How are you creative?
By nudging letters into words, words into lines, and then dancing the mess into something that sings. By trying to tune into the Great Spontaneous.
PROMPT: Creative
Reply
Category Archives: creativity
BOOKS: The Creative Act by Rick Rubin
The Creative Act: A Way of Being by Rick RubinMy rating: 5 of 5 stars
Amazon.in Page
This book offers Rick Rubin’s philosophy of creativity and art. For those unfamiliar with Rubin, he’s a ZZ Top-looking music producer who contributed to a lot of successful albums, ranging from hip hop to the rock-n-roll of Tom Petty. He was a major player behind the Run DMC cover of Aerosmith’s “Walk This Way” that blew peoples’ minds in the 80’s. Interestingly, Rubin is neither a musician nor a technologist, and I heard him say in an interview that his great value-added was having an extremely high level of confidence in knowing what he liked. Rubin has a persona that is as much guru as music producer, and this book reflects this broad insight and wisdom.
In the book, Rubin lays out his view of the creative process and the mistakes people make with it, but along the way he offers insight into such interesting questions as why some artists only seem to have one major work in them. While Rubin’s experience is mostly with music (though he also worked with comedian Andrew Dice Clay on Clay’s albums,) his book is broadly targeted towards all artists, and he seems to use as many examples from literature and graphic arts as he does from music.
Rubin does sound a bit woo woo here and there, but I found that many statements — e.g. those that spoke of the universe’s role in artistry — could be interpreted in a way that wasn’t necessarily superstitious. While woo woo sounding statements often get on my nerves, I felt Rubin’s use was poetic and spoke to a broader truth.
I’d highly recommend this book for artists and creative types, regardless of field.
View all my reviews
Share on Facebook, Twitter, Email, etc.
PROMPT: Writing
First, the infinite variety of ways it allows one to express oneself. Second, the puzzle of dancing letters into sentences. Finally, the thought that the right combination of letters might cause someone to pee himself.
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: The Madman’s Gallery by Edward Brooke-Hitching
The Madman’s Gallery by Edward Brooke-HitchingMy rating: 5 of 5 stars
Amazon.in Page
Out: March 7, 2023 [Some editions may be out in your area]
The Madman’s Gallery presents a selection of bizarre, curious, macabre, grotesque, surreal, and psychedelic artworks with essays offering insight into the background of each painting or sculpture, including information on influences and what is known about what motivated these atypical acts of creativity. Not all of the artworks are the product of mental illness – though some are and when something is known about the artist’s mental state it’s mentioned. They are all just, in some way, preternaturally creative or unconventional.
I was pleased that the book exposed me to a new selection of art. There were only a few pieces with which (as a neophyte) I was familiar. These included: Van Eyck’s “The Arnolfini Portrait,” Bosch’s “The Garden of Earthly Delights,” Fuseli’s “The Nightmare,” Gentileschi’s “Judith Slaying Holofernes,” the Olmec heads, and Dali’s “The Persistence of Memory.” There were other well-known paintings that were referenced because they were influenced by or had something in common with the artwork under discussion.
The book disabused me of the notion that the latter half of the twentieth century art was the golden age of freakish art (though that era is well represented with discussions of Dada, Surrealism, performance art, etc.) It’s interesting to learn how much wild and weird art was being producing in previous centuries, given how little of it made it through the filter of history to a general audience.
There are many recurring themes throughout the book: death, blasphemy, fertility, demons, etc. But the latter portion of the book features some new sources of bizarre art, including hoaxes, forgeries, and AI art.
If you’re interested in art history, and particularly the weird side of the subject, I’d highly recommend you read this book.
View all my reviews
Share on Facebook, Twitter, Email, etc.
Spontaneous Ideation [Free Verse]
ideas accelerate to the surface like air bubbles from whence they came, i cannot say they passed up from below the lit sea from the darkness maybe, like air bubbles, they follow a mostly straight path, but i cannot say for certain what happens below the light i catch only the vapor that drifts up out of the popping bubbles and it must be gathered quickly before it spreads on the wind, becoming lukewarm nothing... damn increasing entropy!
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: Extreme Survival by Michael Tougias
Extreme Survival by Michael TougiasMy rating: 4 of 5 stars
Amazon.in Page
Release Date: December 6, 2022 This book presents lessons from survival under intense, life-threatening turns of events. It focuses on the psychology of a survival mindset. The author has expertise in maritime survival, and a large portion of the cases explored involve survival at sea. Though the author did seek to include some variety, including concentration camps, home invasions, climbing accidents, etc. However, the maritime focus is worth noting because it’s in contrast to competing books which tend to give roughly equal discussion to a variety of different threats to survivorship.
There are three books I’ve read in recent years on extreme survival – i.e. Kamler’s “Surviving the Extremes,” Ashcroft’s “Life at the Extremes,” and Ripley’s “The Unthinkable.” Of these, the book that is most similar to Tougias’s is Ripley’s. The first two books focus much more on the physiology of survival in extreme environments. However, Ripley’s book also focuses on the psychological / mindset dimension of survival, though through a more diverse set of disasters.
The maritime focus didn’t bother me for three reasons. First, I’d rather have a person with expertise focus in that area than stumble about in lesser-known fields. It allowed Tougias to focus more on the stories of those with whom he’d conducted first-hand interviews. [The author did engage in a variety of stumbling in Chapter 8 [on the sunk cost fallacy] when he discussed the sunk cost fallacy as a separate but similar situation to those survival scenarios he’d already described [which were also cases of sunk costs] – i.e. it sounded like Tougias believes the sunk cost fallacy only applies to financial costs, which isn’t how economists look at the matter.] Second, survival at sea is one of the most intense scenarios I can imagine facing (i.e. I’m not concerned about survival in space, and I feel more experienced, competent, and -thus- less viscerally responsive to survive on terra firma – e.g. high elevation, deserts, etc.) Thirdly, since the book was on mindset, it didn’t need to be as diverse as the Kamler and Ashcroft books which examined the physiology of challenges presented by varied environments.
That said, I’d give a slight edge to the Ripley book, if you could choose only one. Still, this was a solid book on the subject, and did a great job with narrative examples and explanation of lessons. My criticisms are small. For example, like many books, chapters begin with quotations, but I felt they were the wrong quotations. Opening quotes are a widespread and fine approach when the quote is one that taps into the theme of the chapter. However, often the quotes in this book were from people involved in cases that were later presented within the chapter, and so the quotes often lacked context. If the quotes were meant to be hooks, some landed better than others. (A few simply left me befuddled.) On the other hand, the author did an excellent job with summaries at the end of the chapters.
All in all, this was a well-written book on survival, and I learned a great deal from reading it. If you don’t plan on reading multiple books on the subject, you might look into others first, but it’s certainly worth reading. And it’s a topic that gets one interested in reading more.
View all my reviews
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: Genius: A Very Short Introduction by Andrew Robinson
Genius: A Very Short Introduction by Andrew RobinsonMy rating: 4 of 5 stars
Amazon.in Page
This book examines the myths and realities of that state of capability we call genius. It’s not about “geniuses” as individuals who test well on IQ exams, or who are eligible for Mensa membership, but rather about those luminaries who’ve made breakthroughs that changed the course of their discipline. It considers artistic and literary type geniuses (Shakespeare and Picasso) as well as scientific geniuses (e.g. Einstein and Darwin,) as well as discussing the differences (perceived and real) between these groups and the intriguing rarity of crosscutting figures (e.g. Da Vinci.)
The bulk of the book evaluates characteristics that are (rightly or wrongly) commonly associated with genius, including: heredity, education, intelligence, creativity, madness, personality traits, and discipline. Don’t expect clear and straightforward connections. That’s not the author’s fault. There just aren’t any traits unambiguously linked to genius in an uncomplicated way. One might expect education would be an unequivocal boon to genius, but it can be a hindrance to genius in its training of conformity. There may be a disproportionate number of geniuses with mental health issues, but there are even more without them. Hard work maybe a necessary condition, but it’s clearly not a sufficient one.
The book addresses a few other related subjects, beyond the traits associated with geniuses. For example, the degree to which genius can be defined and what it means if we can (or can’t) do so. Few individuals would be unanimously judged geniuses, and to the degree some are, mightn’t that say more about the public’s role in bestowing genius rather than the individual’s earning the designation. There is also discussion about eureka moments versus slow-builds.
This book is thought-provoking and raises intriguing and counter-intuitive debates. If you’re interested in the perception, the reality, and the interplay between the two with regard to genius, check it out.
View all my reviews
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: The Storyteller’s Handbook by Elise Hurst
The Storyteller’s Handbook by Elise HurstMy rating: 5 of 5 stars
Amazon.in Page
Out: June 14, 2022
This is a book, but not one that one reads but rather one that one writes. It contains more than 50 imaginative and fantastical artworks intended to help creative parents build their own stories, while helping their children learn to become storytellers. There is a forward by Neil Gaiman (who has worked with the artist on previous occasions) and an introduction by Hurst, but otherwise there’s almost no text.
The animate subjects of the book are children and animals, but not just any animals. They are mis-sized, misplaced, mythical, imaginary, anthropomorphized, and extinct creatures in search of a clever explanation for their existence and behaviors. The usual suspects of our beloved stories are most well-represented: bears, lions, foxes, rabbits, birds, and fish – for example. But there are also less well-known creatures: mollusks, a mantis, kangaroo, koala, and armadillo. The settings are also designed to fuel the imagination: oceans, hot air balloons, impossibly floating places of all sorts, cities of gothic and fantastical architecture.
If you’re looking for a storybook where you have a graphic prompt to trigger your own story, this is a beautifully illustrated example of such a work.
View all my reviews
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: I’m a Joke and So Are You by Robin Ince
I’m a Joke and So Are You: Reflections on Humour and Humanity by Robin InceMy rating: 5 of 5 stars
Amazon.in Page
This book examines the intersection between psychology and standup comedy. It investigates questions such as whether comedians are truly disproportionately depressive personalities as a number of high-profile cases have led the public to believe in recent years. It explores issues such as anxiety and imposter syndrome. But it also looks at less pathological issues of the mind, such as the origin of creative ideas.
The tone is light, and stories and jokes are employed throughout. That said, the book is also dealing with scientific and psychological issues, but it doesn’t get into technical minutiae. Ince discusses how ideas in psychology relate to the acts of a number of comedians he’s worked with, including Ricky Gervais and Tim Minchin, but – ultimately – he’s trying to present information that is useful to the reader. Whether the issue is grieving or parenting, the use of humor and comedy is just a tool to address issues most people face.
I enjoyed this book and found it thought-provoking. You won’t necessarily find it to be a laugh-riot, but you’ll learn a thing or two while being amused.
View all my reviews
Share on Facebook, Twitter, Email, etc.
BOOK REVIEW: Zen in the Art of Writing by Ray Bradbury
Zen in the Art of Writing by Ray BradburyMy rating: 5 of 5 stars
Amazon.in Page
I rarely re-read books, but I’m glad that I revisited this one. I think I read it more smartly on the second go — more in a way that benefited from Bradbury’s style and message. The book’s nine essays, capped by a small collection of poems, convey lessons on writing, and – specifically – creativity in writing. Bradbury was among my favorite authors because he combined brilliant language with clever stories – i.e. he was creative on both levels. That’s a rarity. There are many excellent storytellers whose language lacks poetry or finesse. And, there are writers who are eloquent and evocative with language, but who either care little for, or have limited gift for, story.
While Bradbury claimed no expertise in Zen and doesn’t hide that he cribbed his title from a popular work by Eugen Herrigel entitled, “Zen in the Art of Archery,” it remains an appropriate title for the book and its eponymous final essay. Throughout the book, one can feel the Zen in Bradbury’s writing. He lets his words and analogies flow without becoming obsessively analytical about them – or at least appearing not to have been. Bradbury uses a lot of short, punchy sentences and a great many poetic applications of figurative language. He practices what he preaches as he both gives lessons and simultaneous demonstrations on how to write. His advice ranges from using single word writing prompts to shake one out of writer’s block, to the very Zen idea of avoiding thought – i.e. letting the words come from the subconscious. Lest one think that there is a conflict in a book on creativity that draws from another book’s title, there’s a recognition that creative writing is never wholly novel.
This book is well worth reading, not just for writers but for other artists and creative types as well. I highly recommend it.
View all my reviews
Tiger Riding for Beginners 