Category Archives: Review

BOOK REVIEW: unMind: A Graphic Guide to Self-Realization by Siddharth Tripathi

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unMind: A Graphic Guide to Self-RealizationunMind: A Graphic Guide to Self-Realization by Siddharth Tripathi
My rating: 5 of 5 stars

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This clear and concise guide uses graphics and story to make the self-realization teachings of Sri Ramana Maharshi (and those influenced by him) approachable and even entertaining. Ramana Maharshi was a Jnana yogi who advocated a single-minded path of self-inquiry as a means of coming to grips with one’s life. This book does a spectacular job of conveying the method of self-realization and exploring the philosophical ideas that inform it.

For those unfamiliar with Jnana Yoga, there can be said to be three forms of yoga. Bhakti Yoga is the devotional form practiced by those who have an affinity for worship. Karma Yoga is associated with actions and a selfless works. This leaves Jnana Yoga, which is the studious branch of Yoga. Jnana yoga is widely considered to be the most difficult path because it requires constant self-investigation, and because one is working without a net in that one takes nothing on faith, but rather one must see for oneself. This makes Jnana Yoga the least appealing “flavor” of yoga, but if one is a scientifically-minded and studious person, it offers an option that one will find far preferable. While terms like “self-inquiry” and “self-realization” may sound pretty pie-in-the-sky, the approach is really quite grounded.

I found both the text explanations and the artwork to be incredibly effective in explaining the ideas behind self-inquiry and Jnana Yoga. The artwork combines comic strip style graphics with full-page stylized images. Not all the material features graphics, but the text-only pages are concise and easy to follow.

If you are looking for insight into Jnana Yoga, self-inquiry, self-realization, or just the way the mind works, generally, I’d highly recommend this book.


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BOOK REVIEW: Zen Art for Meditation by Stewart W. Holmes and Chimyo Horioka

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Zen Art for MeditationZen Art for Meditation by Stewart W. Holmes
My rating: 5 of 5 stars

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This is a clear and insightful exploration of what puts the Zen in Zen art. Zen Buddhism has long been associated with mind states conducive to peak performance in everything from tea making to swordsmanship. This book examines how Zen philosophy and mindset shows up in paintings and haiku poetry.

Fifteen tenets of Zen are presented, and for each of them two paintings (i.e. sumi-e) and several poems (i.e. haiku or tanka) are shown that have subject matter exemplifying the precept in question. The text points the way to understanding how the art is informed by Zen ideas.

I’ve read other books on the nexus between Zen and art, but this one became my favorite. It is concise, well-organized, and illuminating. There are a number of classes of people for whom I’d highly recommend this book. If you are studying Zen meditation (or peak mental performance more generally,) this book is for you. If you are a poet interested in Japanese forms, this book is for you. If you are an artist or a student of Chinese and Japanese painting styles, this book is for you. And, if you are interested in philosophy, be it Buddhist philosophy or aesthetics, this book is for you.


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BOOK REVIEW: A Simpler Life by The School of Life

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A Simpler LifeA Simpler Life by The School of Life
My rating: 3 of 5 stars

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Out: January 6, 2022 (May be later in your market)

This book is hard to rate because for the person who is entirely new to the subject, it will offer some interesting food for thought and point one in the direction of useful resources. However, if you’ve been giving the topic some thought and have read works like Kamo no Chōmei’s “The Ten Foot Square Hut,” you’re likely to find it a disappointing regurgitation of the thoughts of others mixed with banal truisms. So, I wouldn’t recommend it for someone who’s begun simplifying their lives, but for someone who needs an entry point that isn’t as intimidating as hardcore works such as that of Chōmei it might be of use.

My biggest problem with this book was that it seemed to suggest that because simplifying means more simplicity that all readers would be converging toward the same life. In other words, that there isn’t space for a diversity of approaches to simplicity. In one of the great ironies of the book, it advocates for reading less and having at most a dozen books on one’s shelf. The irony isn’t the suggestion of fewer books, but that in a world in which no one had more than a dozen books on their shelves, this book would not exist on any of them. And the kinds of books this book suggests are essentially self-help titles. [To be fair, I almost never read self-help books because they mostly (and certainly in this case) leave me feeling like I would having come from a fortuneteller – i.e. feeling lighter in the wallet, but no wiser in the mind.]

This isn’t a bad book, but I think most readers can do better.


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BOOK REVIEW: Zen in the Art of Writing by Ray Bradbury

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Zen in the Art of WritingZen in the Art of Writing by Ray Bradbury
My rating: 5 of 5 stars

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I rarely re-read books, but I’m glad that I revisited this one. I think I read it more smartly on the second go — more in a way that benefited from Bradbury’s style and message. The book’s nine essays, capped by a small collection of poems, convey lessons on writing, and – specifically – creativity in writing. Bradbury was among my favorite authors because he combined brilliant language with clever stories – i.e. he was creative on both levels. That’s a rarity. There are many excellent storytellers whose language lacks poetry or finesse. And, there are writers who are eloquent and evocative with language, but who either care little for, or have limited gift for, story.

While Bradbury claimed no expertise in Zen and doesn’t hide that he cribbed his title from a popular work by Eugen Herrigel entitled, “Zen in the Art of Archery,” it remains an appropriate title for the book and its eponymous final essay. Throughout the book, one can feel the Zen in Bradbury’s writing. He lets his words and analogies flow without becoming obsessively analytical about them – or at least appearing not to have been. Bradbury uses a lot of short, punchy sentences and a great many poetic applications of figurative language. He practices what he preaches as he both gives lessons and simultaneous demonstrations on how to write. His advice ranges from using single word writing prompts to shake one out of writer’s block, to the very Zen idea of avoiding thought – i.e. letting the words come from the subconscious. Lest one think that there is a conflict in a book on creativity that draws from another book’s title, there’s a recognition that creative writing is never wholly novel.

This book is well worth reading, not just for writers but for other artists and creative types as well. I highly recommend it.


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BOOK REVIEW: Why I Am a Hindu by Shashi Tharoor

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Why I am a HinduWhy I am a Hindu by Shashi Tharoor
My rating: 4 of 5 stars

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There are two core premises in this book. First, Hinduism is non-dogmatic and can be almost whatever a given believer needs it to be, and, therefore, the objectionable elements associated with it [e.g. casteism] aren’t the religion’s fault. Second, Hindu nationalism represents a break from Hinduism’s historical proclivity for acceptance, which (circling back to the first point) results from the fact that believers aren’t forced to accept particular beliefs, thus making it easier to accept that believers from other sects have different perspectives.

Overall, the book’s first part does a fine job of showing how Hinduism has historically been accepting, non-dogmatic, and pluralistic; and the second part neatly describes the many ways in which the Hindu nationalist movement has abandoned those same values – ironically moving away from Hinduism’s open and agreeable nature to adopt the parochial and fanatical ways that they’ve decried in others.

As common among those wishing to glorify religions as faultless, Tharoor does some whitewashing. He argues that casteism (as with other faults) isn’t the religion’s problem, but society’s. However, Tharoor doesn’t make a convincing argument that the caste system could stick devoid of religion’s authority, or even that there’s a clear distinction being made.

When I reviewed Kancha Ilaiah Shepherd’s Why I’m Not a Hindu, I mentioned that I was reading these two diametrically titled books to get a clearer picture of the religion. What I found was that they’re both anti-Hindu nationalist works, though coming from very different perspectives. I did learn a great deal from reading each of the books, though they largely talk past each other as opposed to offering the head-to-head one would expect, given the opposing titles.

I would definitely recommend reading this book, with the proviso that one be cautious for instances of embellishing or glossing over, which – it seemed to me – did take place.


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BOOK REVIEW: M.O.M.: Mother of Madness, Vol. 1 by Emilia Clarke & Marguerite Bennett

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M.O.M: Mother of Madness #1M.O.M: Mother of Madness #1 by Emilia Clarke
My rating: 4 of 5 stars

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Out: December 14, 2021

This graphic novel uses a story about a single mother who develops superpowers tuned to her emotional states as a means of exploring a wide range of social justice issues. On the positive side, the story has moments of humor and moments of poignancy, and it takes efforts to avoid being purely divisive in the way socio-politically themed works often are. On the other hand, the book becomes bogged down in preachiness at times, and would likely have been much more effective if it’d used story to convey ideas, trusting the audience to grasp the takeaway without hammering them with ham-fisted dialogue. To be fair, the book, using fourth wall breaks, sometimes acknowledges its own exposition dumps and other clumsy and clunky elements.

The artwork was clear, if sometimes a bit bizarre and quirky. (e.g. See cover)

Unfortunately, as I read the book what the story most reminded me of was the Halle Berry “Catwoman” movie, which no one [even, I suspect, Halle Berry] wants to be reminded of. One reason for this comparison was that both stories decry objectification and shaming while featuring only beautiful people, and they definitely [unconsciously, I suspect] perpetrated the “ugly equals evil” notion ubiquitous in storytelling.

It’s not a bad story and has its admirable qualities, but I think it could have been better if it were a bit more focused and less heavy-handed with the commentary. At times it seemed as if the author thought, “Oh, and I want to say something about this social travesty,” and then she inserted dialogue that seemed to have little to do with what was going on with the story at the moment. Or, perhaps, there was a list of disparate social issues that needed to be touched upon in the single volume.


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BOOK REVIEW: Ghachar Ghochar by Vivek Shanbhag (Trans. Srinath Perur)

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Ghachar GhocharGhachar Ghochar by Vivek Shanbhag
My rating: 5 of 5 stars

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This novella, translated from Kannada, shows the Indian family as both a gordian knot that can be the source of great strength through unity and as an unruly tangle that can neither be loosed nor made neat. It’s character-driven literary fiction that focuses on a young man in a family that becomes nouveau-riche. He is aimless and dependent upon the income of his family’s business, and that is fine and natural with him until his newly-wedded wife discovers he’s more man-child than the business executive his calling cards proclaim him to be.

I found the book to be both insightful and brilliantly crafted. As mentioned, it’s more about the family dynamic than a story, but it’s humorous, contemplative, and shows the psychology of family drama nicely.

I’d highly recommend this novella for readers of literary fiction.


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BOOK REVIEW: Expanding Consciousness by Mario Beauregard

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Expanding Reality: The Emergence of Postmaterialist ScienceExpanding Reality: The Emergence of Postmaterialist Science by Mario Beauregard
My rating: 3 of 5 stars

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Beauregard aims to persuade readers that the materialist view of consciousness is irredeemably irreconcilable with observed reality. In this objective, he fails. (He’s not alone. There are too many unknowns for the rational skeptic to take a firm stance on the nature of consciousness.) What Beauregard succeeds in doing is cataloguing research findings that could be interpreted as suggesting there is more to consciousness than materialists can account for.

Cleverly, Beauregard begins with the most compelling evidence and concludes with the most audacious, controversial, and unvalidated findings. That most compelling evidence is the role of mental attitude and beliefs upon health outcomes. It’s firmly established that mind state has a huge impact on health and health outcomes. From the placebo effect to a health outcome premium to those who pray (and believe there is a god that takes requests,) thought matters. Unfortunately for Beauregard, it’s a huge leap to say this means there is some sort of spirit force that acts on the material world. If one begins from the realization that the human body (and those of other animals) is really good at self-repair within certain limits and given certain conditions (and that among those conditions is the ability to dampen the stress response and trip the rest & digest mode,) then one needn’t call on anything supernormal / supernatural to explain the influence of thoughts on healing.

I don’t have the time or inclination to systematically go through the strengths and weaknesses of all the arguments, but the one I mentioned stands as an example of what is good and bad about the book. On the positive side, I think Beauregard accurately reports on some interesting findings, but then he uses them to bootstrap the position that materialism can’t work ineffectively. I found myself thinking “that does not follow” a great deal. Either there wasn’t enough known to draw a conclusion, or – as in the case of healing – there are competing hypotheses that work as well but without the need to appeal to anything so complicated or unproven as a web of consciousness.

Beyond healing, the book goes through findings that suggest the possibilities of extrasensory perception, telekinesis, and an afterlife for consciousness (e.g. near death experiences [NDE.]) In some cases, this evidence is strong but quite limited (usually limited both in the degree of effect and in understanding of what causes said effect,) but in a few cases the evidence is anecdotal and / or completely unvalidated. The same variation exists when Beauregard takes on competing hypotheses. In a few cases, I found myself thinking his refutations had compelling elements or bases, but in other cases the refutations seemed to be – at best – big stretches. [I expected an extensive refutation of the finding that OBEs (out-of-body-experiences, a common feature in NDEs) have been found to be triggerable at will using physical processes (electrical stimulation) to material (brain tissue,) but did not get it. To my mind, this finding is a challenging – though not damning – counter to postmaterialist arguments.]

If you’re interested in a cataloging of findings that suggest the possibility that there is more to consciousness than materialists propose, this is a fine book to check out. However, don’t expect a persuasive holy grail of persuasion, but rather a mixed bag that ultimately shows no more than the fact that there is a massive amount that we don’t know about how consciousness works.


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BOOK REVIEW: The Three-Cornered World by Natsume Sōseki

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The Three-Cornered WorldThe Three-Cornered World by Natsume Sōseki
My rating: 5 of 5 stars

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This novel was originally entitled Kusamakura or “Grass Pillow,” and it’s the Alan Turney translation that bears the title The Three-Cornered World. Turney drew from a concept that Natsume presents in the book – i.e. that an artist lives in the triangle created by the collapse of a corner called common sense. It’s a poetic and philosophical novel that is very much character-centric. In other words, if you must have an intriguing story, this book is not so much for you. However, if you find ideas and clever use of language appealing, you’ll love it.

The premise is that an artist takes retreat in the mountain countryside, and becomes infatuated with a local woman with a storied past. As the book tells us of the artist’s experience, it discusses aesthetics, the philosophy of art, and the place of emotion in artistic experience. This book is often compared to Bashō’s travelogue (i.e. Narrow Road to the Deep North) as it involves a great deal of elegant imagery and the occasional interspersed poem.

While the book is light on story, I was wowed by the author’s thought process and his use of language. While I’ve never read the original in Japanese, Turney’s translation is beautiful writing in its own right and I suspect it captures the sparse beauty for which Natsume’s work is famed. It is definitely worth reading.

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BOOK REVIEW: Murder on the Orient Express by Agatha Christie

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Murder on the Orient Express (Hercule Poirot, #10)Murder on the Orient Express by Agatha Christie
My rating: 5 of 5 stars

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This is one of Agatha Christie’s most popular and beloved murder mysteries, in large part because of the atmospherics and premise of the book. It’s not just that the murder takes place on a long-distance luxury train, an exotic and exciting setting to be sure, but that said train is stopped indefinitely by a build up of snow on the tracks in the mountains. What this does is to cut the detective, Hercule Poirot [who just happens to have ended up on the train,] off from the usual resources he would have at hand to solve a case – e.g. forensic science, law enforcement officers, etc. (Though forensic science wasn’t so advanced during the early twentieth century when the story takes place.) This requires Poirot to solve the case with only his wits, encyclopedic knowledge of crimes, and skepticism to piece together a solution to this locked-door mystery.

This was the first Agatha Christie novel I’ve read, and I felt it was a fine entry point into her work. While Poirot – like Sherlock Holmes – is a recurring character that features in a number of short stories and novels, this is a completely standalone story that requires no knowledge from the nine Poirot books that precede it. Poirot has other aspects in common with Sherlock Holmes, but is also quite distinct. Both detectives know pretty much everything there is to know about investigating crimes, but Poirot is much more personable and suave. This makes the Frenchman a more likable but less interesting detective than Holmes – i.e. Poirot is unflawed but correspondingly less believably brilliant.

I enjoyed this story. It does a spectacular job of building intrigue, and that is no doubt largely responsible for the book’s great success.


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