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About B Gourley

Bernie Gourley is a writer living in Bangalore, India. His poetry collection, Poems of the Introverted Yogi is now available on Amazon. He teaches yoga, with a specialization in pranayama, and holds a RYT500 certification. For most of his adult life, he practiced martial arts, including: Kobudo, Muay Thai, Kalaripayattu, and Taiji. He is a world traveler, having visited more than 40 countries around the globe.

DAILY PHOTO: Cuzco Overlook

Taken in July of 2010 in Peru

Taken in July of 2010 in Peru

READING REPORT: February 27, 2015

I finished three books this week.

Antifragility

The first of these is Antifragile, the latest offering by Nassim Nicholas Taleb, whom you may know from Black Swan and Fooled by Randomness fame. While it’s his latest book, it came out a couple of years ago and I started it over a year ago.  The premise is that some entities become stronger when exposed to stressors and disorder,  and there are ways to nurture this tendency to be antifragile. While the ideas and many of the examples are fascinating, I put it down for a long time because Taleb is prone to rambling diatribes. After about the 1oooth time reading about how much he loathes the 98% of professors (we get it already), you may be ready to set it down as well.  [To be fair, Taleb probably gets a hundred death threats a year from enraged social science scholars whose life’s work will appear ridiculous to anyone who understands the gist of Taleb’s arguments in this and his preceding two books.] Taleb is a first-rate thinker who has delivered some very important messages about the misapplication of statistics, I’m not sure why he feels compelled go all Howard Stern about it–though it does probably sell a few extra copies and I suspect he is genuinely that way.

 

 

pyjamagameMark Law’s The Pyjama Game is in part a micro-history of the martial art and sport of judō, and in part is an accounting of his own experiences in taking up judō at the ripe age of 50. For me the history and evolution of judō is where the book is at its most interesting. However, if you don’t have any martial arts experience–or even if you don’t have any grappling-centric training experience–you may find Law’s discussion of testing and randori (free form training, the grappling equivalent to sparring) intriguing, or invaluable if you’re considering taking up judō, jujutsu, or sambo.

 

mantraSherlockHolmesThere is apparently a cottage industry of writers putting out their own Sherlock Holmes novels, and–in particular–writing about Holmes’s gap years. For those unfamiliar with the literary history of Sir Arthur Conan Doyle, at one point he got sick of writing these crime fiction novels and killed off Sherlock Holmes. However, there was such a clambering for the master detective that Doyle resuscitated Holmes. These gap years in which Holmes was believed dead have proven fertile soil for writers who wish to write their own spin on where Holmes went and what he did when he was traveling incognito. I saw a press post for a new one the other day in which Holmes goes to Japan. The Mandala of Sherlock Holmes, however, speculates that Holmes traveled to Bombay, and from there to Tibet and eventually to Shangri La. It’s an intriguing premise and offers some good travelogue type description of setting–however as a story it’s not as artfully executed as the Arthur Conan Doyle books.

 

I bought four books this week, two of which–in part–because they’ll help me complete the Book Riot 2015 Read Harder Challenge, which I will talk about below.

 

Dinosaurs_wo_Bones

Admittedly, I bought this book, Dinosaurs Without Bones,  not because the subject jumped out at me (though I’m sure it will prove thrilling) but rather because I knew the author about a billion years ago (I know; I should take geological time more seriously when mentioning a book of this subject.) At any rate, we trained at the same martial arts school in Atlanta, Georgia. That disclaimer being made, the topic looks fascinating and I’m eager to learn more about paleontological detective work.

 

GoldfinchThe Goldfinch won the 2014 Pulitzer Prize for Literature, and so it meets an unchecked requirement for the Book Riot Challenge (recent award winner of one of the major literary prizes.) Honestly, if it weren’t for my desire to complete the challenge, I might have read Tartt’s The Secret History first. The latter books seems a little more up my alley, but I”m eager to see what this critically acclaimed novel has to offer. If it’s engaging, I’ll go back and pick up her first novel.

 

AMillionShadesofGray

No A Million Shades of Gray isn’t a mommy porn book 20,000 times more intense than E.L. James’ book. On the contrary, it’s an intriguing YA book about a teenage elephant handler who escapes into the jungle with his elephant to escape war-torn Vietnam. This book will hit on an unchecked category on the Book Riot Challenge (i.e. YA book)

 

Life of Pi

Life of Pi is a book that I intended to read long before the movie came out, but still haven’t gotten around to it. It was cheap on Kindle, and so I picked it up. I’ve seen the movie, so it’ll be interesting to compare, given how visual the movie was.

 

I’m almost halfway through the Book Riot 2015 Read Harder Challenge. The 19 books I’ve completed thus far this year include books in 11 of the 24 categories, including:

 

3.) Short story collection or anthology: a.) 999: New Stories of Horror and Suspense, and b.) I Have No Mouth And I Must Scream

 

6.) By someone of another gender: a.) Tears in Rain, and b.) Principles of Tibetan Medicine

 

7.) Takes place in Asia: a.) Quarantine in the Grand Hotel, and b.) The Mandala of Sherlock Holmes

 

10.) A micro-history: Yoga Body: The Origins of Modern Postural Practice

 

12.) A science fiction novel: a.) Tears in Rain, b.) The Martian

 

17.) A collection of poetry: Leaves of Grass

 

18.) A book that was recommended: Key Muscles of Hatha Yoga

 

19.) A book originally published in another language: a.) Tears in Rain (Spanish), b.) Quarantine in the Grand Hotel (Hungarian)

 

20.) A graphic novel or comic book collection: The League of Extraordinary Gentlemen (Vol. 1)

 

23.) A book published in 2014: The Martian

 

24.) A self-improvement / self-help book: Zen Mind, Strong Body

 

DAILY PHOTO: Terraces at Pisaq

Taken in July of 2010 at Pisaq, Peru

Taken in July of 2010 at Pisaq, Peru

Pisaq (also spelled “Pisac”) is a site of Incan ruins overlooking the Sacred Valley. The Sacred Valley is the river valley of the Urubamba River, which is also called the Willkanuta. This type of terracing is common around Incan sites.

The New Acropolis Explorations Course and My Experience Thereof

IMG_1576Last fall I attended a panel talk hosted by the New Acropolis in Bangalore. I’d never heard of the New Acropolis before, and only heard of said event because the head teacher from my yoga teacher training course was among the panelists. I found the environment at the New Acropolis to be friendly and intriguing. The talk took place amid a small library (not necessarily small for an institution of its size) and books always put me in my happy place.

 

There were brochures out for an upcoming 16-week Explorations Course. “Explorations” is the name for the introductory course that’s taken by non-members to dip their toes into the New Acropolis curriculum, and see if they’d like to continue as members of this school of “philosophy.” (You may be asking, “Hey–wait a minute–why’d he put quote marks around the word philosophy. I’ll get to that in due time.) At  any rate, perusing the brochure, I decided to enroll.

 

The course consists of 13 lectures given over a 16-week timeline. The reason there are more weeks than lectures is that there are two sessions in which one meets briefly with the instructor one-on-one, and one session that consists of exercises that one does with one’s classmates. (The latter is one of the highlights of the course.) The course is organized into three parts. The first and longest section deals with the idea of “know thyself.” That is, it presents several approaches to developing oneself as an individual. The second section expands the scope, looking at society and the role of individuals in it. The third section is about the “philosophy of history,” (there go those telltale quote marks again) or what they refer to as “evolution,” (really?) which shouldn’t be confused with Darwinian Evolution (which–as near as I can tell–has no status in their system of teachings.)

 

In my opinion, the transitions from one part to the next represent downshifts in the value of the course. (i.e. The course is at its most beneficial in the first section. That’s also the portion in which it’s presenting ideas that are fairly mainstream among the various philosophical / religious systems it studies.) As the course moves into the second section, one begins to see a few ideas that are either archaic or that depart from rationalism (e.g. the word “magic” gently enters the discussion.) By the time the third section rolls around, ideas that have no relationship to observable reality are being presented as if they were a given.

 

I was reading Nassim Nicholas Taleb’s book entitled Antifragile the other day and he used the term “neomania.” Neomania–a term that Taleb coined for all I know–means an exuberance for the new for its own sake (as opposed to any objective improvement it represents.) Taking this cue, I will cobble together the term “paleomania”(an exuberance for old ideas for their own sake) to describe one of the main underlying features of the New Acropolis syllabus. One might easily believe that nothing of value has been learned in the past 2000 years and that modern thinkers (not to mention modern science) have nothing worthwhile to lend to the discussion.

 

This can be seen in the ideas presented from ancient Greece. Let me first say that I’m a big fan of Plato. His words “Be kind, for everyone you meet is fighting a hard battle” is one of my favorite philosophical quotes. However, while I like Plato, the New Acropolis pretty much deifies him. I’m sure they wouldn’t agree with that statement. However, even Plato’s ideas on those subjects about which he was least in a position to write intelligently or authoritatively are presented as if irrefutable. A couple of his most ill-informed ideas are at the forefront of two of the lessons–notably the Platonic hierarchy of forms of government and the ideas he accepted [I don’t know that these are properly attributed to him, but he seems to have believed them] about astrology. (Note: New Acropolis’s teachings about forms of government seems to be one of the biggest causes of ill will toward the organization in Europe. Plato was an elitist on the subject. He distrusted democracy–to be fair they killed his teacher under [a form of] democracy–but believed that if you could just give a philosopher unlimited power he’d do the right thing for everybody–and not just himself. Plato wasn’t a believer of Baron Acton’s “…absolute power corrupts absolutely…” an idea that came later by those with a greater body of exposure to varying forms of government.)

 

The first couple of lectures I attended didn’t seem in any way untoward or unusual. The first lecture was about knowing oneself, and presented two ancient approaches to this question–i.e. Greek and Indian Vedic. The Greek three-pronged model of soma/psyche/nous, which is translated various ways–but commonly as body, soul, and reason.  The Indian approach was a seven-layered variant that also started with the physical body and moved toward more conceptual elements of being.

 

Now, it might have occurred to me that both of these approaches take the supernatural as a given, but as they were true representations of the systems in question, I didn’t find it bothersome. This raises a point that I think bears saying, I don’t think that the New Acropolis distorts the teachings that they include in the syllabus, but they do use selectivity to frame the subject. This framing gives the student a limited view philosophy and the various approaches to leading an examined life (as opposed to the unexamined life that Socrates told us was not worth living.)

 

The second lecture I attended was actually the third lecture–because I was out-of-town for a class on the Bhagavad-Gita–and it dealt with Buddhism. This session was the most orthodox and arguably the least controversial of the lectures. The four noble truths and the eight-fold path were the core of the lesson, and one doesn’t get any more fundamentally Buddhist than that.

 

However, the fourth lecture, which was ostensibly about Tibetan Buddhism, started me wondering where the course was going. One would expect a lecture on Tibetan Buddhism to refer heavily to the words of lamas, but most of the ideas presented in this lecture were attributed to a woman who I don’t think I’d ever heard of before. Her name was Helena Petrovna Blavatsky. (If you’re saying, “Hey, that name doesn’t sound Tibetan, you are correct.”) It’s not that I don’t think that a 19th century Russian woman is capable of giving informed insight into Tibetan Buddhism. However, one becomes curious when there’s not a single Lama, Rinpoche, monk or nun in the picture. While I’m admittedly a bit of a neophyte on the subject, I’ve been to hear Tibetan monks and nuns before and have visited the local Tibetan meditation center on occasion, so I’m not completely ignorant of that system’s teachings–enough to have an idea what the most fundamental ideas would be.

 

So, after the Tibetan Buddhism class, my Googling fingers got to work. I just wanted to be sure I wouldn’t be asked to drink any Kool-Aid made Jim Jones style. There wasn’t a lot on the organization besides their various websites, but there were a few negative comments and would-be controversies to be found. I wasn’t too concerned by these comments for a number of reasons. First, the claims were isolated and unverifiable. To elaborate, if a person is either far to the right or far to the left, then the middle seems an extreme way off. Therefore, when a leftist organization calls an organization a “fascist cult” one has to consider the bias of the source of the claim. (Note: the same could be said from the other end of the spectrum, but I stated it that way because that’s essentially what I read in one post.) Nothing I’d seen at New Acropolis would lead me to think they were fascist, or even particularly politically conservative (if anything, I’d guess that individual members would be more likely to be left of center, but it wasn’t really an issue that came up.) Second, most of the negative comments were directed at a couple of the European centers, specifically.

 

I will say that, despite the fact that I didn’t believe the extreme claims, I can’t say that they weren’t cause for concern. I’ve had a little experience with organizations prone to being embroiled in drama. Even if the organization has many worthwhile attributes and individuals, that inclination to attract drama will inevitably bite a member in the ass. In my experience, one can’t just sit on the sidelines and pretend the drama won’t affect you. If you do, you’ll just be all the more surprised when you feel your ass being bitten.

 

My web searches confirmed that the New Acropolis was an offshoot of the Theosophical Society. This wasn’t kept a secret. In fact, I believe it was mentioned in the Tibetan Buddhism lesson, and I know it was intimated at various junctures in the course. I was aware of the Theosophical Society, and–in particular–the falling out that Jiddu Krishnmurti had had with them. (A parting of ways that was apparently amicable on Krishnamurti’s side as well as on the side of some from the Theosophical Society’s side–though some Theosophists apparently went dark.) Krishnamurti is among my favorite thinkers, and it was a concern that New Acropolis was an offshoot of an organization whose beliefs were so at odds with his own. I don’t want to deify Krishnamurti (that would be ironic as he was explicit that he didn’t want followers and believed followers were missing the point), but many of his ideas resonated with my own–particularly those on organizations to advance personal or spiritual development (of which he [& I] are quite skeptical.)

 

Krishnamurti opposed the idea of religions, sects, and paths as means to betterment.  The New Acropolis would likely agree with Krishnamurti’s stance on religion as they’re explicit in their antipathy for the ritualism of religion. However, Krishnamurti went further to oppose entities that proposed that they had a path to guide one to some enlightened state. This is where the New Acropolis would presumably part ways. They seem to believe they have such a path. The aforementioned framing that they do seems to designed to carve out the waypoints so that future courses can work on building the path.

 

There’s  a common saying that a good education teaches one HOW to think and not WHAT to think. By that definition, I wouldn’t classify the New Acropolis’s approach as a good education, generally speaking. The course is set up for a one way flow of learning. There’s no time for discussion or refutation of the concepts presented in the course. The teacher presents concepts in a lecture format, and there are designated times in which students can ask questions (in many cases outside the class time when peers might have ideas to add or questions  to build off.) Despite the nominal homage to ancient Greece, the New Acropolis pedagogic approach is at odds with the Socratic method by which students are asked questions rather than being presented with answers.

 

What’s my beef with their use of the term “philosophy?” Depending upon how it’s used, I don’t have a problem with it. When they’re explicitly talking about their particular philosophy, (i.e. New Acropolis’s philosophy) it’s perfectly acceptable. It’s only when one uses the term in a general sense, e.g. as in “school of philosophy,” that students might expect that they’ll learn rational approaches to consider life’s big questions for themselves, rather than learning a specific ideology’s answers to said big questions.

 

The term “theosophy” would be much more honest and apropos, though I understand their reticence to use that term–given their strained relationship with the Theosophical Society–which has a corner on the market of that term. The fact that the New Acropolis takes the divine or supernatural as a given is hard for me to reconcile with philosophy, which implies an open discussion and refutation of ideas–particularly of those notions for which there is little or no evidence.  I’m not saying that philosophy can’t and shouldn’t consider the question of whether there is a god (or spirits or divinity or whatever term you prefer.)  I’m just saying that taking the existence of such ethereal entities as a given flies in the face of rationality, because the existence of such ethereal entities isn’t rooted in observation or application of logic but in emotion. Faith is the domain of theology (or theosophy, if you prefer), rationality is the domain of philosophy. A lot of the teachings in this course were couched in terms of feelings or the beauty of ideas rather than in rational investigation.

 

It might seem that I was quite negative about the experience, and that I wouldn’t recommend it for others. That’s not exactly true. There are some individuals that I wouldn’t recommend it for, but others that I might. I did learn a lot during the course, and brought away a number of ideas that I think will be of service to me. For example, we did a throwing stick concentration exercise that was eye-opening (no pun intended), and there were many ideas and stories presented in the course that provided good food for thought. There was only one class /idea that I found not only completely baseless but also potentially dangerous.

 

(FYI-If you’re wondering what idea that was, it was in the penultimate lecture on astrological cycles (yeah, I know, right?)  The lecture presented both Indian Maha Yugas and Greek zodiac cycles. Guess what? According to both mythical sets of cycles we’re currently in the crappiest of times. [FYI- If there’s anything my education and experience as a social scientist taught me, it’s that notions of determinism applied to the sphere of human behavior are inevitably wrong. The physical world may be clockwork, but the minds of men are a clockwork orange.] Why do I think these conceptions of cycles may be dangerous? Because a lot of damage is done by people who go through life thinking the world is feeding them a steady diet of shit-sandwiches. This is, of course, all perception. Nature–unlike gods and other supernatural mythical creatures–doesn’t draw targets on the backs of individuals, nor weigh them good or evil. However, now you’re going to tell people who already see the world through dung-colored glasses that your [pseudo-]science shows they were born in the worst of times. That–my friends–is not helping make a better world.)

 

I think those interested in the course should be aware of three things: 1.) a god, gods, the divine, the supernatural, or whatever you wish to call it is taken as a given by the course (you’re not going to see a Nietzschean counterpoint in this school of philosophy); 2.) you aren’t going to get a broad-based exposure to philosophy in that a.) the ideas are all from ancient traditions and b.) the concepts presented are cherry-picked to be consistent with the New Acropolis agenda (which isn’t to imply the agenda is onerous by the standards of sects or religions, but there’s an agenda) ; 3.) you should banish any expectations of engaging in rousing class discussions or dialogues with the teacher because it’s very much a one way street.  If you’re good with those three factors, you may want to give it a try. You might find it’s the right approach for you.

DAILY PHOTO: Plaza De Armas of Cusco

Taken in July of 2010 in Cusco.

Taken in July of 2010 in Cusco (aka Cuzco)

I’m breaking out some blasts from the pasts. This was taken during a 2010 trip to the Peruvian Andes. I probably never posted this before (on my previous photoblog) because I had some crud in my camera as you can see above the most prominent cloud. I don’t know whether my standards are lowering or my aesthetic sensibilities are ripening, but I kind of like this one.

BOOK REVIEW: The League of Extraordinary Gentlemen (Vol. 1) by Alan Moore

The League of Extraordinary Gentlemen, Vol. 1The League of Extraordinary Gentlemen, Vol. 1 by Alan Moore

My rating: 4 of 5 stars

Amazon page

For those unfamiliar with this series or the movie featuring Sean Connery, this graphic novel assembles a team of heroes from 19th century science fiction and adventure novels. Specifically, the team includes: Mina Harker (of Bram Stroker’s Dracula), Allan Quatermain (of H. Rider Haggard’s King Solomon’s Mine series), Captain Nemo (of 20,000 Leagues Under the Sea and other Jules Verne novels), Dr. Jekyll/Mr. Hyde (of the Robert Louis Stevenson novel featuring their names), and Hawley Griffin (of the H.G. Wells novel, The Invisible Man.) The team’s principle nemesis is Professor James Moriarty of Arthur Conan Doyle’s Sherlock Holmes series.

Interestingly, this book follows the same general plot progression as the movie, but is much different in tone, settings, and character details. The plot progression of which I refer is that the team is assembled (with no small amount of mutual animosity) and they bond into a team as they face a grandiose threat of steampunk industrialization run amok. That plot progression aside, you’ll find an entirely different story otherwise. First, those who favor gender equality will appreciated that Mina Harker is in a leadership role in this volume, the role played by Quatermain in the movie. (That being said, this isn’t a group of individuals who take readily to being led.) Second, those who like darker, grittier tales will find this book more appealing than the movies. Allan Quatermain is found by Harker wasted in an opium den. Griffin is captured after having moved into a girl’s school to use his invisibility to lecherous advantage and the head mistress of said school is decidedly dominatrix like. I generally liked the grittier tone better, though it was hard to reconcile Griffin’s abhorrent behavior with heroism—anti-heroes are a challenge, particularly one who can disappear at will. Third, the team in the book is smaller and more manageable, with the movie having taken on two more characters (Dorian Gray and Tom Sawyer.) Finally, the book doesn’t get around so much. The movie features at least four major settings—not counting the high seas, but the book takes place mostly in Victorian London.

You don’t have to have read all the classic works from which the characters derive to get the story, but it does make it a little more fun. (Yes, I realize that I’m using “classic” for books–some of which–were considered the pulp fiction of their day. However, if your book is still in print after 100 years, I’d say you deserve the status and respect.) Those who’ve read the books will get some subtleties that aren’t critical to the story but are kind of nifty. That being said, don’t expect the characters to match their originals perfectly. The novels covered are wide-ranging, some rely on supernatural elements and others are more realistic, some are futuristic while others reflect the times more accurately. One can’t bring all these individuals into one world and have them be exactly as they were in their original domains.

There are some extra features at the end including a short story featuring a time traveling Allan Quatermain and some art from the series.

I’d recommend this book for those who read comics and graphic novels—especially if they’ve read the stories of at least a few of the 19th century characters. (If you haven’t read any of the novels, you should probably go back and hit some classics before you read anything else. Just my opinion.) It’s an intriguing concept, and it’s done well.

The movie trailer is here.

View all my reviews

DAILY PHOTO: Yellow Façade in Vác

Taken in Vác in December of 2012

Taken in Vác in December of 2012

DAILY PHOTO: Ornamental Pillar at Ajanta

Taken in November of 2014 at Ajanta Caves.

Taken in November of 2014 at Ajanta Caves.

BOOK REVIEW: Yoga Body by Mark Singleton

Yoga Body: The Origins of Modern Posture PracticeYoga Body: The Origins of Modern Posture Practice by Mark Singleton

My rating: 3 of 5 stars

Amazon page

I was excited to stumble across this book because it proposed fresh insights into the history and development of posture-centric yoga. Singleton’s premise is that yoga as it’s practiced in studios around the world today (i.e. practices focused heavily on asana, or postures) has almost nothing to do with historic yogic traditions and is to a large extent European (or Western) fitness practices fed back to the world with a patina of Indian-ness instilled by a few Indian fitness teachers (e.g. T. Krishnamacharya and students.) This is a bold and stunning hypothesis. The problem is that Singleton leaves plenty of room to doubt his thesis. I’m not saying that I’m certain Singleton is wrong, but after reading the book I’m no more inclined to believe his hypothesis than when I first read the book blurb.

The book consists of nine chapters:
1.) A Brief Overview of Yoga in the Indian Tradition
2.) Fakirs, Yogins, Europeans
3.) Popular Portrayals of the Yogin
4.) India and the International Physical Culture Movement
5.) Modern Indian Physical Culture: Degeneracy and Experimentation
6.) Yoga as Physical Culture I: Strength and Vigor
7.) Yoga as Physical Culture II: Harmonial Gymnastics and Esoteric Dance
8.) The Medium and the Message: Visual Reproduction and the Asana Revival
9.) T. Krishnamacharya and the Mysore Asana Revival

One can see the flow of the book in this chapter listing. It begins by describing the ancient yogic traditions (e.g. Jnana yoga, Bhakti yoga, and Karma yoga.) Singleton then goes on to put immense weight on very few voices that were speaking globally about yoga in the late 19th century—largely European but notably including Swami Vivekananda. (This, by the way, is where I noticed the most glaring weaknesses of the book. There seems to be an assumption that what the most vocal people were saying during this time was the truth, the whole truth, and nothing but the truth.) One will note that the late 19th century is an arbitrary point to make the critical juncture for a study of yoga—this era’s sole importance seems to be in that that’s when Europeans started entering the scene (and documenting it in English and Western languages to a large extent.) I understand that there may have been a dearth of information previously; however, I’m also skeptical of equating the sum of truth with the sum of what is documented.

The book then shifts into the early 20th century when Singleton proposes the proto-postural yoga is beginning to coalesce with both Western and indigenous Indian influences. Singleton writes extensively about this period, and presents what he believes is the path by which postural practice evolved over a short time into modern yoga as we know it. The book ends in the mid-20th century with an extensive discussion of T. Krishnamacharya and his pack of brilliant students (i.e. B.K.S. Iyengar, Pattabhi Jois, T.V.K. Desikachar, and Indira Devi) who are responsible for a lot of how yoga is practiced today (for virtually all of modern yoga by Singleton’s reckoning.)

It should be noted that this book is put out by an academic press, Oxford University Press, and there’s all the front and post matter that one would expect of a scholarly press publication. This includes an introduction, notes, and a bibliography.

So, you might be wondering how I could have so much doubt about the veracity of the book’s central claim—a book written by a Cambridge educated scholar and published by Oxford University Press. It’s, after all, chocked full of facts that are designed to bolster Singleton’s argument. I’m certainly not suggesting that Singleton lied or presented false facts (however, I have–and will further–argue that he frames facts throughout the book to diminish those statements and facts that run counter to his argument while wholeheartedly accepting statements that validate his argument—even when the people whose statements he leaves unchallenged would seem to have their own agendas. I don’t know, perhaps T. Krishnamacharya was—as Singleton intimates though never explicitly accuses—lying when he claimed to have received his sequence and approach from a scripture he was taught by a Himalayan master. However, interestingly, he would be lying to minimize his role in the development of yoga rather than to increase his fame. This stands in contrast with the European authors who Singleton readily accepts who were seeking to build their bona fides as experts in the esoteric systems of India and the Himalaya, who arguably had a lot to gain from being seen as having a full understanding of these systems.)

The best way to understand the root of my skepticism is to tell a make-believe story. Imagine a race of aliens came down to Earth. For whatever reason, they want to understand (presumably among many other things) the Roman Catholic Church. One astute alien scholar notes that, after having reviewed not only the entire Bible but a vast canon of theologian discourse, there is scant mention of sitting or kneeling. However, when cameras came around, there came to be clear evidence of pews and kneelers in the church. The aliens conclude that Catholics had always stood during worship, but with the advent of the camera they began to sit and kneel. The aliens, having big and bulbous butts, conclude that the Catholics have become concerned that their own big, bulbous butts will be captured for posterity (pun intended) by the cameras and have, thus, opted to adopt postures that would more adequately provide cover. In the present day, sitting and kneeling are the bulk of what Catholics do with their bodies when [overtly] practicing their religion, and so it must be those postures–rather than abstract notions like achieving “grace” are now the most critical part of the practice. (Besides, the earliest photos of kneelers came from Protestant churches, so perhaps Anglicans taught Catholics how to kneel.)

If you haven’t figured it out, in my little scenario, the late 19th century Europeans who were writing the English language tracts that formed the heart of Singleton’s research material are the aliens with big, bulbous butts. I would propose that the Europeans aren’t viewing yoga completely objectively but through the lens of their own experience and desires. Furthermore, they are also only giving weight to what they see and hear (which may or may not be a full picture.) I would further argue that just like Catholics don’t devote much text to discussing sitting and kneeling in the documents of the Vatican library doesn’t mean there isn’t a long history of those practices. Postural practice is:

a.) not the critical end result that everyone is concerned with even if it takes up the bulk of one’s time in [overt] practice. It’s certainly true that there are a vast number of yoga practitioners whose only interest is in the fitness aspect of the practice. However, there are also many who spend most of their yoga reading time learning from Vedas and reading yogic philosophy even though the bulk of their practice time is asana.
b.) extremely difficult to convey via text but readily conveyed through demonstration and hands-on teaching. If you were a Catholic and wanted to teach someone kneeling, would you write them a three paragraph text description of the process, or would you just demonstrate how to kneel and correct any glaring (albeit unlikely) deficiencies in form.

At no point does Singleton get into the postural details of individual asana. He mentions another scholar that supposedly has done some of that work, but Singleton feels it’s not critical. However, it’s very hard to prove what he’s trying to prove without getting into that level of detail. Yes, there will be similarities between various systems of stretching because of the nature of the body. For example, European stretching systems had a forward bend that looks reminiscent of paschimottanasana (the body folds that way and stretching the hamstrings is one of the most important functions in any stretching regimen), and it shouldn’t be surprising or revealing if the first photograph of this posture was in a European gym (the fact that Scandinavians had cameras before Himalayan yogis isn’t a sound basis to conclude that Himalayan yogi’s learned to bend forward from Scandinavians.) A there are a lot of postures that two systems might reasonably independently discover, but one also can’t rule out that the Indian yogi taught the Europeans and not the other way around. (I know it’s hard to comprehend in the era of FaceBook, but failure to be documented does not equal failure to be true. The farther one goes into the past, the less of what happened is going to be documented, and some cultures are going to be more likely to document events than others. e.g. Would our aliens be right or wrong if they concluded that 85% of humans are females between the age of 12 and 24 years old because 85% of the selfies posted on the internet are among that group. )

Singleton’s book does have some graphics. They didn’t always help his case, however. I was struck by how few of the fine details of the European postures correspond to practice as we know them, while some of the very old paintings look almost exactly like present day asana. (If one accepts that the fact that they didn’t have the greatest grasp of capturing perspective back then isn’t indicative of how flat the postures and people were back then.) I’ll readily admit that I wouldn’t definitively count Singleton wrong on my subjective observation of the pictures, but it does leave me with a lot of room for doubt.

I suppose the next question is why I didn’t completely pan the book. Three stars isn’t a tragic rating. I thought the book contained a lot of good information and food for thought (even if it fell far short of proving its central hypothesis.) I particularly enjoyed the chapter on T. Krishnamacharya and his now-famous student body. I’ll also say that part of why I came away from the book with such a muddled perception of this history is that Singleton doesn’t hide facts that are damning to his case, but rather presents them and then tries to marginalize them. A prime example would be the Hatha Yoga Pridipika (HYP), a 15th century text that mentions a number of the asana considered classic yoga postures today (some of which form the core of a Hata practice)—though admittedly HYP emphasizes the importance of only four seated postures.

I can’t say that Singleton didn’t help give me pause to wonder about the truth of the received understanding of yoga’s evolution. I’ve practiced yoga in places as varied as India, the U.S., Thailand, and Hungary, and I found it shocking how similar the practice is around the world. This bodes well for the argument that yoga as it’s practiced today has coalesced recently. By way of contrast, there are many myths about how one martial art is the ancestor of another but the two systems often look nothing alike. (e.g. I’ve studied Kalaripayattu, which many believe was the ancestor art taken to China by Bodhidharma through Southeast Asia, but which today looks nothing like Kung fu or Muay Thai. Furthermore, Kung fu styles usually look quite unlike the Korean and Japanese martial arts that they are said to have inspired.) If the latter among these martial arts did come from the earlier, they evolved apart quickly. While the evolution into different martial art forms is quite possible, it raises the question of why yoga should be so similar internationally. A skilled yoga teacher would likely give a given student the same alignment adjustments for, say, Warrior I, regardless of whether the teacher was in Prague, Manila, Tokyo, or San Diego.

I can’t say that I’d endorse Singleton’s argument. It would take much more precise information for me to buy it (and it’s likely that said detailed historical information doesn’t exist.) However, if you’re interested in the history of yoga, you might want to check out this book. Your conclusions may differ from mine, but even if they don’t I suspect you’ll learn a thing or two of interest. Yoga Body was reasonably priced as a Kindle book when I bought it.

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DAILY PHOTO: Back Water Taxi

Taken in Kerala in July of 2014.

Taken in Kerala in July of 2014.

The answer to how one gets around in the water world of coastal Kerala? Either you hoof it down the trails that run atop paddy dikes, or you go by boat. (A dearth of bridges and hypothenusal shortcuts can make for long hauls by way of the former.) If you don’t have your own boat, the one above is the backwater version of the local bus.