a snowy mountain.
a church, broad-shouldered & bright,
looks cold & bantam.
Backdrop [Haiku]
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"Hope" is the thing with feathers --
That perches in the soul --
And sings the tune without the words --
And never stops -- at all --
And sweetest -- in the Gale -- is heard --
And sore must be the storm --
That could abash the little Bird
That kept so many warm --
I've heard it in the chillest land --
And on the strangest Sea --
Yet -- never -- in Extremity,
It asked a crumb -- of me.
Like water spilling over rocks?
Like a bead's roll across the floor?
Cliches, they fail to tell the story,
As no doll shows life's splendor.
But the Earth' unsupported spin through space,
As the heaven's pivot and sprawl for more...
If you could find how it all began,
You'd see it'll be as it was before.
The high and bright realm of the gods
Returns to nothing and nevermore.
And if you lived ten-thousand years,
You might find yourself in days of yore.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twenty-fourth of the twenty-four poems. This poem has been alternately titled “The Flowing Style,” “Fluid,” “Motion,” etc. by varied translators from its Chinese title of 流动.

on the hillside,
amid the wildflowers,
watching clouds shape-shift.