What could you let go of, for the sake of harmony?
The need for the world to be a certain sort of way.
It’s the only thing I can think of that letting go of would contribute to increased harmony.
PROMPT: Harmony
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Tag Archives: Philosophy
“Absolute” [Poetry Style #1] by Sikong Tu [w/ Audio]
With wear you will decay outside,
But inside resides the vital force.
Approach the Absolute through the Void:
One's strength will grow, and vim will course.
You can know the world and its Way,
Across space and time -- to the Source.
To desolation range hang dark clouds,
Air still as latitudes of the horse,
Move beyond all one knows by sight,
And gain the Center -- but not by force --
Hold onto this strength by hook or crook,
And flow the Endless by watercourse.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the first of the twenty-four poems. This poem’s Chinese title is 雄浑, and its translated titles include: “Energy – Absolute” [Giles] and “Vigorous.”
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Five Wise Lines [June 2024]
The man who says to me, “Believe as I do, or God will damn thee,” will presently say, “Believe as I do, or I shall assassinate thee.”
Voltaire, in On superstition
The real voyage of discovery lies not in seeking new landscapes but in having new eyes.
Marcel proust
The translation of a poem having any depth ends by being one of two things: Either it is the expression of the translator, virtually a new poem, or it is as it were a photograph, as exact as possible, of one side of the statue.
Ezra pound
The people are of supreme importance to the ruler,
Chinese adage
food is of supreme importance to the people.
All translators face two choices: leave the reader in peace and drag the author closer, or leave the author in peace and drag the reader closer.
Friedrich schleiermacher (1768-1834)
[Referenced in Twenty-Nine GOODBYES, ed. by timothy billings]
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“Love’s Philosophy” by Percy Bysshe Shelley [w/ Audio]
The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine? --
See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?
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PROMPT: Spirituality
If by “spirituality” one means some kind of attachment to the supernatural, then not at all important. If by “spirituality” one means experiencing the world with a sense of awe, wonderment, and unmitigated bliss, then very important.
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“Form” [Poetry Style #20] by Sikong Tu [w/ Audio]
Quit seeking to firm up the soul;
Return to the unadorned truth.
One can seek the shape of water;
One can write of a pleasant spring.
Winds shift the shapes of clouds,
Flowers stand tall, and flowers droop.
The great waves of a sprawling sea,
The mountain's craggy ruggedness...
They all emulate the Great Way.
Every wonderful thing is dust.
Find semblance beyond shape or form.
In this person, the multitudes.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twentieth of the twenty-four poems. Translated titles vary. This one has been titled “Descriptive” and “Form and Feature” by varied translators.
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“Much Madness is divinest Sense” (620) by Emily Dickinson [w/ Audio]
Much Madness is divinest Sense --
To a discerning Eye --
Much Sense -- the starkest Madness --
'Tis the Majority
In this, as all, prevail --
Assent -- and you are sane --
Demur -- you're straightway dangerous --
And handled with a Chain --
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BOOKS: “Improv Wisdom” by Patricia Ryan Madson
Improv Wisdom: Don’t Prepare, Just Show Up by Patricia Ryan MadsonMy rating: 4 of 5 stars
Publisher’s Website
One might expect this to be a book about how to perform improvisational comedy, but it’s better described as a philosophy of life that employs lessons from improv. There are books that take a much more tailored approach to building an improv act. This one, rather, broadens its target demographic from those interested in theater and comedy to everybody. It discusses applying lessons such as default to positivity (the famous “Yes, and…” of improv) both on and beyond the stage.
Each of the thirteen chapters is built around a maxim that might be heard in an improv theater or troupe. The crux of the matter is building the confidence and sense of freedom to be able to behave spontaneously in an environment that’s stressful and somewhat chaotic. Most of the lessons approach an aspect of the problem of surrender and free response action, though there are broader lessons such as the benefits of gratitude and helpfulness. While I call the book’s content a philosophy of life, the author doesn’t spend a lot of time drilling down into established philosophies, with the exception of Buddhism — specifically of the Zen variety. As one might imagine, Zen — with its emphasis on non-attachment and avoidance of overthinking — has a substantial overlap with the approach to living that Madson is proposing.
“Improv Wisdom” is set up as a self-help book, featuring not only lesson-based organization but also offering a few exercises in each chapter.
This is a quick read and might prove to be of great benefit to those who have never thought much about the challenges and lessons of improv. The book can’t be said to be groundbreaking in terms of the lessons it presents, but its focus on what improv elucidates about these lessons is interesting and unique.
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Five Wise Lines [May 2024]
Play is a state of mind, rather than an activity.
Stuart brown in PLay: How it shapes the brain, opens the imagination, and Invigorates the soul
My sins are running out behind me, and I do not see them, and today I come to judge the sins of another!
From Sayings of the Desert Fathers
(A Senior Monk’s reply upon being asked to Judge a younger monk’s actions)
Ye have heard that it hath been said, An eye for an eye, and a tooth for a tooth! But I say unto you, That ye resist not evil: but whosoever shall smite thee on thy right cheek, turn to him the other also.
Matthew 5: 38&39
I have no scepter, but I have a pen.
Voltaire to Fredrick the great
If a man is born to error, let us wish him virtuous errors.
Voltaire; ON Superstition
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BOOK: “Toleration and Other Essays” by Voltaire
A Treatise on Toleration and Other Essays by VoltaireMy rating: 5 of 5 stars
Project Gutenberg — Free Access
This collection gathers together eight essays and a poem. The theme that interconnects these works is a petition to avoid petty tribalism and irrationality / superstition in the practice of one’s religion. The titular essay, “On Toleration,” sets the collection’s tone, beginning with its detailing of the murder of Jean Calas on religious grounds and its exploration of many more acts of savagery attributable to sectarian forces in alliance with authoritarian governments. The poem, “Poem on the Lisbon Disaster,” echoes the central idea of “Candide” — i.e. the idea that we live in the best of all possible worlds is patently false.
As one would expect of Voltaire, there is plenty of humor and satire throughout these pieces. The arguments are also generally well supported by facts. It is clear that Voltaire possessed a great deal of the knowledge of his day. That said, the reader may well find some factual errors. Most notably, Voltaire tends to attribute a kind of enlightened utopian vision to cultures with which he was likely largely unfamiliar as he builds a case against many within the culture with which he is familiar. This isn’t to say that there isn’t some truth to Eastern traditions being historically more tolerant of other sects than the Abrahamic religions, but the degree to which he extends these idyllic views of those outside of Europe (and the details, thereof) don’t always seem to comport with the historic record.
While some may be inclined to dismiss this book as a collection of anti-religion writings, it is really not anti-belief at all. (Though he does poke holes in many a Biblical myth, so too does he actually provide a deist argument in favor of the existence of a god or gods in the book’s final essay.) Instead, the collection is anti-intolerance, anti-superstition, and anti-authoritarianism. I’d highly recommend this book for all readers. Whatever flaws it may contain are outweighed by the great importance of its message and the cleverness with which Voltaire conveys said message.
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Tiger Riding for Beginners 