Tag Archives: Philosophy

PROMPT: Blog – Change

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Daily writing prompt
What change, big or small, would you like your blog to make in the world?
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If I’m being entirely honest, everything that’s come out of this enterprise has been of selfish motive — even those activities that seem like they have broader purpose. For example, I started book reviewing because: a.) I found it disheartening how many books I read that I had virtually no recollection of a couple years down the line, and b.) because, while I felt I knew good writing when I read it, I couldn’t really say what it was that made it good or bad without taking a more analytical look into the matter. (And I was pretty sure good writing wouldn’t come to me osmotically — merely by reading good writing — if I didn’t understand why it was good writing.)

I started recording classic poems to get a better sense of the sound quality of well-crafted poetry (and to become more comfortable with the sound of my own voice.)

I guess the honest answer is that I hope to be smarter and more capable as a result of the practice. It is continuing education, a fostering of the Beginner’s Mind.

“Beauty” [Poetry Style # 9] by Sikong Tu [w/ Audio]

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When one makes god of wealth,
 Light glows from yellow "gold,"
 But the lavish withers --
 Even as its deeps take hold.

Fog at the river's edge.
 Red apricots, woods enfold.
 Moon shine on bower's flowers.
 Painted bridge in green shadow.
 An old bowl full of wine,
 As a friend's lute song unfolds.
Make your bliss of such things,
 And they will be your true gold.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the ninth of the twenty-four poems. This poem’s Chinese title is 绮丽, and its translated titles include: “Beautiful,” “Intricate,” and “Embroideries.”

PROMPT: Typical

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Daily writing prompt
Was today typical?
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I’m not traveling, so — at one level of specificity — it could be said to be typical. The flow of my routine is more or less as usual for recent weeks. Then again, at another level of specificity, it could be said to be a day filled with completely unique experiences never before had (precisely as I’m having them) by anyone, anywhere, at any time in the history of the world. I guess I prefer to look at things in the latter way.

Note to Self [Lyric Poem]

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Allow me to make a
    Socratic suggestion:
 That you pursue the lowly
    Art of the question.

Showing you love knowing
   More than you love learning
 Shows only that you're not
   Discerning, and lack requisite
 Yearning to find the Truth.

PROMPT: Harmony

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What could you let go of, for the sake of harmony?

The need for the world to be a certain sort of way.

It’s the only thing I can think of that letting go of would contribute to increased harmony.

“Absolute” [Poetry Style #1] by Sikong Tu [w/ Audio]

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With wear you will decay outside,
   But inside resides the vital force.
 Approach the Absolute through the Void:
   One's strength will grow, and vim will course.
 You can know the world and its Way,
   Across space and time -- to the Source.
 To desolation range hang dark clouds,
   Air still as latitudes of the horse,
 Move beyond all one knows by sight,
   And gain the Center -- but not by force --
 Hold onto this strength by hook or crook,
   And flow the Endless by watercourse.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the first of the twenty-four poems. This poem’s Chinese title is 雄浑, and its translated titles include: “Energy – Absolute” [Giles] and “Vigorous.”

Five Wise Lines [June 2024]

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The man who says to me, “Believe as I do, or God will damn thee,” will presently say, “Believe as I do, or I shall assassinate thee.”

Voltaire, in On superstition

The real voyage of discovery lies not in seeking new landscapes but in having new eyes.

Marcel proust

The translation of a poem having any depth ends by being one of two things: Either it is the expression of the translator, virtually a new poem, or it is as it were a photograph, as exact as possible, of one side of the statue.

Ezra pound

The people are of supreme importance to the ruler,
food is of supreme importance to the people.

Chinese adage

All translators face two choices: leave the reader in peace and drag the author closer, or leave the author in peace and drag the reader closer.

Friedrich schleiermacher (1768-1834)
[Referenced in Twenty-Nine GOODBYES, ed. by timothy billings]

“Love’s Philosophy” by Percy Bysshe Shelley [w/ Audio]

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The fountains mingle with the river
   And the rivers with the ocean,
 The winds of heaven mix forever
   With a sweet emotion;
 Nothing in the world is single;
   All things by a law divine
 In one spirit meet and mingle.
      Why not I with thine? --

See the mountains kiss high heaven
   And the waves clasp one another;
 No sister-flower would be forgiven
   If it disdained its brother;
 And the sunlight clasps the earth
   And the moonbeams kiss the sea:
 What is all this sweet work worth
   If thou kiss not me?

PROMPT: Spirituality

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Daily writing prompt
How important is spirituality in your life?
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If by “spirituality” one means some kind of attachment to the supernatural, then not at all important. If by “spirituality” one means experiencing the world with a sense of awe, wonderment, and unmitigated bliss, then very important.

“Form” [Poetry Style #20] by Sikong Tu [w/ Audio]

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Quit seeking to firm up the soul;
 Return to the unadorned truth.
   One can seek the shape of water;
   One can write of a pleasant spring.
 Winds shift the shapes of clouds,
 Flowers stand tall, and flowers droop.
   The great waves of a sprawling sea,
   The mountain's craggy ruggedness...
 They all emulate the Great Way.
   Every wonderful thing is dust.
 Find semblance beyond shape or form.
 In this person, the multitudes.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twentieth of the twenty-four poems. Translated titles vary. This one has been titled “Descriptive” and “Form and Feature” by varied translators.