“What lips my lips have kissed, and where, and why” by Edna St. Vincent Millay

What lips my lips have kissed, and where, and why
   I have forgotten, and what arms have lain
 Under my head till morning; but the rain
   Is full of ghosts tonight, that tap and sigh
 Upon the glass and listen for reply,
   And in my heart there stirs a quiet pain
 For unremembered lads that not again
   Will turn to me at midnight with a cry.

Thus in the winter stands the lonely tree,
   Nor knows what birds have vanished one by one,
 Yet knows its boughs more silent than before:
   I cannot say what loves have come and gone,
 I only know that summer sang in me
   A little while, that in me sings no more.

PROMPT: Should Know

What’s something you believe everyone should know.

At the risk of mixed metaphor and cliche: how to walk a mile in another person’s shoes while keeping in mind that no one is the villain of his or her own story.

Fish Drift [Free Verse]

With lazy mazy motion
  the fish slips through
   its watery world.

With no apparent purpose
  but to trace out a route
   through dreamland.

DAILY PHOTO: Scenes from the Sundarbans

The Second Coming by W. B. Yeats [w/ Audio]

Turning and turning in the widening gyre
   The falcon cannot hear the falconer;
 Things fall apart; the centre cannot hold;
   Mere anarchy is loosed upon the world,
 The blood-dimmed tide is loosed, and everywhere
   The ceremony of innocence is drowned;
 The best lack all conviction, while the worst
   Are full of passionate intensity.

Surely some revelation is at hand;
   Surely the Second Coming is at hand.
 The Second Coming! Hardly are those words out
   When a vast image out of Spiritus Mundi
 Troubles my sight: somewhere in sands of the desert
   A shape with lion body and the head of a man,
 A gaze blank and pitiless as the sun,
   Is moving its slow thighs, while all about it
 Reel shadows of the indignant desert birds.
   The darkness drops again; but now I know
 That twenty centuries of stony sleep
   Were vexed to nightmare by a rocking cradle,
 And what rough beast, its hour come round at last,
   Slouches toward Bethlehem to be born?

BOOKS: The Batman Who Laughs by Scott Snyder

The Batman Who LaughsThe Batman Who Laughs by Scott Snyder
My rating: 5 of 5 stars

Amazon.in Page

This volume plays on the spookiness of buffoonery that has made the Joker not only one the most well-known and effective villains of Batman’s rogues’ gallery but in all of comic books. However, while the Joker does play a role in this book, he’s not the villain. Instead, the book employs the popular comic book scenario of having the villain be a version of the hero, a version without moral compunctions or constraints. In this case, the central villain is a demented and mutated version of Batman with Jokeresque qualities, assisted by a Batman who is a bit more malevolent and vengeful, one who goes by the moniker Grim Knight.

How are there multiple versions of Batman? The multiverse, of course. That makes this a sci-fi heavy Batman story. If you like your Batman of the Matt Reeves / Robert Pattinson variety — i.e. in a plausible world, with fully human enemies, and with no freaky supernatural happenings, then this one may not be for you. That said, I don’t think the sci-fi elements detracted from the story, and they did allow for some compelling story elements. Snyder, wisely, avoids a problem that can readily plague sci-fi intense Batman stories, which is reference to (or cameos of) the god-tier DC heroes. (An occurrence that always begs the question, why wouldn’t Superman use his god-like powers to fix this debacle before heading to lunch.)

I enjoyed this story. I especially enjoyed that it wrapped up the narrative arc in a tidy package. It is often the case that comic book volumes end with a speedbump on the way to the next volume. This story felt like the central issue was resolved, while still leaving potential for future stories. I should point out that, with flashbacks and multiple Batmen, it does require one’s full attention while reading, lest one get lost between backstory and the present.

I’d highly recommend this volume for comic book readers.

View all my reviews

PROMPT: Kid at Heart

What does it mean to be a kid at heart?

The capacity to see humor in flatulence, even when it’s your own.

Oh, wait, maybe I’m thinking of a “kid at fart.”

Jack-O-Lantern [Free Verse]

Orange orbs
   cut with fearful faces:
 Burning brightly
   - daily & nightly -
 As menacing medicine
   for the cringe-impaired,
 The ones who 
   never get scared --
 unless a banal ball,
   blazing & brainless,
(and in a manner
   all but painless)
 replaced the head
  of their town's barber. 

DAILY PHOTO: Jack-O-Lanterns by Day & by Night

She Walks in Beauty by Lord Byron [w/ Audio]

She walks in beauty, like the night
   Of cloudless climes and starry skies,
 And all that's best of dark and bright
   Meets in her aspect and her eyes,
 Thus mellow'd to that tender light
   Which heaven to gaudy day denies.

One shade the more, one ray the less
   Had half impair'd the nameless grace
 Which waves in every raven tress
   Or softly lightens o'er her face,
 Where thoughts serenely sweet express
   How pure, how dear their dwelling-place.

And on that cheek and o'er that brow
   So soft, so calm, yet eloquent,
 The smiles that win, the tints that glow
   But tell of days in goodness spent,--
 A mind at peace with all below,
   A heart whose love is innocent.