read the comic nor watched the Netflix movie, it imagines that a few immortals walk among us, or – if not immortals – at least extremely long-lived people. The oldest known among them, Andromache the Scythian (a.k.a. Andy,) is somewhere between six and seven thousand years old. (She appears in about half the stories in some capacity or another, ranging from cameo mention to main character.)

As the subtitle suggests, the dozen stories jump through time offering vignettes from the lives of the various immortals. The locales also vary, though primarily involving places that are known for their belligerency, intrigue, or noir ambiance — e.g. the wild west, samurai era Japan, 197o’s New York City, Berlin in 1932, etc. Some of the tales, e.g. “How to Make a Ghost Town,” “Zanzibar and Other Harbors,” and “Lacus Solitudinus,” are story-driven. Other pieces are more conceptual, focusing on an intriguing idea that comes with immortality. For example, “My Mother’s Axe” explores the Theseus’s ship idea of what it means for a thing to be itself when it’s replaced piece by piece over time.

I enjoyed this collection a great deal. The artistic styles vary to be apropos to the time and place in question, and the storytelling approach also shifts, owing not only to the different settings but also to the numerous authors involved. If you’re attached to having extended story arcs told over several issues, this might not be for you. The storytelling is necessarily terse and / or truncated, owing to space constraints. But if you go in expecting the two story-per-issue flash fiction format, you’ll likely find it compelling.


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BOOK REVIEW: Doctor Strange: Way of the Weird, Vol. 1 by Jason Aaron

Doctor Strange, Vol. 1: The Way of the WeirdDoctor Strange, Vol. 1: The Way of the Weird by Jason Aaron
My rating: 4 of 5 stars

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This is the first arc of a multi-arc story. The Volume consists of “Doctor Strange” (2015), #1-5.

Something even more mysterious and odd than usual is afoot. An unprecedented number of trans-dimensional beings have taken up residence on Earth. Magic begins to go on the fritz. The Sorcerer Supreme of other dimensions are being executed. A mysterious enemy, with powers based in technology, threatens the very existence of magic–not only in our universe, but throughout the multiverse. Magicians are constantly under attack in the world of Doctor Strange, but in this case the killing of magicians is just collateral damage in a battle of bigger stakes.

A new character, Zelma Stanton, is introduced. She’s a young librarian who seeks out the help of Doctor Strange because she has grown a nefarious looking toothy maw at the top of her skull—some kind of previously unseen mind maggot. In treating her for said maggots, the wild and weird creatures are set loose upon Strange’s Sanctum Sanctorum. Doctor Strange hires Stanton to reorganize his library. She provides a straight-man of sorts, a muggle’s eye reaction to the weird world of Doctor Strange.

The theme of this story is that there’s always a cost associated with the use of magic. This idea (which, stated differently, is also the central premise of economics—i.e. no free lunches) is an important rule for any literary world containing magic, because free lunches drain all tension from a story. In this case, it’s not just a principle sitting the background, its ramifications are explicit.

I enjoyed this book. I found the story premise intriguing and the dialogue well-written. The artwork was easy to follow and suitable strange. The art was imaginative. It can’t be easy to convey weirdness on a grand scale, but Chris Bachalo seemed to make it work.

I’d recommend this book for fans of Doctor Strange and others who like fantastical fiction.

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