BOOK REVIEW: Cognitive Neuroscience: A Very Short Introduction by Richard Passingham

Cognitive Neuroscience: A Very Short IntroductionCognitive Neuroscience: A Very Short Introduction by Richard Passingham
My rating: 4 of 5 stars

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This book provides a brief overview of cognitive neuroscience, a discipline that has really only been around for the past few decades, one that uses technologies allowing scientists to see what parts of the brain are active during a given mental activity. The reader learns what parts of the brain are involved in the various activities of being human from perception through action, and what can go wrong with these processes. While that sounds simple and straightforward, the immense complexity of the brain makes it anything but, and there is a lot of medical jargon and qualifying statements to explain how a given relationship between brain location and activity isn’t as simple or well understood as we are frequently led to believe. [Any plain and direct explanation of the brain workings is likely to be at best partial truth, and more likely outright deceptive.]

I found the organization of this book to be logical and conducive to learning about this complex and technical topic. The first chapter, “A Recent Field,” describes what cognitive neuroscience is and where it fits in among the various sciences that deal with mental activity including, psychology, psychiatry, etc. This gives one an idea of both how cognitive neuroscience can contribute to our understanding of mental activity, but also where its limitations lie and why it has not displaced all the other disciplines.

Chapters two through eight make up the core of the book and present an exploration of the various aspects of mental activity and what has been learned about them through studies in this field. The progression is logical and elementary: perception (Ch. 2,) attention (Ch. 3,) memory (Ch. 4,) reasoning (Ch. 5,) decision (Ch. 6,) confirmation / checking (Ch. 7,) and finally action (Ch. 8.) In each chapter practical questions are discussed, questions that will be of interest to readers whose goal is not vocabular expansion, in addition to the discussion of what brain region is involved with what activity. What kinds of questions? How amputees “feel” pain from the missing part of the body? Why humans suck at multitasking, and under what circumstances they can do better at it? How come people who have amnesia remember how to talk and engage in physical activities? Is there free will, and – if so – in what sense? Do we think in language? Etc.

The last chapter reflects upon the future of the discipline. Over the course of the book, the reader learns the limitations of what functional Magnetic Resonance Imaging (fMRI) and Positron Emission Tomography (PET) scans can tell one about what is happening with the brain, and in this chapter one is introduced to the next generation of technologies that may take our level of understanding to another level.

This book has an excellent feature that I don’t recall seeing in other AVSI books. (That is probably, in part, because many of them don’t need it like this one because their subject matter is more readily grasped.) Said feature is a text box at the beginning of the chapter that asks some relatively rudimentary and practical questions, and then – at the end of the chapter – those questions are answered in another box. I think the author recognized that there was a high degree of risk of losing readers if the entire book was, “and when you do decide how many minutes to microwave your Hot Pocket, the temporo-parietal junction works in conjunction with the …” [not an actual quote fragment] he would produce book of limited benefit. [i.e. it would be too technical for the neophyte reader who just wants some practical insight (the AVSI target demographic,) but not technical enough for students of brain anatomy.] These text boxes help keep the reader focused on what is being conveyed while not getting too caught up in arcane terminology.

Other ancillary matter includes graphics (photographs of technology and readouts and diagrams showing where brain areas are located,) references, and a further reading section.

I found this book to have some intriguing discussions on interesting topics. That said, those discussions are interlaced with some necessarily complicated and dense subject matter (that’s the nature of the discipline.) That said, I think the author recognized his challenge and the question boxes and answer boxes that bookended the core chapters were very useful in offering focus for a non-expert reader. It you want a bare-bones overview of cognitive neuroscience, it’s worth reading this slim volume.

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POEM: Ghosts in the Darkness

I have walked in deep, dark places,
and crawled through darker, still --
gas-lit slums long after the dusk,
where lamplight failed to spill.

So surprised by fleeting faces
that faded in and out --
like visions from the sleep-drift, they
never loiter about. 

They come, they see, and then they pass --
these alien observers.
They pass with just a fleeting glance,
like someone else's server.

They care not what you think you need,
or who you think you are.
You're just an automaton shopper
within the grand bazaar. 

DAILY PHOTO: White Flowers

Azalea; Taken in Stone Mountain, GA; Spring 2009
Magnolia; Stone Mountain; June 2009
Dogwood; Stone Mountain; Spring 2009

POEM: A World of Loathing

a cat abhors a vacuum
vacuums abhor tangled hair
tangled hair abhors a hairbrush
hairbrushes abhor Victorian Spanking Fetishists
Victorian Spanking Fetishists abhor Victorian prudism
prudism abhors immodesty
immodesty abhors modesty
modesty abhors whores
whores abhor cheapskates
cheapskates abhor expenses
expenses abhor ledgers
ledgers abhor ink pens
ink pens abhor writers
writers abhor synonyms
synonyms abhor antonyms
antonyms abhor continuums
and so on...

it's true that Eddie Rabbitt
loves a rainy night,
but who loves Eddie Rabbitt?

[the Coalition for 
Names with Double-Letters,
that's who!] 

Montreal Limerick

There was a hungry man from Montreal
who ate Poutine 'til he could only crawl
the snack in question
gave him indigestion,
and sealed his colon like a stonewall.

DAILY PHOTO: Evergreens & Mountains, Karakol NP

Taken in Karakol National Park in 2019

POEM: Hypnagogic Voices

I hear voices --
a cold burble of voices --

too dim and distant
to extract meaning,

too inexplicable not
to inject a rationale,

or a slate of reasons:
-madness
-conspiracy
-expectation
-the impulse 
toward void filling

minds despise quiet,
filling it with 
puzzling prattle,
and making any 
hash of sound
into cryptic natter,

until sleep descends

POEM: The Mind of Urban Cattle

What's a city
through the eyes
of a mid-city cow?

Growing up on a farm,
I can't say I ever questioned
how a cow perceived 
the pasture --
vast tracts of 
green, green grass
seemed like a natural habitat,
though I recognize 
that a philosophical cow 
might see nothing natural 
in its circumstance, either way.

What of the fast moving vehicles?
the horns?
the best grass fenced off?
the rush of humanity?
the bright, white lights?
the stink of human life?

Can they tune it all out
as well as they seem to?

Zen mind / cow mind?

I wonder?

DAILY PHOTO: Asiatic Building, Bangalore

Taken in September of 2013 in Bangalore (Bengaluru)

BOOK REVIEW: Henry VI, Part 1 by William Shakespeare

King Henry VI, Part 1King Henry VI, Part 1 by William Shakespeare
My rating: 5 of 5 stars

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Like some of the other histories, this one is not so much about the titular character (Henry VI) as it takes place during his reign, and, in this case, it’s the very beginning of young Henry VI’s rule. In fact, this play begins with Henry V’s funeral. Henry VI does play a role as the naïve, new ruler who has the childlike wisdom of one who can’t see why everybody is getting so upset about what seem like trifling matters (e.g. infighting) when more crucial problems are at hand (e.g. France in revolt.) This is best seen in the young King’s gentle rebuke of the aristocrats for the big deal they are making about the color of rose being worn – which includes Henry’s innocent wearing of a white rose to make a point. (The events leading up to the War of the Roses feature prominently in the story, i.e. the civil war between the House Plantagenet and the House York.)

All that being said, if one were to pick a protagonist for this play it would have to be the great military commander, Talbot (pitted against his French counterpart, Joan of Arc — referred to as Pucelle throughout the play.) Early in the play, Talbot is captured, and this throws the English into a panic because he’s considered the linchpin of their forces in France (and because England is in a fragile state with Henry VI being young and inexperienced.) Talbot’s release is negotiated (the French, perhaps, being dismissive of how crucial the English see Talbot as being.) This dismissiveness is later seen in an episode with the Countess of Auvergne. The Countess, surprised to find Talbot is not a giant – given his reputation, thinks she is about have him arrested. When asked how he obtained such an outsized reputation, Talbot calls for his men, who promptly make an overwhelming show of force, clarifying wherein his power lies and putting to rest the idea that her men can take him. Act IV sees the tragic end of Talbot and his son, who each try to get the other to leave a battlefield dominated by the French, but neither will do so and so they die together.

The reason the great Talbot gets outplayed is two-fold. First, Joan (Pucelle) convinces the Duke of Burgundy to change sides, which significantly changes the balance of forces. Second, the English infighting between Somerset and York plays out in Talbot being denied reinforcements. The tragedy of this being that Talbot is universally-beloved, and it’s through no fault of his own that he can’t get the backup he needs. He is lost due to the pissing contest of lesser men.

Act V shows us how a peace is brokered that hinges on an arranged marriage for the young Henry. This provides us a [kind of] story wrap-up, i.e. a moment of stability. However, it’s no surprise that there are more parts to come, because there is a tremendous amount of divisiveness yet to play out. There is the embryonic War of the Roses, and a related great deal of contention over the deal that was brokered to end the war in France. For one thing, at one point Henry was doubly betrothed, and there was dissention about which fiancé he should pursue. But even if there hadn’t been a second choice, there was still room for conflict over what was seen as a bad deal (no dowry to be paid from the Princess’s side and – in fact – the relinquishment of territories – a reverse dowry if you will.)

A lot of people consider this to be one of Shakespeare’s worst plays. (The insult is often not against Shakespeare as many also believe he only partially penned this play, as well as some of the other lesser-loved plays.) I must say, as Histories go, I found this one to be quite readable. (Of course, I didn’t despise “Titus Andronicus” either – though it is mega-bloody and perhaps not as nuanced a story as the later tragedies.) I think the Act IV tragedy and the political infighting made for some intense emotional resonance. In general, the histories are constrained by how interesting the events are rather than how creative the playwright can order them (though a number of the tragedies follow events – as they were known — fairly closely.)

Part of the complaint may have to do more with language than story, and from this perspective, I must say there are not a lot lines that leap out at one in the manner typical of Shakespeare.

At any rate, I wouldn’t necessarily dismiss this play based on its (relatively) diminished stature, lest one make the same mistake as the Countess.


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