“Song of the Open Road” (13 of 15) by Walt Whitman [w/ Audio]

Allons! to that which is endless as it was
beginningless,
To undergo much, tramps for days, rests of
nights,
To merge all in the travel they tend to, and
the days and nights they tend to,
Again to merge them in the start of superior
journeys,
To see nothing anywhere but what you may
reach it and pass it,
To conceive no time, however distant, but
what you may reach it and pass it,
To look up or down no road but it stretches
and waits for you, however long but it
stretches and waits for you,
To see no being, not God's or any, but you
also go thither,
To see no possession but you may possess it,
enjoying all without labor or purchase,
abstracting the feast yet no abstracting
one particle of it,
To take the best of the farmer's farm and the
rich man's elegant villa, and the chaste
blessings of the well-married couple, and
the fruits of orchards and flowers of
gardens,
To take to your use out of the compact
cities as you pass through,
To carry buildings and streets with you
afterward wherever you go,
To gather the minds of men out of their
brains as you encounter them, to gather
the love out of their hearts,
To take your lovers on the road with you,
for all that you leave them behind you,
To know the universe itself as a road, as
many roads, as roads for traveling souls.

All parts away for the progress of souls,
All religion, all solid things, arts,
governments -- all that was or is apparent
upon this globe or any globe, falls into
niches and corners before the procession
of souls along the grand roads of the
universe.

Of the progress of the souls of men and
women along the grand roads of the
universe, all other progress is the needed
emblem and sustenance.

Forever alive, forever forward,
Stately, solemn, sad, withdrawn, baffled,
mad, turbulent, feeble, dissatisfied,
Desperate, proud, fond, sick, accepted by
men, rejected by men,
They go! they go! I know that they go, but I
know not where they go,
But I know that they go toward the best --
toward something great.

Whoever you are, come forth! or man or
woman come forth!
You must not stay sleeping and dallying
there in the house, though you built it, or
though it has been built for you.

Out of the dark confinement! out from
behind the screen!
It is useless to protest, I know all and expose
it.

Behold through you as bad as the rest,
Through the laughter, dancing, dining,
supping, of people,
Inside of dresses and ornaments, inside of
those wash'd and trimm'd faces,
Behold a secret silent loathing and despair.

No husband, no wife, no friend, trusted to
hear the confession,
Another self, a duplicate of every one,
skulking and hiding it goes,
Formless and wordless through the streets of
the cities, polite and bland in the parlors,
In the cars of railroads, in steamboats, in the
public assembly,
Home to the houses of men and women, at
the table, in the bedroom, everywhere,
Smartly attired, countenance smiling, form
upright, death under the breast-bones,
hell under the skull-bones,
Under the broadcloth and gloves, under the
ribbons and artificial flowers,
Keeping fair with the customs, speaking not
a syllable of itself,
Speaking of any thing else but never of
itself.

Gold [Free Verse]

I wonder how the Buddha 
would feel about always being
depicted in Gold?

If the desire that he warned
about had color, surely
it would be Gold.

Nobody has ever murdered
over teal or mauve or cornflower
(heated words with
contractors notwithstanding)
but Gold's body-count is staggering.

Helen's puny thousand ships have
been multiplied over by orders
of magnitude for the cause of Gold.

I think the Buddha, looking at his
reflection in one of those well-
polished Gold statues would say,
"Did I teach you nothing?"

Gnarled [Free Verse]

Mostly, the dead decay:
they crumble
or rot to goo.

But some trees
turn steely
hard & smooth --
fibers showing like
rigid sinews.

Bare of bark and leaves
and flowers,
but unyielding of
girth and substance.

But even those trees
give way --
perhaps in geologic time
rather than biologic time,

But still the tree will become
someone & something else.

“Song of the Open Road” (12 of 15) by Walt Whitman [w/ Audio]

Allons! after the great Companions, and to 
belong to them!
They too are on the road -- they are the
swift and majestic men -- they are the
greatest women,
Enjoyers of calms of seas and storms of seas,
Sailors of many a ship, walkers of many a
mile of land,
Habituès of many distant countries,
habituès of far-distant dwellings,
Trusters of men and women, observers of
cities, solitary toilers,
Pausers and contemplators of tufts,
blossoms, shells of the shore,
Dancers at wedding-dances, kissers of
brides, tender helpers of children, bearers
of children,
Soldiers of revolts, standers by gaping
graves, lowerers-down of coffins,
Journeyers over consecutive seasons, over
the years, the curious years each emerging
from that which preceded it,
Journeyers as with companions, namely
their own diverse phases,
Forth-steppers from the latent unrealized
baby-days,
Journeyers gayly with their own youth,
journeyers with their bearded and well-
grain'd manhood,
Journeyers with their womanhood, ample,
unsurpass'd, content,
Journeyers with their own sublime old age
of manhood or womanhood,
Old age, calm, expanded, broad with the
haughty breadth of the universe,
Old age, flowing free with the delicious
near-by freedom of death.

“Song of the Open Road” (10 of 15) by Walt Whitman [w/ Audio]

Allons! the inducements shall be greater,
We will sail pathless and wild seas,
We will go where winds blow, waves dash,
and the Yankee clipper speeds by under
full sail.

Allons! with power, liberty, the earth, the
elements,
Health, defiance, gayety, self-esteem,
curiosity;
Allons! from all formules!
From your formules, O bat-eyed and
materialistic priests.

The stale cadaver blocks up the passage--
the burial waits no longer.

Allons! yet take warning!
He traveling with me needs the best blood,
thews, endurance,
None may come to the trial till he or she
bring courage and health,
Come not here if you have already spent the
best of yourself,
Only those may come who come in sweet
and determin'd bodies,
No diseas'd person, no rum-drinker or
venereal taint is permitted here.

(I and mine do not convince by arguments,
similes, rhymes,
We convince by our presence.)

“Song of the Open Road” (9 of 15) by Walt Whitman [w/ Audio]

Allons! whoever you are come travel with
me!
Traveling with me you find what never tires.

The earth never tires,
The earth is rude, silent, incomprehensible
at first, Nature is rude and
incomprehensible at first,
Be not discouraged, keep on, there are
divine things well envelop'd,
I swear to you there are divine things more
beautiful than words can tell.

Allons! we must not stop here,
However sweet these laid-up stores, however
convenient this dwelling we cannot
remain here,
However shelter'd this port and however
calm these waters we must not anchor
here,
However welcome the hospitality that
surrounds us we are permitted to receive
it but a little while.

Moonrise [Free Verse]

Moonrise --
big and bright --
over a quiet town.

People stare --
alone but simultaneously --
'til the milky light
hurts their eyes.

This moon reminds them
of one from childhood
but seems unlike so many since...

But it's all one moon.

“Song of the Open Road” (8 of 15) by Walt Whitman [w/ Audio]

The efflux of the soul is happiness, here is
happiness,
I think it pervades the open air, waiting at
all times,
Now it flows unto us, we are rightly
charged.

Here rises the fluid and attaching character,
The fluid and attaching character is the
freshness and sweetness of man and
woman,
(The herbs of the morning sprout no fresher
and sweeter every day out of the roots of
themselves, than it sprouts fresh and
sweet continually out of itself.)

Toward the fluid and attaching character
exudes the sweat of the love of young and
old,
From it falls distill'd the charm that mocks
beauty and attainments,
Toward it heaves the shuddering longing
ache of contact.

The Cave [Free Verse]

Jagged window 
on the world:
All light and sound
deadened,
but from one opening --
The cave mouth.

From behind
nothing stirs,
nothing glows,
shadows are subsumed
by shadow.

Eyes and mind
frame the cave mouth,
making the mind
a cave within a cave:
layered silence
layered remoteness,
and all input of a single,
common source.

How many caves deep might
this thing go?

“Song of the Open Road” (7 of 15) by Walt Whitman [w/ Audio]

Here is the efflux of the soul,
The efflux of the soul comes from within
through embower'd gates, ever provoking
questions,
These yearnings why are they? these
thoughts in the darkness why are they?
Why are there men and women that while
they are nigh me the sunlight expands my
blood?
Why when they leave me do my pennants
of joy sink flat and lank?
Why are there trees I never walk under but
large and melodious thoughts descend
upon me?
(I think they hang there winter and summer
on those trees and always drop fruit as I
pass;)
What is it I interchange so suddenly with
strangers?
What with some driver as I ride on the seat
by his side?
What with some fisherman drawing his
seine by the shore as I walk by and pause?
What gives me to be free to a woman's and
man's good-will? what gives them to be
free to mine?