5 Ways to Manage Your Email & Social Media Addiction

Addiction? That seems harsh. It feels like I’m equating a person who has his phone in hand several times every hour with a heroin junky or a nymphomaniac. But, the difference is in the word “Manage.” I wouldn’t write a post entitled “How to Manage your Heroin Addition.” I’d write one called, “Quit that Shit Before it Kills You.”  I’m not suggesting that one needs to do away with checking email and social media. These are great tools that allow us to be much more productive (potentially.)

 

Still, if we’re honest about it, most of us at some point get caught up in the compulsive checking of emails, social media, internet feeds, click-bait sites, sale pages for online retailers, and stats pages. There’s no denying it. A pile of evidence has accumulated about the extent to which people are dismayed by their own e-world activities. I just started reading Kotler and Wheal’s “Stealing Fire” (out February 21, 2017) and they site a study that found that about 2/3rds of those surveyed admitted checking their status page when they woke up in the middle of the night. It might seem off topic for book about altered states of consciousness to report on such matters, but its not because it’s all about the pursuit of a neurochemical bump. (Also, as I’ll discuss, a major problem of this addiction is in keeping one from slipping into the Flow with one’s work, family, or hobby activities.)

 

So, below are five methods I’ve found useful in my own on-going struggle with this addiction.

 

5.) Set a timer:  The problem with this addiction is that when one falls into habitually checking one’s status, one isn’t able to stay on task, and that means that one won’t achieve that elusive state of optimal performance called Flow. One needs time to immerse oneself in a task.

 

When I’m writing and editing, I set a timer, and until it beeps I do nothing off topic. I don’t make it some Herculean effort. I use 60 and 90 minute intervals. After the alarm rings, I can check email, do Tai Chi, get a cup of coffee, or work on my handstands. A longer time period may be more–or less–beneficial for you. (Isaac Asimov was said to only take a break after 5,000 words, but few writers have that in them.) The point is to make it long enough that one can get into a focused state of mind, but not so long that you become distracted and run down.

 

 

4.) Know your high energy period: This point relates to the last because it’s about blocking one’s productive time, and putting the more Flow-demanding activities when one is at one’s best. e.g. Are you a lark or an owl? (i.e. morning person or evening person.)

 

For example, I’m a morning person. This creates a potential problem. While I find it easy to get up with the sun, I’m at risk of saying, “Oh, I’ll just check emails, Facebook, my blog stats, a couple YouTube channels, and then I’ll get to work.” Then it’s noon, and the hours in which my mind was at its very best are gone. From 7pm until I go to sleep is when I should check these feeds because by that time my mind isn’t good for editing or writing tasks that require a high level of attention to detail.

 

 

3.) Go Cold Turkey [for a few days]: Sometimes it’s easier to make changes when one is forced by circumstance to quit. Then one can be more conscientious in resumption of the activity in question. (Moving to India helped me break a lot of bad habits.) If nothing else, this will help to give you confidence that the Earth won’t roll off it’s axis just because you aren’t checking on it twice an hour.

 

I can offer two examples from my own life. Every year my wife and I go on an extended trek in a place where there are no bars and saving batteries is essential. The past couple years, this has been in the Himalayas because we’ve been living in India, but anywhere remote will work. I also did the Vipassana Meditation Course last year. (If you’re interested in the latter, you can read my account of it here.)

img_1397

 

 

2.) Meditate: Why? Because when you start meditating regularly, you tend to do less and less out of mindless habit. You become conscious of what you’re doing, and that’s the first step to making changes. You also start to become attuned to those very subtle dopamine bumps, and in that way you  aren’t fighting it the impulse blindly. The high of the click is infinitesimally more subtle than taking mind altering substances, and so it’s easy for this all to take place below the waterline (analogizing the mind to an iceberg but instead of the majority of the mass of ice below the waterline, it’s the conscious mind above and the subconscious below.)

img_1556

 

 

1.) Substitute: In the immortal word of the rock band “The Who.” If your problem is so extensive that it does more than block your attempts to hit the Flow, you may need to find a healthier alternative to wean yourself away.

 

What does one look for in a substitute? If it’s going to fill the same space, it requires immediate feedback and a mix of “fails” mixed in with “successes.” These are the components that make the e-world so addictive. We know immediately whether we got something or not, and that keeps us clicking–not unlike the famous rats that would keep pressing a button for pleasure even to the point of forgetting to eat.

 

Some people may work on games that will help build their brain. (Warning: just don’t trade one unproductive addiction for another.) I’m an advocate of working on physical activities (e.g. trying to develop new capabilities in calisthenics or yoga), but these often involve a demoralizing amount of fails to reach the optimal level (the optimal being that one has enough fails to keep it from being boring but not so many that one is brutalized.)

5 Hyphenated Yogas That Miss the Point of Yoga

The laissez-faire and easy-going yoga community has spawned some phenomenally ridiculous mergers. I have “yoga” as a term on Google News, and almost every week I get fed a new example. I’m not saying every new approach to yoga is bad, but there’s one disturbing trend–i.e. the distraction yoga.

 

In the title, I refer to “hyphenated yogas,” but what I’m really ranting about is “distraction yogas.” A distraction yoga is one in which an element is brought into the practice so that one doesn’t have to keep one’s mind on one’s breath, alignment, and / or mental state. (Because who wants to think about that shit when one can be thinking “Wow, that kitten sure is cute.” or–believe it or not–“This beer has hoppy undertones.”)

 

Now before I get accused of hating puppies or beer, let me point out that nothing could be further from the truth. What I’m ranting against is the notion that you can marry any two good things and make a great thing. If you don’t believe me, please allow me to dip my nachos in your banana split. See, there are plenty of things that are awesome independently that make abominations when forced together.

 

I’ll include links as I go, lest you think I made this stuff up for hilarity’s sake.

 

5.) Beer Yoga: This is one of the most recent and intriguing distraction yogas. I’m not saying that one needs to follow a strict Vedic approach to life to practice yoga, but–come on–could you stop drinking for a couple hours to pretend your body is a temple (or at least that it’s not sitting in a trailer park with the windows busted out.) Unless “calf slaughter-yoga” catches on, it’s hard to imagine a less yoga-like practice than consuming intoxicants during the practice of yoga. By the way, there’s also a marijuana yoga, but I’ll lump these together as intoxicant yogas.

beermug

 

4.) Goat Yoga: This is one of many “animal yogas.” Like the others, the point is to have cute creatures around. How it’s supposed to help one’s yoga, I can’t fathom. Actually, I can fathom the suggested logic, probably something to do with calming and engendering feelings of compassion and well-being. But, ultimately it’s distraction by cuteness. Note: you can also do yoga with cats, dogs, horses, and probably river otters.

goatyoga-461x346

 

3.) Karaoke Yoga: Talk about distraction–nothing better than pounding music and reading a prompter to keep one’s mind off that ache in one’s hamstring.

karaoke_yoga

 

2.) Rave Yoga / Club Yoga: This might be a cheat because it’s similar to the previous one on the list, and I’m trying to lump these together so as to not be too repetitive. However, it’s not exactly the same, and is the perfect example of a distraction yoga. (There’s also Harmonica yoga and other musical yogas, but I won’t double-dip anymore.)

bombay_yoga-2e16d0ba-fill-735x490

 

1.) Tantrum Yoga: It wasn’t easy to determine whether I’d include this one or not. On the one hand, it’s not a distraction yoga in the sense that the others are. On the other hand, it takes the award for being least yoga like on the grounds that it’s not about dispassionately witnessing one’s emotional state but rather feeding one’s negative emotions. Note that I don’t group laughter yoga into the same class. I’m not sure whether laughter yoga is beneficial (or to what degree it’s a yoga), but I know that many people benefit from it because it bolsters positive emotional states.

tantrum

 

Now, one may have noticed that there are many seemingly strange (hyphenated) yogas that I haven’t mentioned. I haven’t said a thing about surf board-yoga, stripper pole-yoga, or acro-yoga–and I specifically excluded Laughter Yoga from the wrath of my rant. That’s because this isn’t a rant about people being innovative or non-traditional, it’s about people missing the point of what yoga is supposed to be (i.e. a means to quiet the mind.) I don’t know whether I can see myself doing yoga on a surf board or a stripper pole, but I’m certain that one has to give it one’s full attention–it’s not about finding a distraction to make yoga more palatable to hipsters.

BOOK REVIEW: Light on Pranayama by B.K.S. Iyengar

Light on Pranayama: The Definitive Guide to the Art of BreathingLight on Pranayama: The Definitive Guide to the Art of Breathing by B.K.S. Iyengar
My rating: 4 of 5 stars

Amazon page

 

This is B.K.S. Iyengar’s A-Z guide to breath and breathing exercises (pranayama.) It’s meant to do for pranayama practice what “Light on Yoga” did for asana (postural) practice. That is, it presents all the classic techniques, offers variants to meet individual needs, and provides the background necessary to put pranayama into the context of a balanced yoga practice.

Let me begin by discussing the book’s organization, and this book is organized to the n-th degree. There are parts, sections, chapters, and even the paragraphs are numbered (though–near as I can tell–the latter serves no purpose for a typical reader and may be more for the help of the writer and his assistants. It does create a somewhat biblical scheme, so maybe it was assumed there would be a need to quote this guide “chapter and verse,” as they say in Bible study.)

The bulk of the book consists of the first of two parts, and Part I is divided into three sections. The first of those sections is “The Theory of Pranayama,” and it puts pranayama in the context of yoga’s entirety. If you’ve read other B.K.S. Iyengar titles, much in these nine chapters will be familiar (e.g. discussion of the eight limbs.) However, chapter 4 offers a nice description of the anatomy and physiology of respiration. There are many anatomical drawings and diagrams in it to help convey the complex information. There’s also additional information about the traditional Indian notions of breath encapsulated in the concepts of prana, nadis, and chakras.

Section II is entitled “The Art of Pranayama” and it covers those topics necessary regardless of what technique of breath exercise one is practicing. It includes seated postures, mudras, bandhas, inhalation, exhalation, retention, etc. This section, too, has nine chapters. The final section of Part I describes the various techniques of pranayama. The chapters of this section are arrayed in lists, and they systematically build from the basic technique towards more advanced variations (e.g. by inserting retentions.)

Part II covers meditation (dhyana) and the corpse pose (savasana.) With respect to the former, it suggests how one’s body, mind, and sense organs should be conducted in the act of meditation. In the case of the chapter on corpse pose (after cross-legged seating position, this being the most common position for practice) there’s an extensive look at the details of that pose.

There are a number of helpful features incorporated into the book. In addition to the drawings mentioned in Chapter 4, there are black-and-white photos throughout to clarify the textual instructions. There is also a glossary of Sanskrit terms and an Appendix of courses of pranayama (i.e. recommendations as to how to sequence breathing techniques for optimal results with guidance as to how many sets or repetitions of each to use.)

My major criticism is one I’ve offered about previous books from this author and others. There’s a muddle of science and mythology that makes it hard to know how much weight to give particular instructions. It may be that a given piece of advice (e.g. a contraindication) is based on repeated observations of the physical or mental effects, or on a sound understanding of anatomy & physiology. In which case, it makes sense to heed such advice. However, advice can also be based on myths and the desire to preserve a way of thinking about the human body which is wholly unsupported by evidence. In which case, if one has no dog in the fight to preserve egos, it makes sense to disregard said advice. I suspect the vast majority of statements of what to do (or not to) fall into the first category, but some may fall in the latter, and it’s not easy to tell which is which.

I would recommend this book for students and teachers of yoga. It’s a good reference for one’s pranayama practice.

View all my reviews

5 Bits of Ancient Eastern Wisdom to Make Your Modern Western Life Happier

img_12811.) The Dispassionate Witness:  A person’s default setting is to repress emotions and pretend they don’t exist. On the one hand, this seems to work because others rarely notice one’s clenched jaw or downing of Prozac, and it’s true that fist-fights rarely break out in workplaces and classrooms. On the other hand, this approach leads to a lot of passive-aggressive behavior and stress-related illness. I just read in some material on Flow and business that 2/3rds of performance issues in businesses result from strained relationships.

The alternative is to take time to observe one’s emotional state, but to watch it without dumping fuel onto the fire. This process puts one’s feelings in perspective so that one can respond in a careful, but not repressed, manner. It doesn’t mean one won’t still be mad, sad, or scared, but one will be in a position to act in a manner that is neither petty and knee-jerk, nor one that consists of gobbling antacids. This brings us to #2.

 

2.) The Second Dart: [Siddhartha Gotama] Buddha talked about the mind’s response to an event as the second dart, suggesting that the second dart produces much more prolonged misery than the first. Imagine one is walking along and gets hit by a dart. Ow!  It hurts. But what makes it agonizing is when one’s mind becomes obsessed with the injury. It’s unfair that someone threw a dart at me. What if the wound doesn’t heal right? What if the wound heals up too well, and I don’t have a cool scar at story time?

This point is closely related to #1. One has to observe, but not let mind run wild. The first dart is real. The second dart is immaterial, a figment of the mind.

 

3.) Relaxation is Part of the Process: Anyone who’s attended a yoga class is familiar with closing in savasana (corpse pose.)  Occasionally, a student wants to get up and walk out at this point. They “aren’t paying __ $’s to lay around on their a##.” For Americans, rest is something begrudgingly accepted between actually doing stuff.

The problem with the “rest as laziness” approach isn’t just that one is likely to suffer a relaxation deficit, but also that the rest one gets isn’t effective. But how can rest be effective? I’m glad you asked. Because when you’re doing savasana or yoga nidra (yogic sleep) you’re not just letting your monkey mind run wild as it does when one is watching television or stuck in afternoon rush hour.

 

4.) Breath is Anything but Mundane: Since breathing is constantly going on and one can choose not to think about it, people dismiss it as unworthy of consideration. However, breath is the one point at which we can consciously influence our autonomic nervous system. [Well, there’s also blinking, but to my knowledge there’s no evidence that one can adjust one’s energy level or emotional state through blinking–but you can with breath.]  Breath is the key to improved physical performance, but it’s also a powerful tool to train the mind.

 

5.) Use the Belly: I haven’t studied a large number of martial arts, but I’ve trained in a diverse few that were extremely different in both approach and priorities. It could be said that these arts (budō, tai chi chuan, muaythai, and kalaripayattu) had nothing in common. Except they did. They all valued strength in a point below the navel. Sometimes it was called dan tien; other times tanden. However, regardless of the pronunciation, name, or the precise anatomical location, there was this commonality.

Strength in the belly is tied to both breath and mental concentration.

img_1786

5 Courage Building Yoga Practices

Learning to manage and moderate one’s fears and anxieties needn’t involve strapping on a parachute, cold quitting a job, or bare-knuckle boxing in a back alley. In fact, it may be best to begin by quietly watching those anxieties at the other end of the spectrum, the one’s so subtle that conscious awareness of them can be blotted out by the noise of living–but which nevertheless have a physiological impact.

 

The ability to quietly and non-judgmentally witness one’s emotional state–as is taught in yoga and related practices such as Buddhist meditation–is crucial (and, in my opinion, is one of the most valuable lessons that these systems have to teach.) Crushing or repressing emotions is a demonstrably losing strategy. At best these feelings are tamped into one’s subconscious mind, still adversely affecting one’s outlook and, therefore, indirectly casting a pall over one’s life.

 

You’ll note that I’ve mentioned courage and moderating fear, but have not mentioned defeating emotions or quelling fear. Wrongly, our archetypes of fearlessness are characters like John McClane (i.e. the “Die Hard” movies), Katniss Everdeen (i.e.”The Hunger Games” trilogy),  or Yoda (i.e. the “Star Wars” movies.)  But neurologists who study patients whose brains have been damaged such that they are literally fearless tell us that the defining characteristic of such individuals is “paralysis by analysis.” In other words, Sheldon Cooper (i.e. “Big-Bang Theory”) is a more apt model. Also, the fearless tend to live short lives because they eventually do something fatally inadvisable.

 

We need our fear. However, while fear can keep us from doing stupid things, it can also turn us into the worst version of ourselves. Therefore, our fear needs to be moderated with courage and reason (to these, some would add “faith.”)

 

You may note that I tend toward the intermediate / advanced with the practices I mention. This is, in part, because that’s probably more likely the point at which one is ready to take this on. In beginning a practice, one may have one’s hands full to grasp the basics of alignment and breath.

 

Without further ado, here are a few yoga practices that I’ve used to help me witness my anxieties and learn to moderate them:

 

1.) Nauli (and other external breath retention [i.e. bāhya kumbhaka] techniques.): Breath retention can produce a subtle anxiety, even when one has full control of the timing of release and the next breath. In fact, subtle anxiety may cause one to have a less robust retention than one might otherwise. Truth be told, this practice has probably been more fundamental than any of the āsana practices that will follow, for me personally.  

Note: external retentions are relatively advanced practice and should only be added to one’s sadhana after one has been taught by an experienced teacher and is somewhat experienced with pranayama.

practicing nauli

practicing nauli

 

2.) Eyes closed: This is particularly effective with Surya Namaskara (Sun salutations), standing poses, and–at an advanced level–balancing poses. One should make sure that ones balance is solid throughout before attempting with one’s eyes closed. We have redundant systems to help achieve balance (i.e. inner ear, proprioceptive, and visual), but–for the sighted–going without vision can be nerve wracking.

ashwa sanchalanasana in Surya Namaskara

ashwa sanchalanasana in Surya Namaskara

 

3.) Inversions: Inversions are meant to be calming because when the blood pressure to the head increases, it triggers reactions in the body to reduce it. However, it may take some time before that promised is reached. I’ve done a more extensive post on inversions that can be read here.

shirshasana (headstand)

shirshasana (headstand)

 

4.) Standing Back-bends: (Ardha Chakrasana / Urdhva Triangmuktasana / full Urdhva Dhanurasana) Simple back-bending can create the feeling that one is about to fall back onto one’s head. One may want to begin with a simple back-bend as one might do in Surya Namaskara before advancing to the complete Urdhva Dhanurasana in which one moves into a wheel pose (Chakrasana) from a standing position. (Urdhva Triangmuktasana is an intermediary in which one’s knees are more deeply bent, and one reaches back towards one’s Achilles tendon.)

ardha chakrasana

ardha chakrasana

 

5.) Standing Balances: Depending on one’s level, anything from tree pose (vrksasana) to bound twisted half-moon pose (baddha parivrtta ardha chandrasana) may be applicable. I’ve shown the unbound version of the latter (parivrtta ardha chandrasana.) Twisting and balancing at the same time provides a great challenge, if one is already confident with balances generally.

parivrtta ardha chandrasana

parivrtta ardha chandrasana

 

Happy practice.

2016: Our Year in Photos

New Year's Day sunrise over Bai Tu Long Bay, Vietnam

New Year’s Day sunrise over Bai Tu Long Bay, Vietnam

JANUARY:

-Travel: returned from our December 2015 visit to Vietnam

-Began RYT300 (Int / Adv) yoga teacher training at Amrutha Bindu Yoga

Taken at Kesava Temple in  Somanathapura

Taken at Kesava Temple in Somanathapura with the RYT300 class

 

FEBRUARY:

– RYT300 course continued

Teaching yoga at Socare

Teaching yoga at Socare

Learning to cook Indian food at Manju's

Learning to cook Indian food at Manju’s Cooking School

 

MARCH:

-Completed the RYT300 course to obtain my RYT500 certification

The RYT300 Class at Fireflies Ashram to learn Shatkarma

The RYT300 Class at Fireflies Ashram to learn Shatkarma

 

APRIL:

-Traveled to Varkala and Amritsar

-Taught a two-week Kids Camp at a1000 Yoga, Kormangala

Varkala, Kerala in early April

Lilla in Varkala, Kerala in early April

 

Golden Temple (Harmandir Sahib), Amritsar

Lilla at the Golden Temple (Harmandir Sahib), Amritsar

 

MAY: 

-Travel: Thailand, Zambia, and Dubai

-Completed the Muay Thai 2 (Int.) at The Muay Thai Institute in Rangsit, Thailand

With MTI teachers and students after a successful fight by a German student

With MTI teachers and students after a successful fight by a German student (shirtless)

 

Zebra at the Chaminuka Game Reserve near Lusaka

Zebra at the Chaminuka Game Reserve near Lusaka

 

Lilla and I amid the dunes in the UAE near Dubai

Lilla and I amid the dunes in the UAE near Dubai

 

JUNE:

-Between travels and trainings, a quiet month in Bangalore

Back again with the kids at Socare

Back again with the kids at Socare

 

JULY:

-Travel: Kolkata and into Jammu & Kashmir for our August travels

Quintessential Kolkata (Calcutta)

I’m afraid you can’t jam more Kolkata (Calcutta) into a photo than this

 

AUGUST:

-Travel: Jammu & Kashmir (Srinagar, Sonamarg, Great Lakes Trek, Leh, Nubra Valley, and Pangong Tso) and into Chennai for the beginning of my Vipassana Meditation course

Lilla on our first night camp site on the Kashmiri Great Lakes trek

Lilla (green hoodie) on our first night camp site on the Kashmiri Great Lakes trek

 

Lilla and Eeyore in Leh

Lilla and Eeyore in Leh

 

Lilla and I at the (reputed) highest motorable pass in the world

Lilla and I at the (reputed) highest motorable pass in the world

 

SEPTEMBER:

-Travel: 2 trips to Chennai; the first for my 10-day Vipassana Mediation Course, and the second for a wedding

Chennai (Madras)

Chennai (Madras)

Lilla henna'd and bangled for the wedding

Lilla henna’d and bangled for the wedding

 

OCTOBER:

-Travel: rainy season in Goa

-Anniversary month (22 yrs.)

-Took the 5th level test at Kalari Academy but promptly threw my back out–an injury from which I’m still recovering (although it’s down to a mild leg tingle) [I wouldn’t mention it but I think I’m obligated to by the rules of year-end / Christmas letters to mention any health issues.]

Lilla in front of the Se Cathedral in Old Goa (Velha Goa)

Lilla in front of the Se Cathedral in Old Goa (Velha Goa)

 

NOVEMBER:

-Travel: Singapore

Lilla in front of the Marina Bay Sands

Lilla in front of the Marina Bay Sands

 

DECEMBER:

-Travel: We’ll be in Hungary (fingers crossed) in the latter half of the month

-Finished a draft of the novel. I don’t know what version this counts as, but it’s the only one so far even close to having an ending that I can tolerate.

-I’ll probably have read about 100 books by the end of the year.

Here’s a pic from another winter trip to Budapest:

Budapest a few years back

Budapest a few years back

A more recent Budapest Winter pic; this was our most recent winter visit 2014

A more recent Budapest winter pic; this was our most recent winter visit-i.e. 2014

BOOK REVIEW: Low Back Pain ed. by Jeffrey N. Katz, M.D. [A Harvard Med School Guide]

Low-Back Pain: Healing Your Aching BackLow-Back Pain: Healing Your Aching Back by Harvard Health Publications
My rating: 5 of 5 stars

Amazon page

 

This guide is one in a series put out by Harvard Medical School. It’s the second one that I’ve read, and I found them both to be beneficial reads. The first was on the health benefits of tai chi chuan (a Chinese martial art / system of health exercise [qi gong.])

Harvard Medical School’s willingness to report findings about unconventional approaches and self-care was part of the appeal of this book. When I first developed lower back problems, I went to the doctor, was diagnosed with arthritis via x-ray, and all I got was an offer for pain killers. To me this was much like going to the mechanic because the check engine light came on, only to be told that all they could do for me is unplug the pesky indicator light. At any rate, that’s why this kind of book can be useful, because one can’t always expect a given doctor within the modern medical establishment to be on top of treatments not involving drugs or surgery. This isn’t to denigrate those options, often times they are the best or only option, and they are covered in this guide as well. However, back pain is one of those rare areas in which sometimes the best option is outside medical norms. Much as many doctors hate having information thrust in front of them by patients, at least Harvard Medical School may garner more respect than a WikiMD post. There’s even a box talking about the mind-body connection, and options in that domain.

Low back pain is both extremely common and often still poorly understood. That’s because there are so many problems that can cause similar symptoms. [I guess this shouldn’t be a surprise because our pelvis had to rotate through evolutionary changes to take us from quadrupedal to bipedal. It makes sense that our nerves and blood vessels might be routed in such a manner as to cause troubles.]

While this guide is short, it does take on a range of issues, including: who’s most at risk, how the spine works [and doesn’t], what the basic categories of back injury are, how one’s specific ailment may be diagnosed, how to evaluate treatment options, what one can do on one’s own to help heal a problem back while preventing future injury, what medicines may be prescribed, what surgical options may be offered, and advice on facilitating a recovery.

As far as ancillary features are concerned, there are a number of line drawings. This artwork is generally either anatomical drawings used to show how the spine works or is injured, or show exercises that one can use to strengthen the back. There are a few pages each of resources and glossary. The resources are not so much printed resources (there’s only one of book, and that one is authored by the editor of this guide,) but rather organizations and even websites.

I found this guide to be informative and helpful. I would recommend it for anyone who has low back problems, or who might benefit from learning more about them (e.g. yoga teachers.)

View all my reviews

BOOK REVIEW: Piriformis Syndrome by Loren Fishman, M.D.

Piriformis Syndrome: Diagnosis, Treatment, and Yoga: Pain in the ButtPiriformis Syndrome: Diagnosis, Treatment, and Yoga: Pain in the Butt by Loren Fishman
My rating: 4 of 5 stars

Amazon page

 

This short book (<50pp.) describes piriformis syndrome, what causes it and how it’s diagnosed and treated. Piriformis Syndrome is a malady in which a nerve is pinched by the piriformis muscle. Because of the way pain (and other sensations) radiate, it’s not necessarily easy to differentiate this syndrome from a low back injury. However, the descriptions of the specifics of this condition, and the test used to diagnose, it may give one insight as to whether one is looking in the right direction for the cause of one’s butt and leg pain.

One nice feature of this book is that it explains how yoga can be used both as part of the treatment regimen and as a preventive measure. The yogic treatment consists of just four classical postures of Hatha Yoga: Janu Shirshasana (head to knee pose), Parivrtta Trikonasana (twisted triangle pose), Matsyendrasana (a simple twisting pose named for a sage), and Parivrtta Parsvakonasana (twisted side angle pose.) However, yoga teachers who have students who’ve been diagnosed with this condition will find it nice that the book gives modifications and clarifications pertaining to use of the postures to help such people.

There are seven chapters in the book. The first describes the condition and its cause. The second chapter explains the connection between the condition of piriformis syndrome and the symptom of sciatica. Chapter three clarifies the ways in which this condition may be misdiagnosed, and this is followed up by the chapter that shows how it is diagnosed by both physical examination and by imaging technology. Chapter five gives a basic overview of the available treatment options including injections, drugs, physical therapy, surgery, and yoga. The next chapter talks about the state of research. The last chapter explores the yoga asana that can be used to help treat or prevent piriformis syndrome. There are a few graphics. These include line drawings such as of the diagnostic physical exam, and photos of modified versions of the yoga postures.

I’d recommend this book for those who’ve been diagnosed with this ailment, who believe they might have it, but also for yoga teachers who are interested in expanding their understanding of the afflictions of which their students may suffer—so as to be prepared to help them or, at least, not hurt them.

View all my reviews

BOOK REVIEW: The Sensual Body by Lucy Lidell

The Sensual Body: The Ultimate Guide to Body Awareness and Self-FulfilmentThe Sensual Body: The Ultimate Guide to Body Awareness and Self-Fulfilment by Lucy Lidell
My rating: 3 of 5 stars

Amazon page

This is a book about body awareness. It explores the subject by presenting tidbits from a range of movement and posture systems.

The book is divided into three parts. The first is a brief overview of the subject of bodily awareness. This section discusses what it means to be aware of the body, how body and mind / emotion are connected, and it sets up the need for the practices described throughout the rest of the book. The second part deals with a series of solitary activities that one can do to improve one’s quality of posture and movement. It forms the bulk of the book. The nine chapters of this portion of the book can themselves be divided in two. Three of them deal in aspects of bodily awareness: breathing / voice-work, grounding, and sensation. These sections borrow and adapt from established systems in a generic sense (e.g. the section on grounding uses a number of techniques drawn from yoga.) The other six chapters each deal with a system of bodywork, including: self-massage, African dance, Tai Chi, Eutony, Kum Nye, and running.

I’ll describe two of these specifically because they aren’t household names. I suspect most readers can imagine what the following look like: self-massage, African dance (even if it’s from a Paul Simon video), Tai Chi (from old folks in the park), and running. However, it’s probably reasonable to assume that some readers will have no idea what Eutony or Kum Nye are. Eutony is a system developed by a Danish teacher, Gerda Alexander, during the 20th century to use explorative movement to work toward more efficient movement. As far as I can discern, the founder is no relation to F. Matthias Alexander who developed–the more famous–Alexander Technique (AT is mostly well-known among actors, actresses, and would-be entertainers.) However, Eutony might be put in the class of techniques like the Alexander Technique and Feldenkrais that were developed last century and work toward improved use of the human body. However, the approach seems much different from Feldenkrais, which is highly structured, while Eutony is apparently not.

Kum Nye isn’t well-known either, but not because it’s a johnny-come-lately, rather because it’s ancient and obscure. Kum Nye is a Tibetan system of yoga. A lot of the techniques shown seem to be designed to help one gain the suppleness needed for extended sitting in meditation, but there are also “flying” techniques and other standing techniques that will help loosen one up, perhaps to free one up for more meditation.

The third part is shorter: three chapters presenting systems of partner-work. The first chapter is on Aikidō. For those unfamiliar, this is a Japanese martial art founded by Morihei Ueshiba that emphasizes harmony and flow. The chapter features a few basic drills from that martial art. The next chapter is on relating to others in a general sort of way, e.g. body language, emotion, etc. The last chapter is about massage.

Graphics are utilized heavily throughout the book. These include color photographs and drawings. Given what the book tries to do–showing these various approaches to movement–the graphics are essential. In the unlikely event that there are any prudes who read my reviews, you may want to make a note that there is a fair amount of nudity throughout the book. It’s not gratuitous or raunchy, but if you’re one of those people freaked out by nudity, this is probably not the book for you (nor the subject to be studying, for that matter.)

The book’s strengths are its valuable subject, its organization, and its use of graphics. Its weakness is in the number of approaches that it examines. There are too many for one to get any great insight into any particular system, but it’s too few if the goal is to give the reader a menu of movement and bodywork systems from which to find on right for them. I guess I wasn’t really clear what the objective was. If it is to show the reader a variety of paths so they can find the one best for them, the menu is too small. However, if it’s to show the reader one path consisting of all these elements, then it’s muddled. Among Western health and fitness purveyors there’s a tendency to think that if you take anything that’s good and ram it together with anything else that’s good, you’ll get something great. This is clearly not true; sometimes you get a pudding sandwich. This book feels a lot like a pudding sandwich.

If you are looking for a limited survey of movement and body awareness systems, and are okay with the list mentioned, you should check this book out. It also has some good general information about body awareness, though it’s a bit pedestrian for experienced practitioners.

View all my reviews

BOOK REVIEW: Yoga Assists by Sharon Gannon and David Life

Yoga Assists: A Complete Visual and Inspirational Guide to Yoga Asana AssistsYoga Assists: A Complete Visual and Inspirational Guide to Yoga Asana Assists by Sharon Gannon
My rating: 4 of 5 stars

This is an illustrated guide to making yoga assists, or what are often called corrections or adjustments. The style is Jivamukti Yoga, and the book is written by its founders. The postures will be familiar to practitioners of any form of Hatha Yoga, but the action of the teacher (or assistee) may be quite unlike what one is used to.

This book offers some valuable information for any teacher of yoga, though many—probably most—will find the overall approach unsuitable. (If it is suitable, more power to you; you’ll want to read and re-read this book.) However, even if you’re not likely to use this style of teaching, there’s worthwhile technical information to be gained.

I’ll explain why this won’t be everybody’s cup of tea. First, many of the assists are highly invasive, by that I mean they involve being at an intimate distance with the student for an extended period of time. If you primarily teach experienced students who know and trust you, these invasive assists may be helpful. However, if you’re teaching beginners in studio sessions, one may need to be selective about what one uses and what one doesn’t. The ultimate goal is “chitta vritti nirodhah” (calming mental turbulence) and not to contort the student’s body into a perfect version of the posture. If, instead of facilitating the student’s look inward, you make them feel awkward and self-conscious, you’ve missed the mark. If everybody in question has achieved a monkish state of mind, this won’t be an issue, but history (and many a lawsuit) suggests that this is often not the case.

The second issue follows from the discussion above. By manipulating the student toward some objectively perfect version of the posture, you may encourage them to think that is important—that it’s important to you and that it should be important to them. This may have adverse ramifications such as driving away students who are far from the perfect expression of the pose or making it difficult for them to internalize santosha (contentment with where one is presently.) Being so hands-on may be at odds with one’s philosophy. Not only does it discourage contentment and gradually advancement toward better form, it also detracts from the notion that it’s about the student looking inward. (In other words, so much hands-on assistance thrusts the teacher onto the spotlight of what should as much as possible be the student’s private time and space.) Corrections are needed to avert injuries and to help the student improve, but this level of contact is more intense than required for those goals.

Still, I found this to be an informative and worthwhile read. It’s not every assist in the book that is invasive, and the ones that are still have their use with students with whom one has built trust and rapport, and particularly in workshop settings. The assists are optimized to be stable and safe, which is why they are often close and handsy—at least for those of us who were taught to start with verbal instruction, move to non-touching gestural instruction, and—only when necessary–put hands on the student (and then with care to be at an angle so as to not make the student uncomfortable.) Overall, the book does a fine job of presenting the necessary information.

The authors use both photographs and line drawn diagrams to convey the details of the assists. The organization is logical. After a section of general background, the book proceeds through poses using the standard groupings with which Hatha teachers will be acquainted (standing, forward bends, twists, back bends, inversions, and relaxation poses.) There is textual explanation in a form consistent from one asana (posture) to the next to support the graphics. The poses are the most common of the classic asana, and they cover a good number of the basics that one will teach in classes. They also provide some insight into how to apply the same principles to intermediate and advanced poses that aren’t included.

The book does have its faults. One of them is to wedge in irrelevant information. This can be seen from the get-go with an introductory “Go Vegan” rant. There’s also a bit of a tendency to muddle science with pseudo-science, but all that matters for the most part is basic anatomy–and that’s handled well enough. This isn’t so much criticism as forewarning, but you may find some of the commentary to be like those YouTube parodies of yoga classes—you know the ones that are hilariously far out. But just occasionally.

I’d recommend this book for yoga teachers or intermediate / advanced students who want to increase their understanding of alignment.

View all my reviews