from the hill that overlooks the city,
hustle-bustle isn't seen.
Hillview [Haiku]
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Author Archives: B Gourley
Night in a River City [Haiku]
river city:
after dark, boats slip moorings
to glide silently.
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DAILY PHOTO: Chapel of St. Roch, Budapest
Image
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“Balls” by Amy Lowell [w/ Audio]
Throw the blue ball above the little twigs of the tree-tops,
And cast the yellow ball straight at the buzzing stars.
All our life is a flinging of colored balls
to impossible distances.
And in the end what have we?
A tired arm -- a tip-tilted nose.
Ah! Well! Give me the purple one.
Wouldn't it be a fine thing if I could make it stick
On top of the Methodist steeple?
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PROMPT: Five
Daily writing prompt
When you were five, what did you want to be when you grew up?
I think that would have been “race car driver,” between my “cowboy” and “independently-wealthy-masked-vigilante” phases. (I did NOT know how jobs worked.)
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BOOKS: “Be Funny or Die” by Joel Morris
Be Funny or Die: How Comedy Works and Why It Matters by Joel MorrisMy rating: 5 of 5 stars
Author Site
Release date: Sept 4, 2025 [paperback, hardcover is already out]
This is a comedy writer’s guide to how humor is crafted. It’s a bit popular psychology and a bit of a how-to guide. If one is expecting, because it’s on comedy and humor, a book that is a laugh riot on every page, this isn’t the book for you. That’s not so say Morris doesn’t pepper the book with witty commentary and humorous examples, but it’s ultimately a book about how the sausage gets made and is, thus, somewhat analytic — if in a readable style.
At the core of Morris’s theory of comedy is a three-component structure: construct, confirm, and confound. Other major ideas are the fundamental tribalism of comedy and the connections between comedy and music. It wouldn’t be a present-day book on comedy if there wasn’t some discussion of the idea of offense and the “limits” of what can be said.
I can’t say all of Morris’s ideas found immediate resonance with me, but even when I didn’t fully buy the argument, I did find the presentation thought-provoking. For example, I don’t know that I buy Morris’s argument about the importance of tribality to comedy. I do agree that one needs a common language and some overlap of experience, but all of humanity has a domain of overlap of experience. Yes, one may have an easier time the more extensive that overlap is, but ease doesn’t necessarily mean one can’t get big laughs from an audience whose worldviews and experience are radically different from one’s own. [Of course, I may just be being overly sensitive as a traveler in a tribal world.]
For writers, the end of the book has a few chapters that are more about story than comedy – per se, and – while these chapters compare and contrast comedy and drama writing – they provide information useful to any writer engaged in storytelling.
I’d highly recommend this book for any readers interested in comedy writing, be it of standup material, scripts, or other content.
View all my reviews
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Roadside [Haiku]
roadside tree
shakes with each passing truck,
but no blooms fall.
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DAILY PHOTO: King Anouvong Statue, Vientiane
Wen Fu 3 [文赋三]: “The Writing Process” by Lu Ji [陆机] [w/ Audio]
After choosing one's scope of thought,
Turn the words and note their order.
Embrace the hot ones, feel their burn;
Knock on lines and hear their timbre.
Use the branches to shake the leaves,
And waves can be traced to their source.
Make the hidden come visible;
Make the difficult seem simple.
A tiger's transformation startles --
Birds take flight on sight of dragons.
Sometimes words nest into each other;
Sometimes, jaggedly, they won't mesh.
With a clear, contemplative mind
Hordes filter through to easy speech.
Heaven and Earth contained within:
All things flow from the brush with ease.
Starting timidly with dry mouth,
Ending with a wandering brush.
Meaning is borne by a stout trunk,
Language hangs like leaf and fruit.
Make words and intended meaning match
As moods show clearly on a face.
When happiness comes, laugh & smile,
And with sorrow let loose a sigh.
At times words flow spontaneously;
At times one bites one's brush, musing.
The Original in Simplified Chinese:
然后选义按部，考辞就班。
抱暑者咸叩， 怀响者毕弹。
或因枝以振叶，或沿波而讨源。
或本隐以之显，或求易而得难。
或虎变而兽扰，或龙见而鸟澜。
或妥帖而易施，或岨峿而不安。
罄澄心以凝思，眇众虑而为言。
笼天地于形内，挫万物于笔端。
始踯躅于燥吻，终流离失所于濡翰。
理扶质以立干，文垂条而结繁。
信情貌之不差，故每变而在颜。
思涉乐其必笑，方言哀而已叹。
或操觚以率尔，或含毫而邈然。
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PROMPT: Don’t Understand
Computational Fluid Dynamics. Also, Nuclear Lensing.
Tiger Riding for Beginners 