body in the temple yard;
mind on distant mountains.
Bifurcated [Haiku]
Reply
Tag Archives: mind
Be Water [Free Verse]
The floating feather
that eludes my grasp
isn't haughty or gleeful.
It just rolls, slips, glides,
and is gone.
Share on Facebook, Twitter, Email, etc.
“Difference” by Stephen Vincent Benét [w/ Audio]
My mind's a map. A mad sea-captain drew
it
Under a flowing moon until he knew it;
Winds with brass trumpets, puffy-cheeked
as jugs,
And states bright-patterned like Arabian
rugs.
"Here there be tygers." "Here we buried
Jim."
Here is the strait where eyeless fishes swim
About their buried idol, drowned so cold
He weeps away his eyes in salt and gold.
A country like the dark side of the moon,
A cider-apple country, harsh and boon,
A country savage as a chestnut-rind,
A land of hungry sorcerers.
Your mind?
--Your mind is water through an April
night,
A cherry-branch, plume-feathery with its
white,
A lavender as fragrant as your words,
A room where Peace and Honor talk like
birds,
Sewing bright coins upon the tragic cloth
Of heavy Fate, and Mockery, like a moth,
Flutters and beats about those lovely
things.
You are the soul, enchanted with its
wings,
The single voice that raises up the dead
To shake the pride of angels.
I have said.
Share on Facebook, Twitter, Email, etc.
BOOKS: “The Secret of the Golden Flower” ed. / trans. by Thomas Cleary
The Secret of the Golden Flower: The Classical Chinese Book of Life by Lü DongbinMy rating: 4 of 5 stars
Online – Archive.org
This is a manual on Taoist inner alchemy practices, particularly a meditative practice called “turning the light around.” The book has been attributed to Lü Dongbin, said to be an immortal who lived during the Tang Dynasty, though there are differing views about the manual’s actual origins. While it is nominally a Taoist manual, it also discusses the Buddhist approach extensively (and Confucian ideas to a lesser extent) such that it could be considered a Buddhist teaching as much as a Taoist one.
The Cleary translation seems to exist not merely to provide an English translation of this Chinese manual, but to combat the misunderstandings perpetrated by the earlier English translation, that of Richard Wilhelm, a translation famously associated with the psychoanalyst Carl Jung. Neither Wilhelm nor Jung had any depth of understanding of Taoist and Buddhist methods and philosophy, and Wilhelm’s grasp of the Chinese language, itself, seems to have been fairly rudimentary. (At least the Chinese of the 1600’s, which is when the edition that Wilhelm is believed to have worked from is dated.) Thus, there is a lot of peddling of the notion that the ideas of this manual were in line with twentieth century psychotherapy in ways that were really not true — either because Wilhelm was mistaken or wanted them to be true or some combination, thereof.
The translation, itself, is quite short and makes up less than half of the text length of this book. More than half consists of extensive notes as well as an Afterward. While I have complained many times about publishers padding out pamphlet length publications to make them salable at book prices, in this case I believe the “ancillary” matter is helpful to achieving a better understanding of the text. The translation itself is not only sparse but features a bit of Taoist and Buddhist arcana that is likely to be unfamiliar — even to those with some understanding of the traditions. The notes and afterward help one to comprehend this book’s ideas much better.
If you’re interested in Taoist inner alchemy or Buddhist meditative practices, this book is worth checking out. That said, it can be a bit of a tedious read, flipping between the translation and the notes to make sense of ideas that don’t readily translate.
View all my reviews
Share on Facebook, Twitter, Email, etc.
The Cave [Free Verse]
Jagged window
on the world:
All light and sound
deadened,
but from one opening --
The cave mouth.
From behind
nothing stirs,
nothing glows,
shadows are subsumed
by shadow.
Eyes and mind
frame the cave mouth,
making the mind
a cave within a cave:
layered silence
layered remoteness,
and all input of a single,
common source.
How many caves deep might
this thing go?
Share on Facebook, Twitter, Email, etc.
Piano Mind [Haiku]
snow has fallen.
cars of many colors, all white:
a piano-esque lot.
Share on Facebook, Twitter, Email, etc.
BOOKS: “Essential Zen” ed. by Kazuaki Tanahashi & David Schneider
Essential Zen by Kazuaki TanahashiMy rating: 5 of 5 stars
Google Books Page
This is a collection of short writings (poems, koans, and prose excerpts) on Zen Buddhism arranged into loosely themed sections. The writings tend toward the artistic, creative, and metaphorical, with relatively few straightforward descriptions of technique or philosophy. The writings range from those of Chinese and Japanese monks who lived hundreds of years ago to present-day poets and Zen practitioners. Among the more frequently drawn from sources are: Hanshan, Ikkyu, Dogen, Ryokan, Hakuin, Gary Snyder, Robert Aitken, Seung Sahn, John Daido Loori, Thich Nhat Hanh, and Peter Levitt. But there are many others, including some who have only a single piece included.
There’s a substantial “Notes” section that gives source, translation, and — in some cases — background information. Most of the translations (both Japanese and Chinese) are by the editors, Kazuaki Tanahashi and David Schneider. There are illustrations, but they are all ensō (circular brush paintings) and related forms.
This is a highly readable and insightful collection of short writings, and I’d highly recommend it for individuals interested in Zen or Eastern Philosophy more generally.
View all my reviews
Share on Facebook, Twitter, Email, etc.
BOOKS: “Tranquil Sitting” by Yin Shi Zi
Tranquil Sitting: A Taoist Journal on Meditation and Chinese Medical Qigong by Yin Shih TzuMy rating: 4 of 5 stars
Publisher’s Site
This manual is an English translation of a work earlier published in Chinese. It is nominally on Taoist meditation and is written by a Taoist author, but it does include discussion of Buddhist practices as well (specifically Mahamudra.) Also, part of the author’s declared intent with this text is to write in a manner approachable to a wider audience, and because of this sect is rendered less important. So, for example, the book employs more scientific and physiological modes of explanation as opposed to meridians and other conceptual approaches from Traditional Chinese Medicine.
The book is presented in two parts. I found the first part much more beneficial and productive. Said first part is a general guide to meditation. It discusses fundamentals, theory, physiology, and how to align one’s living with a meditative practice (i.e. how diet, breathwork, sleep, etc. influence one’s practice.)
The second part consists of long and fairly detailed descriptions of the author’s experiences with both Taoist and Mahamudra meditation. I didn’t find this part useful, and I believe it may be counterproductive. Discussion of the author’s subjective experience may lead readers to get hung up on chasing identical experiences to the detriment of just practicing. It may give false ideas about “correct” and “incorrect” experiences of the meditation.
Overall, it’s a fine guide to meditation, particularly the first (i.e. larger) part. I can’t say that it breaks a lot of ground. A reader well-versed in meditation may not gain much insight from this book, but it’s as good as any to get started.
View all my reviews
Share on Facebook, Twitter, Email, etc.
FIVE WISE LINES [October 2024]
If any thing is sacred the human body is sacred
walt whitman; Leaves of grass; “I sing the body electric”
Strong in their softness are the sprays of the wisteria creeper;
Saying of Master Jukyo as Translated by Trevor Leggett in Zen and the Ways
The pine in its hardness is broken by the weak snow.
When there is mutual ignorance, confidence indeed is king.
Trevor leggett; Zen and the Ways
Do not see the gate and think it is the house. The house is something which is reached by passing through and going beyond the gate.
YAgyu Munenori’s Art of War (As translated by trevor leggett in Zen and the ways)
Students of the Ways must see clearly that in an untrained man the intellect is like a barrister. It argues clearly and logically, but the aim is not truth, but to reach a predetermined conclusion.
Trevor Leggett; Zen and the Ways
Share on Facebook, Twitter, Email, etc.
BOOKS: “Zen and the Ways” by Trevor Leggett
Zen and the Ways by Trevor LeggettMy rating: 5 of 5 stars
Open Library Page
This book is the most densely populated with interesting insights that I’ve read in some time. It’s not new, being first published in 1978, but it takes a variety of approaches to give the reader a better understanding of Zen and the application of Zen mind to martial arts and other activities that found benefit in stillness and clarity. By “the Ways,” Leggett is referring to those arts and activities benefiting from Zen, which include: tea ceremony, flower arranging, painting, poetry writing, and all manner of martial arts. [Often represented by ending “do” in Japanese.] (The latter are dealt with most extensively, but not exclusively.)
The book is arranged in six parts, the first half of which focus mostly upon Zen Buddhism and, particularly, the Kamakura school that found a huge following among warriors and other artists. Those first three chapters take a big to small approach, examining Zen from ever finer levels of detail, starting with an introduction to Zen Buddhism broadly, moving on to the Kamakura developments, and then finally focusing on one particular practice — that of Koans (stories that present riddles which the student can only “solve” in a non-intellectual fashion.)
The second half of the book investigates the ways Zen has been applied to various arts. This is where one sees the varied approaches used to explore the confluence of Zen and artistry. Part Four consists of a series of essays explaining concepts such as ri (universal truth) and ji (formal technique,) ki (vital energy,) and isshin (single-heartedness) / zanshin (lingering awareness.) Part Five consists of historic martial arts scrolls and excerpts, including Yagyu Munenori’s Art of War and Chozan Shisai’s “Tengu’s Guide to the Martial Arts.” The final part consists of stories that illustrate crucial ideas in a readable and memorable fashion.
I was extremely pleased to stumble across a copy of this book in a second-hand bookshop. I’d long ago heard a fascinating story about murders in Edo era Japan of high-level martial artists, all killed in the same manner. They never found the killer, but they figured out how the murders were done easily enough. The killer exploited his knowledge of that school’s techniques to lay a fake that exploited their own technique to create an opening. It’s a cautionary tale that drilling muscle memory is not the end-all be-all of martial arts, and that it can create its own problems. At any rate, I’d never been able to find the source… until now. There is a detailed discussion of it in this book.
For readers interested in how state of mind influences artistic performance, I’d highly recommend this book.
View all my reviews
Tiger Riding for Beginners 