Bohemian Manifesto: A Field Guide to Living on the Edge by Laren Stover
My rating: 5 of 5 stars

Amazon.in Page

The central premise of this book is that not only does the Bohemian artist live on, but she does so in five distinct varieties: the Beat, the Zen Bohemian, the Dandy, the Folkloric Bohemian, and the Nouveau Bohemian. While the title calls this book a “manifesto,” the term used in the subtitle, i.e. “field guide,” is far more apropos. Like a field guide to birds or mushrooms, it lays out
characteristics and distinctions, the characteristics of Bohemians, generally, and the five flavors thereof, more specifically, and it does so in a way that separates them from the other varieties of human.

One might be wondering, why are these varied categories classed as Bohemian, as it seems they are their own distinct class. One way to understand this is to consider the “Zen Bohemian,” who often bears little resemblance to the “Zen Buddhist” for which one might mistake him. The Zen Buddhist has both a strong connection to and a depth of knowledge of Zen Buddhism, but the Zen Bohemian often rather has a strong connection to a broad hodge-podge of Eastern philosophies and spiritual traditions that he may or may not properly understand the distinctions between.

This book is quite readable, and informative in an easy-going way, but it’s also perplexing. It’s informative in that it clarifies the characteristics of Bohemians across many criteria (e.g. food, clothing, tastes in literature, art, movies, and music, interest in boxing, etc.) It’s perplexing in that it starts with the premise that Bohemians are, at their core, free spirits who refuse to be hemmed in by convention, but then the bulk of the book is about the various tribe-signaling boxes that the Bohemian puts himself within to conform to the norms of the group. It seems that the authors are aware of this and actually produce humor through oddly specific statements such as, “They [Bohemians] still adore Laurie Anderson even though their yuppie brother went to see her.” It feels like they are aware that, to the extent Bohemians are truly free spirits, any description the authors give will be wrong at some level of granularity, and so they lean into it with great (sometimes comedic) specificity.

I enjoyed reading this book and picked up a number of interesting references to other books and whatnot. (I’m currently reading Kliph Nesteroff’s “The Comedians” because of a reference to it in this book.) I did find bits on subjects like wardrobes and astrology to be a bit tedious, but just skimmed through them.

View all my reviews