What a moment!
When you realize
that your lips had been more numb
than from Szechwan peppercorns,
and that numbness
has slid into paralysis.
You are dying:
death by Fugu --
poison blowfish.
Your heart will stop.
You will keel over,
falling from your stool
at the sushi counter.
A booth-dweller,
seeing you bounce off
an adjacent patron,
wonders why you don't
bring your arms up to catch yourself,
but - of course - they're dangling
uselessly,
and so you land face first.
The booth-dweller cringes.
There's nothing to be done for you.
You had the nerve
to try the Fugu!
But, while Fugu life is exhilarating;
Fugu death is inglorious.
Bohemians
gathered around
the absinthe bottles,
the light hitting
the bottles shone
a radioactive shade
of green.
That green light
threw blotches
against walls &
floors & people &
anything else there
was to illuminate.
The more they drank,
the less green the mottling --
not because the empty glass
was clear, &
didn't refract, or spray green,
but because the splotches
turned every color --
every color there is --
and the colors danced
around the increasingly
amorphous surfaces.
Until, at last,
everyone was asleep,
and visions of Green Fairies
danced in their dreams.
Orange orbs
cut with fearful faces:
Burning brightly
- daily & nightly -
As menacing medicine
for the cringe-impaired,
The ones who
never get scared --
unless a banal ball,
blazing & brainless,
(and in a manner
all but painless)
replaced the head
of their town's barber.
One foot in the river.
One foot on the shore.
Both feet sunk in the mud.
The fisherman casts his net
with perfect flick and spin,
muck extruding between toes.
The sling is the one quick
part of the movement:
quick, but unrushed.
The net is hauled back,
slowly and methodically,
pressing out excess water
while offering no escape route.
How many casts per day?
As many as are necessary.
There are other fishers,
out on languidly rocking boats,
casting out in the river.
And in rivers everywhere:
in the Mekong,
the Amazon,
the Euphrates,
and the Mississippi Delta.
Everywhere, they are casting.
I click on Google Maps;
a pin highlights for a cemetery,
and, here, I stumble upon
graveyard reviews.
These reviews intrigue me because
it seems to me that if one is capable
of writing a cemetery review,
then one is unqualified.
And, if one is qualified to comment
on the caliber of an eternal resting place,
then one is unlikely to be capable of
posting a review.
I read one of the one-star reviews
and see that the reviewer's principal complaint
is an overabundance of "pocong."
"What is a 'Pocong?'" you may ask.
It is a Javanese ghost that takes up
occupancy in death shrouds.
Why is there a Javanese ghost
infestation in a cemetery 4000 kilometers
from Java, and -- as near as I can tell --
with zero Javanese occupants?
The review does not say,
but I love that someone panned
a cemetery based on the presence
of foreign ghosts
[and not because it is simultaneously
phasmophobic and xenophobic.]
But because it shows an unbridled commitment
to one's imagination that is usually
only seen among children.