BOOK REVIEW: Romanticism: A Very Short Introduction by Michael Ferber

Romanticism: A Very Short IntroductionRomanticism: A Very Short Introduction by Michael Ferber
My rating: 4 of 5 stars

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Romanticism was a literary, artistic, and philosophical movement of the late 18th and early 19th century. It’s commonly believed to have been a response to the Enlightenment, a desire to not throw out the baby with the bathwater as the influence of religion waned. In this book, we learn that that’s a misleading oversimplification, but not one completely devoid of truth.

Like a lot of “movements,” Romanticism is a fairly loose set, containing a disparate band of entities. This is exacerbated because it’s not just, say, a style of painting or of music, but rather it cuts across a diverse range of activities. Because of that, the book offers the least clarity in the opening chapters (ch. 1&2) and in the last one (ch. 6.) The first two try to rope in Romanticism and to differentiate it from “sensibility,” a movement oft-confused for Romanticism. The last chapter attempts to show the commonality that cuts across different domains, e.g. how are Romantic paintings similar to Romantic novels, or – for that matter – Idealist philosophy.

However, starting with chapter three, the book provides clear insight into the nature of Romanticism. Chapter three investigates poetry. Chapter four examines philosophy and Romantic attitudes towards religion and science. This was quite eye opening to me because I’d previously contrasted Romanticism with the Enlightenment, and here I learned that the Romantics’ views on religion and science were far from the opposite end of a spectrum. Chapter five shines light on the social context of Romanticism, focusing on politics, the French and the Industrial Revolutions, and War, but also evaluating what influence, if any, Romanticism had on changing views toward women.

I feel I came away from the book with a better understanding of Romanticism, and so I’d recommend it for others interested in learning more.

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BOOK REVIEW: Introducing Wittgenstein: A Graphic Guide by John Heaton

Introducing Wittgenstein: A Graphic GuideIntroducing Wittgenstein: A Graphic Guide by John Heaton
My rating: 4 of 5 stars

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This concise guide offers a sketch of the life of the early twentieth century philosopher, Ludwig Wittgenstein, focusing on the evolution of his philosophical thought. As with other volumes in the series, it begins with biographical background of ancestry and youth before turning its focus to the ideas for which the subject gained fame, occasionally shifting back to more biographical focus to discuss impactful moments from his life. Wittgenstein served in World War I and had a somewhat strange academic career.

Wittgenstein had his hands in a lot of pots, studying the philosophy of logic, ethics, science, mathematics, language, and the mind. The book provides brief summaries of key ideas such as language games, family resemblances (as applied to groupings other than families,) philosophy as a form of therapy, the ubiquity of tautology in logic, the illusion of self, etc. In many cases, the ideas cut across neat boundaries as where questions of language, perception, and the nature of the self may overlap. I found I got the most out of Wittgenstein’s thinking on language and its limits. While some of the ideas were strange, others were illuminating.

This book provides a fine guide for the neophyte looking to be introduced to Wittgenstein’s work. Philosophers will likely find it lacking in depth, but few will find it too complicated or arcane. If you wish to learn more about the life and philosophy of Wittgenstein, it’s worth checking out.


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BOOK REVIEW: The Sunny Nihilist by Wendy Syfret

The Sunny Nihilist: A Declaration of the Pleasure of PointlessnessThe Sunny Nihilist: A Declaration of the Pleasure of Pointlessness by Wendy Syfret
My rating: 5 of 5 stars

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In this book length essay, Syfret proposes that the reader reconsider the much-maligned philosophy of Nietzsche, arguing not only that it needn’t lead one into a dreary morass of gloomy thinking, but that it might just help one live more in the now while escaping brutal cycles of self-punishment. She has her work cut out for her, but she doesn’t shy from the challenge. Much of what she discusses could just as easily be presented under the guise of the less melancholious brother school called Existentialism, but Syfret embraces the vilified term, at least it’s cheerier side, under the moniker “Sunny Nihilism.”

Nihilism proposes that there is no inherent “god-given” meaning to, or purpose of, life. There’s no god to create such meaning and purpose. This notion is accepted as a given by most scientifically-minded people today, but it still results in the occasional visceral dread. For cravers of meaning, the argument goes like this: at least some of life is suffering, why should I subject myself to suffering if there isn’t some grand purpose and plan.

The retort of many nihilists and existentialists goes, “You only feel that way because you’ve made mountains out of molehills through your obsession with meaning, purpose, and divine plans. The experience of being able to experience life is awesome, but you make the whole of life such a daunting prospect that anything that doesn’t turn out perfectly makes you angst-ridden. You worry far too much, and – what’s worse – you’re usually worried about the wrong things. You’re missing the freedom that comes from being able to choose for yourself what you value and to put your setbacks in perspective.”

The book also explores such related issues as: coping with the pandemic, millennial malaise, celebrity deification, and how technology and social media influence the light and the dark sides of nihilism.

I found the book to be thought-provoking, and I’d recommend it for anyone looking for a philosophy to help them live through the trials of our age.

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Mad Saints & Scientists [Free Verse]

Mad scientists are terrifying.
Mad artists are reassuring
(par for that particular course.)

Mad mathematicians
seem harmless enough,
as long as he or she
stays in his or her lane:
the one with numbers
and angles
and sets.

Mad Saints are the most hated
& most beloved of lunatics.
They serve as necessary examples --
not there to forcibly deprogram one,
but to show that it's an option.
One has the choice to be free,
whether one has the will or desire to be -
that's an open question. 

But those who sink the red pill
must learn that in those waters
thar be monsters.
(If only those of one's own making --
i.e. Nietzsche's abyss staring back.)
Voids can't gaze.
Only that which one crams 
down its abyss-hole
can do the gazing.

BOOK REVIEW: Humour: A Very Short Introduction by Noël Carroll

Humour: A Very Short IntroductionHumour: A Very Short Introduction by Noël Carroll
My rating: 4 of 5 stars

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As both Mark Twain and E.B. White made abundantly clear, humor is like a frog; dissection kills it and few are interested in watching that happen. Which isn’t to say that dissection isn’t useful. But it does mean that readers who are looking for a book that’s a laugh-riot are looking in the wrong place. Most of the example jokes were ancient when the book was first published eight years ago. (They’re good jokes. Bad jokes don’t become old jokes, they die ignominiously.) All that aside, this book provides an intriguing look into such questions as: 1.) why do we find things humorous in the first place? (We take humor for granted, but – think about it – there’s no rationale for things being funny that automatically springs to mind;) 2.) how, if at all, does humor relate to our broader emotional experience; and 3.) when, if ever, is humor unethical?

This concise guide has three parts. In the first part, we learn the various theories of humor, and learn that the author favors Incongruity Theory (i.e. humor is – first and foremost – a recognition of and response to incongruities.) In the second, the author discusses the debate over whether humor is an emotional experience, or something else. Finally, we learn about the value of humor and, in particular, the ethics of humor. There’s a continuum from those who believe that humor – in and of itself – is always ethical to those who think that it’s virtually always unethical (unless one can find a joke without a butt,) with many nuanced variations, in between.

I found this to be an intriguing guide to the philosophy and psychology of humor, and – if that’s what you’re in search of – you should check it out.


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DAILY PHOTO: Tree in the Temple of Confucius, Beijing

Taken in the Beijing Temple of Confucius in the summer of 2008

BOOK REVIEW: The Beats: A Very Short Introduction by David Sterritt

The Beats: A Very Short IntroductionThe Beats: A Very Short Introduction by David Sterritt
My rating: 5 of 5 stars

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This is the most fascinating book I’ve read in the VSI (Very Short Introductions) series, and I read a lot of these books as a means to mainline the gist of various academic subjects. I should point out that the subject matter is more colorful than the average scholarly topic. The Beats were a 1950’s American countercultural literary movement that some may confuse with the hippies of the 60’s, but which was different in many ways. As is emphasized in the book, the Beats were more about revolutions from within than they were about upending society. In that sense, they might have more in common with the Transcendentalists (i.e. Emerson, Thoreau, etc.) than the hippies. That said, some Beats did flow pretty smoothly from one movement to the next, and were both interested in revolution from within and without – most notably, Allen Ginsberg.

The first thing that one finds compelling is the biographical sketches of key Beat figures (i.e. chapters 3 and 4 on Beat novelists and poets, respectively.) A disturbing number of Beats lived tragically short lives, owing to drugs, alcohol (e.g. Kerouac,) and sometimes just being around a violent contrarian. Even the Beats who lived long lives had their share of outlandishness, such as William Burroughs killing his wife, Joan Vollmer, in an ill-fate William Tell imitation. (Those who know Burroughs from later in his career may wonder why he even had a wife, being gay and all. That’s just one of the ways that hidden, latent, and repressed homosexuality plays out as tragedy in the Beat story of the socially conservative 1950’s.)

The second thing I found absorbing was the discussion of how these writers and poets made art. Like the aforementioned Transcendentalists, the Beats drew heavily on Eastern philosophies and psychologies – most notably Buddhism, and Zen, in particular. Beat authors not only looked to the East for subject matter and aesthetics, but also to help them achieve the spontaneity and nowness associated with Zen. However, this wasn’t wholesale conversion to Buddhism, it remained a uniquely American strain, and also sought to draw inspiration from that most American of arts, Jazz.

If you’re interested in the Beats or their approach to writing, I’d highly recommend reading this book.


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BOOK REVIEW: The Transcendentalist by Ralph Waldo Emerson

The TranscendentalistThe Transcendentalist by Ralph Waldo Emerson
My rating: 5 of 5 stars

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Free Online: Emersoncentral.com

In this short essay (about ten pages,) Emerson lays out an argument for Idealism over Materialism, and then contends that it’s reasonable to excuse oneself from the economic and civic aspects of society in favor of a simple life of introspection. [e.g. As Thoreau did in his years at Walden Pond.]

Emerson opens by suggesting that Transcendentalism is just Idealism by a different name. Idealism being a philosophical stance which puts consciousness at the fore while proposing that there is something beyond [that transcends] our experience of sensory information. The arguments put forth in favor of Idealism include the fact that sensory illusions exist and the Kantian critique of Locke’s view that there’s no more to the intellect than that which is or was sensory experience; Kant argues that there’s intuition. Kant’s influence is considerable, and Emerson explains that even the term “Transcendentalism” is derived from Kant’s use of the term “transcendental.”

The latter part of the essay echoes Emerson’s masterwork, the essay “Self-Reliance.” It proposes that it’s perfectly laudable to take advantage of the greatest gift one has, one’s consciousness, to introspect and indulge one’s need to better understand.

I may have mixed views on Emerson’s ideas, but one can’t say he doesn’t use language and reason and passion to make compelling claims. I found this brief essay to be both thought-provoking and inspirational, and I’d highly recommend it.


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BOOK REVIEW: Ancient Philosophy: A Very Short Introduction by Julia Annas

Ancient Philosophy: A Very Short IntroductionAncient Philosophy: A Very Short Introduction by Julia Annas
My rating: 4 of 5 stars

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Annas’s task of creating a concise guide for such a broad topic is a daunting one. For perspective, I’ve read books in this series [AVSI] on Stoicism, Epicureanism, and Socrates – each of which is a slim subset of the material called “Ancient Philosophy.” Furthermore, it’s not as though there was great homogeneity of ideas among the ancients. And, adding to the challenge, the author attempts to address the full scope of ancient philosophy: i.e. ethics, epistemology, logic, and metaphysics.

The book is forced to both restrict itself to an inch deep (because the subject is a mile wide,) but also to make choices about what schools, philosophers, and sub-topics it will address. History did part of the work – e.g. for many ancients, only fragmentary or secondhand evidence of their positions survived. So, we see a lot about Plato and Aristotle because their words remain. The book also devotes a disproportionate emphasis to what some call “philosophy of life,” i.e. ethics and how / whether to pursue a happy and meaningful life – i.e. how to live. This emphasis is both because that’s what many ancients focused upon, but also because it’s what people find relevant when looking back to them. [As opposed to ancient metaphysics, which science has largely made obsolete, ancient ethics and thoughts on happiness aren’t necessarily outmoded.] The first chapter sets up this focus on philosophy of life in an interesting way by discussing humanity’s mixed motivational system — reason v. emotion.

One question that the book robustly considers is the degree to which ancient philosophy is still relevant. This is taken up most directly in chapter two, but the final chapter (on what constitutes ancient philosophy) also has germane things to say on the subject.

I found in this book a quick guide to comparing schools of the ancient world across the breadth of philosophy, and would recommend the volume – particularly as a starting point prior to delving deeper into sub-topics.


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BOOK REVIEW: Miracles: A Very Short Introduction by Yujin Nagasawa

Miracles: A Very Short IntroductionMiracles: A Very Short Introduction by Yujin Nagasawa
My rating: 5 of 5 stars

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This concise guide to miracles is built around the intriguing observation that, according to polls, a majority of people believe in miracles, and yet we don’t witness supernatural events [at least not ones that can be confirmed by objective investigation.] There are coincidences (boosted in salience by selection bias and / or a lack of intuitive grasp of probability,) there are patterns that our minds turn into significant images (e.g. the Madonna on a taco shell,) and there are cases of spontaneous remission in which a serious medical condition disappears where treatments haven’t worked or weren’t tried (experienced by the devoutly religious, the marginally religious, the agnostic, and the atheistic, alike.) But those events can be explained more simply without resorting to the supernatural (i.e. probability, the human brain’s great skill at pattern recognition [re: which is so good that it often becomes pattern creation,] and the fact that under the right circumstances the human body’s immune system does a bang-up job of self-repair.)

The five chapters of this book are built around five questions. First, what are miracles – i.e. what criteria should be used, and what events that people call miracles fail to meet these criteria? Second, what are the categories of miracles seen among the various religious traditions [note: the book uses examples from both Eastern and Western religions, though generally sticks to the major world religions?] Third, how can one explain the fact that so many believe despite a lack of evidence? This chapter presents hypotheses suggesting we’re neurologically wired to believe. Fourth, is it rational to believe? Here, philosophers’ arguments (most notably and extensively, that of Hume) are discussed and critiqued. The last chapter asks whether non-supernatural events can (or should) be regarded as miraculous, specifically acts of altruism in which someone sacrificed their life for strangers.

I found this book to be incredibly thought-provoking, and it changed my way of thinking about the subject. I’d highly recommend it.


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