clouds drift upon
mirror clear waters;
dead tree stillness.
Dead Tree Stillness [Haiku]
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Category Archives: Poetry
“My Life had stood — a Loaded Gun” (764) by Emily Dickinson [w/ Audio]
My Life had stood - a Loaded Gun -
In Corners - till a Day
The Owner passed - identified -
And carried Me away -
And now We roam in Sovreign Woods -
And now We hunt the Doe -
And every time I speak for Him
The Mountains straight reply -
And do I smile, such cordial light
Opon the Valley glow -
It is as a Vesuvian face
Had let it's pleasure through -
And when at Night - Our good Day done -
I guard My Master's Head -
'Tis better than the Elder Duck's
Deep Pillow - to have shared -
To foe of His - I'm deadly foe -
None stir the second time -
On whom I lay a Yellow Eye -
Or an emphatic Thumb -
Though I than He - may longer live
He longer must - than I -
For I have but the power to kill,
Without - the power to die -
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Blue & Yellow [Haiku]
spring gentians
twirl amid buttercups
on a green hilltop.
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Spring Snow [Haiku]
"snow? in mid-Spring!"
its stay is short, but is felt
in the porter's bones.
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BOOKS: “A Dome of Many-Coloured Glass” by Amy Lowell
A Dome Of Many Colored Glass by Amy LowellMy rating: 5 of 5 stars
Project Gutenberg Page
This was Lowell’s first published collection (1912,) and my 5-stars notwithstanding, it is not everyone’s cup of tea. I think I understand why this is. If you read some of Lowell’s more popular and highly anthologized poems, you might find that this collection is unlike them in several ways. Many of those popular poems are highly imagist, emulate East Asian sparseness, and are free verse. These poems are by and large metered and rhymed verse and I would not be the first to say that they often feel conventional and pedestrian. As I was reading the final section, “Verses for Children,” I figured out what other key feature of Lowell’s poetry was largely missing from the lyric poetry and sonnets that preceded these Children’s poems — playfulness. [Fortunately, it’s on display in the kid’s poems.]
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With all that said, there are some spectacularly evocative images presented within these poems. I particularly enjoyed poems like: “New York at Night” and “A Japanese Wood-Carving.” As I don’t have the aversion to metered verse that many poetry readers seem to have today, I wasn’t as dismayed by the collection as some readers seem to be. Though I will admit that the collection doesn’t just play it safe with form, it also infects the tone and content of the poems.
Still, I found the collection readable and pleasant reading. (But maybe this is because I like a good scavenger hunt for golden nuggets of beautiful verse.)
View all my reviews
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“Excelsior” by Henry Wadsworth Longfellow [w/ Audio]
The shades of night were falling fast,
As though an Alpine village passed
A youth, who bore, 'mid snow and ice,
A banner with the strange device,
Excelsior!
His brow was sad; his eye beneath,
Flashed like a falchion from its sheath,
And like a silver clarion rung
The accents of that unknown tongue,
Excelsior!
In happy homes he saw the light
Of household fires gleam warm and bright;
Above, the spectral glaciers shone,
And from his lips escaped the groan,
Excelsior!
"Try not the Pass!" the old man said;
"Dark lowers the tempest overhead,
The roaring torrent is deep and wide!"
And loud that clarion voice replied,
Excelsior!
"Oh stay," the maiden said, "and rest
Thy weary head upon this breast!"
A tear stood in his bright blue eye,
But still he answered, with a sigh,
Excelsior!
"Beware the pine-tree's withered branch!
Beware the awful avalanche!"
This was the peasant's last Good-night,
A voice replied, far up the height,
Excelsior!
At break of day, as heavenward
The pious monks of Saint Bernard
Uttered the oft-repeated prayer,
A voice cried through the startled air,
Excelsior!
A traveller, by the faithful hound,
Half-buried in the snow was found,
Still grasping in his hand of ice
That banner with the strange device,
Excelsior!
There in the twilight cold and gray,
Lifeless, but beautiful, he lay,
And from the sky, serene and far,
A voice fell like a falling star,
Excelsior!
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“Broadminded” [Poetry Style #23 (旷达)] by Sikong Tu [w/ Audio]
One may live a century --
Short span though it may be:
Joys are bitterly brief
And sorrows are many.
You may take a wine jug
On your wisteria rounds:
See flowers grow to the eves
As sparse rains wet the grounds.
And when the wine is gone,
One strolls with cane and croons.
We become wizened with age;
South Mount, fair through countless moons.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry (二十四诗品.) It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the twenty-third of the twenty-four poems. This poem’s Chinese title is 旷达, which has been translated as: “Illumed” [Giles,] “Big-hearted and Expansive [Barnstone and Ping,] “Expansive,” and “Open-minded.”
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Rainy Autumn [Haiku]
the leaves are gone,
but the green of moss remains:
rainy autumn days.
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Young & Old [Kyōka]
roadside saplings
take Fall colors for a time,
before going bare;
the envy of humans:
at once young & old.
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“Stanzas for Music” by Lord Byron [w/ Audio]
There be none of Beauty's daughters
With a magic like thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charmed ocean's pausing,
The waves lie still and gleaming,
And the lull'd winds seem dreaming:
And the midnight moon is weaving
Her bright chain o'er the deep;
Whose breast is gently heaving,
As an infant's asleep;
So the spirit bows before thee,
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer's ocean.
Tiger Riding for Beginners 