How often do you walk or run?
Every day. And sometimes I crawl, and – if there are monkey bars – I swing.
How often do you walk or run?
Every day. And sometimes I crawl, and – if there are monkey bars – I swing.
Mindfulness in Wild Swimming: Meditations on Nature & Flow by Tessa Wardley
Training and Conditioning for MMA: Programming of Champions by Stéfane Beloni Correa Dielle Dias
The Physiology of Yoga by Andrew McGonigle
Yoga Anatomy by Leslie KaminoffI saw something sad in the park this morning. A boy was trying to learn to ride a bicycle, but I could see that he never would — not with his present approach. Why? He had one training wheel, and the bike was leaning about 15-degrees off vertical as he struggled to use the bicycle as a tricycle. I could see that the metal arm that supported the training wheel was starting to bend from the strain — thus making the lean ever more pronounced. [Incidentally, with two training wheels, I think he might rapidly learn to ride because he’d experience tipping from one side to the other, through the balance point.]
I’ve told yoga students before that there are three timelines for learning inversions (upside-down postures, which all require one’s body to learn to balance 180-degrees out of phase with the balance we all mastered as toddlers.) The first timeline is if you are willing to learn break-falls (i.e. how to safely land when — not if, it will happen — one loses balance.) If so, one can learn any inversion (that one is otherwise physically capable of performing) in an afternoon. Second, if one gets near (but not up against) a wall, and only uses the wall when one is falling towards over-rotation, then one can learn the inversion in a month — give or take. Finally, one can lean up against the wall for a million years and one will not spontaneously develop the capacity to independently do the posture. Why? Because one’s center of gravity is outside one’s body, which means one is in a perpetually unstable state, and one cannot stabilize into a balanced position from a state of falling (and leaning is just falling with a barrier in the way.)
Finding balance requires that the body be able to adjust toward any available direction to counteract the beginning of a fall in the opposite direction. I was fortunate to have studied a martial art that required learning break-falls from the outset, this made learning balances (not just inversions, but also arm balances, standing balances, etc.) much easier because there was no great concern about falling. I knew my body could fall without being injured.
Without falling there’s no learning balance, and if you only fall into the under-rotated position, you are still not learning to achieve stable balance. At some point, you will need to experience the dread fall towards over-rotation.
Time to ditch the training wheels.
Ageless Intensity: Effective Workouts to Slow the Aging Process by Pete McCall
Master Your Core: A Science-Based Guide to Achieve Peak Performance and Resilience to Injury by Bohdanna Zazulak
Functional Training Anatomy by Kevin Carr
My rating: 4 of 5 stars
Exercise regimens that improve the body’s ability to coordinate movements in order to carry out particular actions relevant to the exerciser’s life have increasingly come to be valued in recent years. (Traditionally, fitness regimens often focused on one muscle / body part at a time without an eye toward whether the strengthened muscles worked well together when applied to the required motion – or sometimes regimens focused entirely on how the muscles look.) This book is designed to show muscle activation for a wide range of functional fitness training exercises. It is one volume in a series of anatomy for sports / exercise books put out by the publisher, Human Kinetics.
Each exercise under discussion features an anatomical cut-away drawing showing the muscles that are working, as well as a list of the primary and secondary muscles, a diagram showing which planes are being worked in during the exercise, a step-by-step description of how each exercise is performed, and a brief discussion of what functionality is improved by doing the exercise in question — always with a supporting drawing of a relevant action / motion. Some of the exercises offer a variation.
The book consists of nine chapters. The first chapter gives an overview of what functional training is (and how it contrasts with other approaches,) and provides the necessary background to understand the exercises explanations (e.g. the planes of the body,) the rationale for what exercises are included, and what must be kept in mind with this approach to exercise. Chapters two through five look at various types of exercise, besides strengthening exercises. These include: mobility / flexibility exercises (ch. 2,) motor control / movement preparation exercises (ch. 3,) plyometric exercises and kettle-ball (ch. 4,) and power exercises using heavy weights (ch 5.) Chapters six through eight focus on strength exercises by body part: upper body (ch. 6,) lower body (ch. 7,) and core / rotational strength (ch. 8.) The last chapter provides advice on how to put a program of functional training together.
The book doesn’t include much ancillary matter. The front matter consists of a brief preface, and the back matter provides an “exercise finder,” a detailed index to find the desired exercise rapidly. [The latter has a nice feature. It includes a drawing of the exercise. That’s useful because exercise names, while prosaically descriptive, can often be confusing (e.g. what two trainers call a “hip extension” may vary, though they will both no doubt feature extension of the hip joint in some way.)] There is a page for those who are using the book for Continuing Education (CE) credit that explains what resources are available.
I found this book to be beneficial and educational. I learned a few new exercises, and was provided with some interesting food for thought. The drawings are clear, both in their representation of the exercise and the anatomical cutaways. If you are looking for information on functional training, particularly which discusses muscle activation, I’d recommend you give this book a look.
The Modern Art and Science of Mobility by Aurelien Broussal-Derval
My rating: 5 of 5 stars
Amazon page
This book is designed to help athletes (and those who train athletes) increase mobility. The authors draw heavily upon yoga and martial arts drills (especially judo and jujutsu groundwork drills) in addition to the usual suspects of modern fitness – i.e. calisthenics, kettlebell, etc. It’s a visual book. The text is highly distributed toward the first half of the book. The heart of the book is pictures and descriptive captions of the exercises and practices described. This isn’t a complaint. I think there is sufficient discussion of the topics addressed and that said discussion was clear.
The book is organized into four parts, and — within each part — by anatomical region. The four parts are: Pain, Breathing, Movement, and Mobility. The section on pain offers many self-massage techniques, often using foam rollers or balls to counteract myofascial pain. I was particularly impressed to see an entire section devoted to breathing, and that it not only explored exercises to free up the diaphragm and intercostals (rib muscles) but also discussed issues such as the role of stress on breath. As mentioned the parts on movement and mobility are heavily oriented toward conveying exercise sequences graphically, and the chapters were oriented by parts of the body.
With a book that is so graphically-oriented, it’s important to mention that the photography, anatomical drawings, and diagrams are well done. The photos make it easy to see what is happening. It seemed to me that they used the right number of photographs to convey the movements involved, and they augmented these with arrows and lines to show direction of movement and alignments. It was usually quite clear what the movement was even before reading the captions. The photos are of varied sizes and orientations as needed to convey the exercise at hand. The anatomical drawings are clearly labeled.
I will say there were three exercises that I found troubling, but I gave the authors the benefit of the doubt as the book seems to be directed toward athletes. I don’t think these are things that will give most athletically-built people too much trouble especially when practice in moderation. However, as anyone may pick up such a book, I would be cautious of these three activities – especially if you haven’t been training in a while or are new. First, doing loaded lunges (i.e. barbells across the shoulders) with one’s knee way out forward of the toes. As the point of the book is mobility, I don’t have a problem with doing floor exercises on a knee this way, but that’s a lot of pressure to load onto connective tissue. Second, doing cobra (Bhujanga, or what they call “Sphinx”) with straightened arms and thighs resting on the floor. That almost always creates a sharp kink in the back with one spinal process prying into another. One can do Up-Dog (Urdhva Mukta Svanasana) with thighs off the ground or Cobra (Bhujanga) with your navel on the ground, but you shouldn’t confuse the two. Finally, they mention doing a roll up into shoulder stand. Unless you are extremely experienced, this is a bad idea because with the chin tucked into the chest there is very little room for error. Work up into shoulder stand slowly and easily. I will point out that this is what I noticed as a yoga teacher, individuals with other experience may see other issues, but I have some experience with the jujutsu drills and didn’t notice anything problematic.
That said, I thought this book was well done. The organization, explanations, and graphics were excellent and it will be a helpful resource for athletes working on mobility issues.