“Balls” by Amy Lowell [w/ Audio]

Throw the blue ball above the little twigs of the tree-tops,
And cast the yellow ball straight at the buzzing stars.

All our life is a flinging of colored balls
to impossible distances.
And in the end what have we?
A tired arm -- a tip-tilted nose.

Ah! Well! Give me the purple one.
Wouldn't it be a fine thing if I could make it stick
On top of the Methodist steeple?

Wen Fu 3 [文赋三]: “The Writing Process” by Lu Ji [陆机] [w/ Audio]

After choosing one's scope of thought,
Turn the words and note their order.
Embrace the hot ones, feel their burn;
Knock on lines and hear their timbre.
Use the branches to shake the leaves,
And waves can be traced to their source.
Make the hidden come visible;
Make the difficult seem simple.
A tiger's transformation startles --
Birds take flight on sight of dragons.
Sometimes words nest into each other;
Sometimes, jaggedly, they won't mesh.
With a clear, contemplative mind
Hordes filter through to easy speech.
Heaven and Earth contained within:
All things flow from the brush with ease.
Starting timidly with dry mouth,
Ending with a wandering brush.
Meaning is borne by a stout trunk,
Language hangs like leaf and fruit.
Make words and intended meaning match
As moods show clearly on a face.
When happiness comes, laugh & smile,
And with sorrow let loose a sigh.
At times words flow spontaneously;
At times one bites one's brush, musing.

The Original in Simplified Chinese:

然后选义按部,考辞就班。
抱暑者咸叩, 怀响者毕弹。
或因枝以振叶,或沿波而讨源。
或本隐以之显,或求易而得难。
或虎变而兽扰,或龙见而鸟澜。
或妥帖而易施,或岨峿而不安。
罄澄心以凝思,眇众虑而为言。
笼天地于形内,挫万物于笔端。
始踯躅于燥吻,终流离失所于濡翰。
理扶质以立干,文垂条而结繁。
信情貌之不差,故每变而在颜。
思涉乐其必笑,方言哀而已叹。
或操觚以率尔,或含毫而邈然。

“Spring Thoughts” by Li Bai [w/ Audio]

Yan grass shimmers like silken jade.
Qin mulberry trees' green leaves droop.
Your homecoming is now at hand
As heartbreak has me thin and stooped.
Spring Winds and I are strangers --
Why, past my curtains, the inward swoop?

Chinese Title: 春思; Original poem in Simplified Chinese:

燕草如碧丝, 秦桑低绿枝;
当君怀归日, 是妾断肠时。
春风不相识, 何事入罗帏?

Note: this is poem #7 in “300 Tang Poems” [唐诗三百首]

“Nurse’s Song” by William Blake [w/ Audio]

When the voices of the children are heard on the green
And whisp'rings are in the dale,
The days of my youth rise fresh in my mind,
My face turns green and pale.

Then come home, my children, the sun is gone down,
And the dews of night arise;
Your spring & your day are wasted in play,
And your winter and night in disguise.

“Fame is a fickle food” (1702) by Emily Dickinson [w/ Audio]

Fame is a fickle food
Upon a shifting plate
Whose table once a
Guest but not
The second time is set
Whose crumbs the crows inspect
And with ironic caw
Flap past it to the
Farmer's corn
Men eat of it and die

“Time to Rise” by Robert Louis Stevenson [w/ Audio]

A birdie with a yellow bill
Hopped upon the window sill,
Cocked his shining eye and said:
"Ain't you 'shamed, you sleepy-head?"

“Night Travels” by Du Fu [w/ Audio]

Slender grass waves in a light breeze;
Tall-masted boat rocks in the night.
Stars hang low, over the vast plain;
The river moon struggles for height.
I'll never gain fame by the brush --
Too old for civil service posts...
Wading, wading, what am I like?
A sandpiper on the mud coast!

The original in Chinese (Title: 旅夜書懷):

細草微風岸, 
危檣獨夜舟。
星垂平野闊,
月湧大江流。
名豈文章著,
官應老病休。
飄飄何所似,
天地一沙鷗。

This is Poem 113 of “Three Hundred Tang Poems,” i.e. 唐诗三百首

BOOKS: “Soseki Natsume’s Collected Haiku” trans. by Erik Lofgren

Soseki Natsume's Collected Haiku: 1,000 Verses from Japan's Most Popular Writer (Bilingual English & Japanese Texts with Free Online Audio Readings of Each Poem)Soseki Natsume’s Collected Haiku: 1,000 Verses from Japan’s Most Popular Writer by Natsume Sōseki
My rating: 5 of 5 stars

Publisher Site — Tuttle

Natsume Soseki is widely considered one of 2oth century Japan’s greatest writers. While he is best known for his novels, such as Kokoro and I Am a Cat, Soseki wrote broadly, including the one-thousand haiku collected in this volume.

The collection, as is common among haiku volumes, is organized seasonally. Season words being a common feature of classical haiku. That said, these poems are not all classical haiku (though most are.) With respect to form, they are all haiku, but – with respect to content – some are senryū (a style that is the same as haiku in form, but uses more humor and humanistic elements and is less strictly natural and imagist) and others are more idiosyncratic experiments.

One excellent feature of this collection is that it includes both the Japanese characters and Romanized phoneticizations for each poem. This is great for readers who know some level of Japanese, but having the pronunciations allows readers to take in the sound quality of the original — even if they don’t read Japanese.

The translations are optimized for readability by English readers. By this I mean that the translator, Erik Lofgren, doesn’t pare the lines down to maximize sparseness of sound. There are different strategies for translation, and I think Lofgren’s approach is best for a general readership because the translations don’t draw attention to themselves by reading in a fashion that is clunky or tone deaf in English. That said, I suspect some readers would prefer translations more stripped of articles, conjunctions, and other function words.

If you enjoy haiku and modern Japanese literature, I’d highly recommend this book.

View all my reviews

“Break, Break, Break” by Alfred Tennyson [w/ Audio]

Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.

O, well for the fisherman's boy,
That he shouts with his sister at play!
O, well for the sailor lad,
That he sings in his boat on the bay!

And the stately ships go on
To their haven under the hill;
But O for the touch of a vanish'd hand,
And the sound of a voice that is still!

Break, break, break
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.

“Illusion” by Amy Lowell [w/ Audio]

   Walking beside the tree-peonies,
I saw a beetle
Whose wings were of black lacquer spotted with milk.
I would have caught it,
But it ran from me swiftly
And hid under the stone lotus
Which supports the Statue of Buddha.