The modest Rose puts forth a thorn,
The humble Sheep a threat’ning horn;
While the Lilly white shall in Love delight,
Nor a thorn, nor a threat, stain her beauty bright.
“The Lilly” by William Blake [w/ Audio]
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Tag Archives: literature
“Sorrow” by Edna St. Vincent Millay [w/ Audio]
Sorrow like a ceaseless rain
Beats upon my heart.
People twist and scream in pain, --
Dawn will find them still again;
This has neither wax nor wane,
Neither stop nor start.
People dress and go to town;
I sit in my chair.
All my thoughts are slow and brown:
Standing up or sitting down
Little matters, or what gown
Or what shoes I wear.
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“The Shepherd” by William Blake [w/ Audio]
How sweet is the Shepherd's sweet lot!
From the morn to the evening he strays;
He shall follow his sheep all the day,
And his tongue shall be filled with praise.
For he hears the lamb's innocent call,
And he hears the ewe's tender reply;
He is watchful while they are in peace,
For they know when their Shepherd is nigh.
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“In a Disused Graveyard” by Robert Frost [w/ Audio]
The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.
The verses in it say and say:
'The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.'
So sure of death the marbles rhyme,
Yet can't help marking all the time
How no one dead will seem to come.
What is it men are shrinking from?
It would be easy to be clever
And tell the stones: Men hate to die
And have stopped dying now forever.
I think they would believe the lie.
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“A not admitting of the wound” (1188) by Emily Dickinson [w/ Audio]
A not admitting of the wound
Until it grew so wide
That all my Life had entered it
And there were troughs beside -
A closing of the simple lid
that opened to the sun
Until the tender Carpenter
Perpetual nail it down -
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“Wine Spring” by Pan Lang [w/ Audio]
I remember viewing the West Lake
While leaning on a pagoda rail.
The boats all clustered in threes or twos.
The islets under deep Autumn blues.
Flute song arose from among the cattails.
And a line of white birds - overhead - sailed.
I planned to fix my old fishing pole,
but clouds on water had my mind & soul.
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“The Bungler” by Amy Lowell [w/ Audio]
You glow in my heart
Like the flames of uncounted candles.
But when I go to warm my hands,
My clumsiness overturns the light,
And then I stumble
Against the tables and chairs.
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“The Wind Shifts” by Wallace Stevens [w/ Audio]
This is how the wind shifts:
Like the thoughts of an old human,
Who still thinks eagerly
And despairingly.
The wind shifts like this:
Like a human without illusions,
Who still feels irrational things within her.
The wind shifts like this:
Like humans approaching proudly,
Like humans approaching angrily.
This is how the wind shifts:
Like a human, heavy and heavy,
Who does not care.
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“In a Station of the Metro” by Ezra Pound [w/ Audio]
The apparition of these faces in a crowd;
Petals on a wet, black bough.
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BOOKS: “Literary Theory: A Very Short Introduction” by Jonathan Culler
Literary Theory: A Very Short Introduction by Jonathan D. CullerMy rating: 4 of 5 stars
Publisher site – OUP
This brief guide tries to bring some clarity to the question of what literary theory is, a question which is a great deal more convoluted that it is in science (or even the social sciences) where the scientific method shapes our understanding of the term. Often when one hears about literary theory it’s in the context of Marxists, Feminists, or Psychoanalysts, and one might be forgiven for wondering whether those scholars don’t have a discipline of their own (not to mention how much can a Marxist – for example – illuminate The Little Prince or the poetry of Li Bai.)
I thought the book was well-arranged to shed as much light on the topic as possible. Of its nine chapters, the first two explore competing ideas of what constitutes “theory” and “literature,” respectively. There is a chapter (Ch.3) that distinguishes the field from the overlapping discipline of cultural studies. The remaining six chapters cover topical components of the field, including: language / meaning, rhetoric / poetics, story, performative language, identity, ethics, and aesthetics.
This book does a good job of offering some clarity and has a sense of humor as it does so (notably through satirical cartoons that illustrate the book.) If you’re looking for a layman’s guide to the subject, this one is readable and insightful.
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