There once was a renowned psychoanalyst
Who found childhood events were always the catalyst.
A patient who lived happily
'Til a recent tragedy,
Learned it all stemmed from thoughts as a neonatalist.
Psychoanalyst Limerick
Reply
I
That is no country for old men. The young
In one another's arms, birds in the trees,
-- Those dying generations - at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
IV
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
Eternals by Neil GaimanAfter transitioning from tighty-whities, through boxers, and on to the boxer-brief, I think I have finally found the path to downstairs bliss.
Buying fine jade in the springtime,
Enjoying rain song from within a cabin,
A taciturn scholar sits betwixt
Copses of tall, arching bamboo.
Sparse white clouds in a newly clear sky;
Swallows weave 'round trees in pursuit.
Light through leaf casts a green hue on all;
Sound of falling water, thin but near;
Flower petals fall without a sound.
But the man sits unyielding as a mum;
He writes what the scene dictates
To make a pithy book.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the sixth of the twenty-four poems.
The Perennial Philosophy Reloaded: A Guide for the Mystically-inclined by Dana Sawyer