pebble beach - each cold, crunchy step sinks deeper
Pebble Beach [Haiku]
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Author Archives: B Gourley
Whitewater [Haiku]
DAILY PHOTO: Desert Cemetery, Kyrgyzstan
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Burning Bush [Tanka]
amid buff sands - bare and blistering - stands a shrub, the carroty coned ephedra bush
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Chiaroscuro Green [Free Verse]
densely packed stands of pine, the dark green insinuating black shadow set against the verdant grassy meadows and shaggy scrubland it makes the mountain look angular, with sharp edges pounded into shape the pine-writ shadows steal depth, suggesting absence, creating the impression of emptiness, a false void... or so it seems
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BOOK REVIEW: Project MK-Ultra: Sex, Drugs, and the CIA, Vol. 1 by Brandon Beckner
Project MK-Ultra: Sex, Drugs and the CIA by Stewart Kenneth MooreMy rating: 5 of 5 stars
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Out: October 19, 2021
This graphic novel mixes fiction with the historical events, and – in a bizarre inversion of the usual – the most outlandish parts of the story tend to be the history. It tells the story of the CIA’s ill-fated and highly illegal “experiments” with LSD, studies that involved dosing unwitting individuals on American soil. The fictionalized through line of the story involves a San Francisco journalist who stumbles onto the CIA’s illicit activities in 1971, and – even after being discredited – continues to pursue the story with the help of a whistleblower. The book includes a prologue that shows the accidental dosing of chemist Albert Hofmann in his laboratory, an event that marked the discovery of LSD. And it comes to an end showing Operation Midnight Climax, a sub-project of MK-Ultra that was among the most audacious plots because it involved setting up a brothel at which johns were involuntarily dosed with LSD and watched through 2-way mirrors as they did the deed [or freaked out, as the case may be.]
The art is interesting. A lot of the frames are psychedelic, reflecting the fact that one is seeing the world through the eyes of tripping individuals. Most of the rest are retro to give the feel of the time at hand. In most cases, that’s 1971 San Francisco, but some of the story jumps back to events in the 50’s and 60’s. At one point the frames reminded me of Archie and Jughead comics.
I enjoyed how the story was told, using the driven newbie journalist as protagonist. That said, the book may be annoying for individuals who are curious about what is fact and what is fiction. Footnotes are occasionally used to help in this regard, as well as to give information about period references used for authenticity.
I found this book compelling, but – having read a fair amount about MK-Ultra – I had some idea what was true and recognized the names of key figures. If you’re interested in the ridiculous annals of the CIA and aren’t bothered by the fact / fiction mixing, check it out.
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Long Shadows [Free Verse]
long autumn shadows stretch across the pavement and it might just be that everything has stretched out time and thought and hope and love and life and mystique all smeared across the day like shadows smear across the ground it's a slowing of the mundane as the mood grows sadder winter's melancholy is moving on the wing
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DAILY PHOTO: The Halls of Hungarian Parliament
BOOK REVIEW: Three Japanese Buddhist Monks by Saigyō, Chōmei, and Kenkō
Three Japanese Buddhist Monks by SaigyōMy rating: 5 of 5 stars
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This book collects three essays composed between the twelfth and fourteenth centuries. They are in chronological order, but also in order of increasing length, i.e. Saigyō’s piece is a short excerpt, while Kenkō’s essay makes up the bulk of the book.
An excerpt from Saigyō’s Senjūshō tells the story of the monk’s meeting with a wise reclusive meditator on Mt. Utsu. Saigyō tries to talk his way into living / meditating with the hermit, but the sage convinces him that that wouldn’t be good for either of them. The monk goes away, planning on visiting the hermit on his return, but he wistfully tells us that he took another route.
“The Ten-Foot Hut” is about the benefits of a simple, minimalist existence. It discusses Impermanence, and takes the view that having more just means one has more to lose. A quote that offers insight into the monk’s thoughts is, “If you live in a cramped city area, you cannot escape disaster when a fire springs up nearby. If you live in some remote place, commuting to and fro is filled with problems, and you are in constant danger from thieves.” The author’s solution? Build a tiny cabin in the woods and – in the unlikely event it burns or gets robbed while one is away – what has one really lost?
The Kenkō essay makes up about eighty percent of the book. Its rambling discussion of life’s impermanence delves into morality, aesthetics, and Buddhist psychology. There are many profound bits of wisdom in this piece. Though it’s also a bit of a mixed bag in that some of the advice feels relevant and insightful, while some of it hasn’t aged / traveled well.
I enjoyed this book and found it thought-provoking. Some may be disappointed by finding how little of Saigyō’s writing is included (he being the author of greatest renown,) but I found each author had something valuable to offer.
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