Everything except fully autonomic bodily functions could be done differently. That’s the nature of human creativity.
PROMPT: Differently
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Tag Archives: play
PROMPT: Play
Yes. Frenetic and chaotic creativity.
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PROMPT: Play or Fun
Did a little dance… and so on.
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PROMPT: Kid at Heart
Embrace play, go hog wild with imagination, and have a short memory for adversity.
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PLAY: “A Streetcar Named Desire” by Tennessee Williams
A Streetcar Named Desire by Tennessee WilliamsMy rating: 5 of 5 stars
Available online – Internet Archive
I’ve never seen the play, nor the movie. Of course, this is one of those works that has so scrawled itself across pop-culture that it’s impossible to go in without some reference from it kicking around in one’s brain, be it the pained shout of “STELLA!” or character names like “Blanche DuBois” or “Stanley Kowalski.” Even the name of the plantation on which the fallen socialite sisters grew up, Belle Reve, has been lent to a prison for supernatural villains in the world of DC Comics.
At the play’s heart are two sisters raised in a wealthy Southern family. One, Stella, has adapted well to the family’s fall from grace. Stella has married a fellow who is rough around the edges (to say the least,) Stanley, but Stella is satisfied that Stanley is a dependable provider — even if he does rough her up a bit now and again. The other sister, Blanche, hasn’t coped nearly so well. Blanche lies perpetually to try to shield herself from reality — and to present a more appealing reality to others. It is when Blanche, having nowhere else to go, moves into the small New Orleans apartment of Stanley and Stella that the tension is set to form the play’s story.
I enjoyed reading this play. It’s well-paced and effectively mixes comedy and drama. It’s in character building where the play shines. The main characters are well-defined and behave quite believably within the context of each one’s neuroses and vices. The constant conflict between Blanche and Stanley drives the story.
I’d highly recommend this for readers of plays and / or of American Literature.
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FIVE WISE LINES [May 2025]
It is a happy talent to know how to play.
Ralph waldo emerson
Just living is not enough… one must have sunshine, freedom, and a little flower.
Hans christian andersen
Don’t abandon kindness, mercy, and sympathy in an emergency.
Qiānzì wén [千字文], Ch. 3
Logic will take you from A to B. Imagination will take you everywhere.
albert Einstein
You must live in the present, launch yourself on every wave, find your eternity in each moment.
Henry david thoreau
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BOOKS: “Wild Thing” by Mike Fairclough
Wild Thing: Embracing Childhood Traits in Adulthood for a Happier, More Carefree Life by Mike FaircloughMy rating: 4 of 5 stars
Publisher Site — Hay House
This short self-help guide aims to encourage adults to recapture some of the bliss-inducing traits of children. Over six chapters, it examines the virtues of play, rule-breaking behavior, imagination, resilience, gratitude, flow, daydreaming, discovery, exploration, and awe.
Each chapter, in true self-help fashion, ends with a bulleted set of practical tips and practices. The book has an Introduction and Afterward, but no other ancillary material.
I felt the book was at its strongest when the author was discussing his personal experiences. Otherwise, the book can dip into the “no-duh” plight common among self-help style books — where it seems to state the obvious without adding depth of insight.
I enjoyed reading this book. It’s a nice, short pep-talk — though it’s unlikely to leave readers with any burning revelations or new insights.
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PROMPT: Everyday Things
My wife, movement, new & interesting ideas, play, and epiphanies.
[I’m presuming we’re using the word “thing” in the broadest possible sense — as a stand in for any noun. If it is meant in the narrower common usage of trinkets, gewgaws, baubles, and tchotchkes, then I’ve got nothing.]
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BOOKS: “Pygmalion” by George Bernard Shaw
Pygmalion by George Bernard ShawMy rating: 5 of 5 stars
Available on Project Gutenberg
Pygmalion is a play about class and human connection, and is probably the best-known work of George Bernard Shaw, having been adapted into a popular movie entitled My Fair Lady.
Henry Higgins, an expert on accents and dialects, bets his friend, Col. Pickering, that he can train a poor Cockney flower girl (Eliza Doolittle) to pass as a duchess at a soiree with genteel elites. Higgins is educated and of upper-crust upbringing but is neither refined nor does he have much in the way of people skills. Pickering is a personable and mannerly gentleman. Eliza is on a journey of transformation and her interaction with the two men offers insight into how those of different classes view dignity. (Besides examining class differences, some insight into how men and women differently view human interactions is generated.)
Beginning the last act (Act V,) it felt like the earlier acts hadn’t done the work required of them to motivate the last act behavior / discussions, but — I must admit — that feeling went away by the time the dialogue was complete. (Also, I give benefit of the doubt to the fact that good acting may have conveyed inklings to an audience that couldn’t be garnered from reading dialogue and stage directions.)
There was an Afterword that sketched out what happens in the lives of the characters after the events of the play. I didn’t care for it. There is a certain level of ambiguity in the ending, and I was good with that. I understand that many readers / viewers are not, however. (If you watched Christopher Nolan’s Inception and the spinning top ending drove you batty, you’d probably appreciate this Afterword. I believe the movie (My Fair Lady) tweaks the ending to make it more definitive.)
At any rate, this is a witty and evocative play and is well worth reading (or seeing.)
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“The quality of mercy is not strained” by William Shakespeare [w/ Audio]
The quality of mercy is not strained;
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest;
It blesseth him that gives and him that takes:
'T is mightiest in the mightiest; it becomes
The throned monarch better than his crown;
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthroned in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice.
Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence 'gainst the merchant there.
From The Merchant of Venice (Act IV, Scene I.) Spoken in a court of law by Portia while she is disguised as a lawyer, Balthazar.
Tiger Riding for Beginners 