Buddha Light [Free Verse]

Walking the ruins
   of some old Buddhist
   university,

I entered a chamber,
    and found myself
    confronting a Buddha,
    its head obscured by 
    a bolt of sunlight.

I thought it might be like
    one of those Angkor Wat
    crop tops from when Pol Pot
    had the heads chopped off 
    all the Buddhas to make 
    some quick cash.

But the head was intact, 
    just blotted out by blinding light,
    and I blinked my way into sight
    of that serene face.

Agents of Wear [Free Verse]

Sun, Rain, Wind,
   & other agents of wear
 that tear down ancient stones
   one grain at a time,

eroding symbolic rocks
   carved with symbols 
   that meant something
   to people in days of yore.

And they mean something
   to people today,
   but whether those meanings 
   match is another question...

Because our understanding 
   of past perspectives 
   is ever eroding:
   just like those rocks,
 but - unlike rock - 
   thoughts and beliefs
   were wisps writ in a
   malleable art: language.

We cling to traditions & lineages,
    but everything is erased. 

Forest Road [Free Verse]

The forest is parted
   by a line of asphalt.

Speeding cars send
   leaves fluttering. 

Everything that crosses
   that road is imperiled

by someone's need 
   to get nowhere quickly.

Scream [Free Verse]

The Scream (1893); Edvard Munch
brain numb.
 voice dumb.
 
a wicked harmonic
 builds in the core -

tuned to volcanically
 vibrant skies.

flash fires of feeling
 riffle through the body.

the tone dials
 into a whine
 
that bursts into 
 a scream.

Solid Ground [Free Verse]

sole to cold earth:

it's the only way i know
 the limits of this world.

feet pressing into this globe
 are my tether to reality.

any other way, and the world
  could stretch forever.

the feel of my weight,
 popping to heel or ball:
  pronating & supinating,
  rolling & reaching,
   in dance or destruction --

 feet leaving the cold earth
  always reorient to the planet.

The Abyss [Free Verse]

Nietzsche said:

“And if thou gaze long
   into an abyss,
  the abyss will also
    gaze into thee.”


I must admit
   the first several times
    that I read this quote,
  I couldn’t tell if it was wise,
    or just had the patina of
     wisdom that comes from 
     parallel sentence structure.

Crisscrossing subject and object
    lends a ring of sagacity.

“If you can’t take 
    Mohammad to the mountain,
  the mountain must come to
    Mohammad.”


“Ask not what your country 
    can do for you,
  but what you can do 
     for your country.”


“If you can’t get the carrots 
    out of the refrigerator,
  get the refrigerator 
     out of the carrots.”


Yes, that last one is nonsense, 
    but it’s not nonsense like:

“The banana pirouetted fuchsia
     all over the underside of
      an A-sharp chord.”

The carrot quote probably took
     your mind some time —
      if only milliseconds —
       to relegate to the
        trash heap. 

That’s why this sentence structure 
     is beloved by godmen &
      politicians: because you can 
       sound wise even if you’re 
       kind of an idiot.

So, I was ready to classify Nietzsche’s 
     quote pseudo-wisdom when I realized 
      that my smartphone was the Abyss, 
       and it was certainly staring back at me.

  It stared through all the data collection &
     neuroscientific and psychological
      research designed to keep 
       a person scrolling.

Maybe Nietzsche was on to something
    that even he didn't fully understand. 

Farmland, Unchecked [Free Verse]

From a hilltop,
   farmland stretches
    to the horizon:
 
parceled into rectangles
   of brown, beige, and oh 
    so many shades of green.

It must be the tropics,
    for ripe grain to 
     coexist with verdant
      & fallow patches.

So different from the farmland
    of my youth
     where all the rectangles 
      were one of two colors -
      because everyone had to
      pack into the same tight
      growing season. 

Witch & Skeleton [Free Verse / Senryū]

Takiyasha the Witch and the Skeleton Spectre; Utagawa Kuniyoshi (1844)
PREMISE:
Princess Takiyasha
 summoned a skeleton to
  kill a samurai.

MORAL?:
"Don't bring swords
 to a giant skeleton-ghost 
  fight!"

CONCLUSION:
Yet, in settled dust,
 the world was less one
  Princess-witch.

Dorothea Tanning’s Birthday (1942) [Free Verse]

Oh, I've been in that dream:

     door upon door to nowhere,
     inexplicable nudity,
     elements that seem fine 
          from a distance, but -
          from up close - make no sense.

And then I saw the creature at her feet,
      and knew I'd never been in that dream.

   I can't fathom the genetic cocktail 
      that would need to be cooked up
          to create such a monstrous pet. 

   And then it hit me that the winged badger-mutt
       is not nearly the most disturbing aspect...

   What are they looking at?

Melting Stone [Free Verse]

Upon the ocean shore,
   there is a rock:
   hard,
   black,
   porous,
   volcanic.

Gentle seas send ripples
   against its base.

Stormy seas send waves
   to relentlessly batter it,
   crashing over its top.

Both the lapping waves
   and the crashing waves
   cart away parts of the rock --
   one unit of grit at a time.

The lapping waves need patience;
  the crashing waves need energy,
    but they both insist a tax be paid
     for their labors.

Just looking at the rock,
 one can tell it was once different:
    bigger,
    its pores filled
        with other rock -- softer rock,
  rock that the sea long ago turned
    into sandy bottoms and beaches.

The rock is dissolving like an ice cube,
  except in geologic time.