BOOK REVIEW: The Beats: A Very Short Introduction by David Sterritt

The Beats: A Very Short IntroductionThe Beats: A Very Short Introduction by David Sterritt
My rating: 5 of 5 stars

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This is the most fascinating book I’ve read in the VSI (Very Short Introductions) series, and I read a lot of these books as a means to mainline the gist of various academic subjects. I should point out that the subject matter is more colorful than the average scholarly topic. The Beats were a 1950’s American countercultural literary movement that some may confuse with the hippies of the 60’s, but which was different in many ways. As is emphasized in the book, the Beats were more about revolutions from within than they were about upending society. In that sense, they might have more in common with the Transcendentalists (i.e. Emerson, Thoreau, etc.) than the hippies. That said, some Beats did flow pretty smoothly from one movement to the next, and were both interested in revolution from within and without – most notably, Allen Ginsberg.

The first thing that one finds compelling is the biographical sketches of key Beat figures (i.e. chapters 3 and 4 on Beat novelists and poets, respectively.) A disturbing number of Beats lived tragically short lives, owing to drugs, alcohol (e.g. Kerouac,) and sometimes just being around a violent contrarian. Even the Beats who lived long lives had their share of outlandishness, such as William Burroughs killing his wife, Joan Vollmer, in an ill-fate William Tell imitation. (Those who know Burroughs from later in his career may wonder why he even had a wife, being gay and all. That’s just one of the ways that hidden, latent, and repressed homosexuality plays out as tragedy in the Beat story of the socially conservative 1950’s.)

The second thing I found absorbing was the discussion of how these writers and poets made art. Like the aforementioned Transcendentalists, the Beats drew heavily on Eastern philosophies and psychologies – most notably Buddhism, and Zen, in particular. Beat authors not only looked to the East for subject matter and aesthetics, but also to help them achieve the spontaneity and nowness associated with Zen. However, this wasn’t wholesale conversion to Buddhism, it remained a uniquely American strain, and also sought to draw inspiration from that most American of arts, Jazz.

If you’re interested in the Beats or their approach to writing, I’d highly recommend reading this book.


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BOOK REVIEW: The Harvard Psychedelic Club by Don Lattin

The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for AmericaThe Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America by Don Lattin
My rating: 4 of 5 stars

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The title and subtitle say it all when it comes to Lattin’s controversial thesis that four individuals who were at (or — in Smith’s case — “near / working with”) Harvard University single-handedly (octa-handedly?) gave birth to the sixties’ counterculture through their research and advocacy of hallucinogenic substances (first psilocybin and later LSD.) Before I obtained a copy, I was perusing the reviews, and one overarching criticism stuck out amid a sea of generally complimentary comments. Having now read the book, I’d have to agree with both that criticism and much of the praise.

The criticism is that Lattin arbitrarily lumps four individuals together and emphasizes their connection to the prestigious Harvard University in order to support a [sub-titular] claim whose reach exceeds its grasp. Now, some critics may be defending their alma mater. No matter one’s perspective, Harvard gets a black eye from the story of Timothy Leary and Richard Alpert (a.k.a. Ram Dass.) For some people, that black eye results from the fact that the pair of psychologists were able to carry out such wild and woolly experimentation in the first place. For others, it results from the fact that the university ultimately fired the two and ended research into the benefits and hazards of hallucinogenic substances [and how to tap the former without succumbing to the latter] — a line of research just starting to show results. (To be fair, the CIA’s shenanigans with hallucinogen experimentation [i.e. MK ULTRA] likely did more to kill this line of research than did the firing of Leary and Alpert.)

As one can see, tying the stories of Leary and Alpert together is reasonable. They were faculty members who worked together, were ultimately fired together, and for a while after said firing they continued to work together to advance their agenda outside the constraining halls of academia. Smith and Weil have roles in this story, but presenting them as though they were working shoulder-to-shoulder to advance psychedelic substance use is a bit of a stretch. While Weil’s work eventually suggested that marijuana wasn’t particularly harmful and could be beneficial, as his story intersects with the Leary / Alpert story his role was adversarial. As an undergraduate and writer for the school newspaper, Weil was the one who broke the story that Leary and Alpert were giving at least some undergraduates hallucinogenic substances (a big no-no as per their agreement with Harvard.)

Huston Smith’s story is yet more tenuously connected. While he was on faculty at MIT, he worked with Leary and Alpert on a study with divinity students to determine how psychedelically-induced mystical experiences compared to ones that weren’t influenced by mind-altering substances. While Leary followed his own advice to “drop out,” becoming a counterculture / hippie bad boy, and Alpert went on to pursue the mystical life of a spiritual seeker under the alter-ego of Ram Dass, Smith had a long career as a mainstream academic – retiring as Professor Emeritus from Syracuse University. Weil had some karma pains early in his career, being marginalized by his colleagues for his work with controlled substances as Leary and Alpert once had been, but ultimately he became a health food / holistic medicine celebrity and co-director of the Center for Integrative Medicine at the University of Arizona.

While I agree that Lattin overstates his case on the book’s cover, once one delves into its pages, I think he does some intriguing and honest reporting of the stories of these four men. It’s certainly a story with a lot of tension. There’s the strained relationship that ultimately develops between the polar-opposite partners of Leary and Alpert. The two psychologists’ differences were complements in some ways, but the partnership was ultimately doomed. Of course, both of the above men had a problem with Weil, and the latter’s attempts to reconcile with them is integral to the post-Sixties part of the book. As suggested above, Smith’s is a side story that exists outside this drama, and only really has the one point of intersection.

This book kept me reading. Timothy Leary and Ram Dass were only vague pop-culture references to me, and I knew nothing of Weil or Smith before reading, but the overarching story (as well as the individual ones) is a fascinating one. While these four men may not have birthed the Sixties into being, they did have interesting stories while living through an interesting time. I’d recommend this book if you want to learn about the early civilian (i.e. transparent) research into hallucinogens (note: there is only a small reference to the parallel, secretive, government-sponsored work on LSD, and this isn’t the book to learn about that subject.) It’s also a good book to get a view of how the sixties unfolded, and the states of mind that led to it. As I said, these four men weren’t particularly integral to the Sixties being what it was. Aldous Huxley’s essays were out there; the Vietnam War, political mistrust, and other ingredients of the counter-cultural tide were all present. But, while the Sixties might have transpired without a glitch if none of these men had ever been born, they did have front row seats to what was going on, and one sees in their actions (drug use, spirituality, radicalism, etc.) the era in miniature.

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