The fog envelopes me.
I draw vivid pictures
on its white surface.
I don't know how I do it,
But I know why.
It's a craving:
To fill emptiness,
To disallow silence.
The fog's texture is
Subtle, but existent.
Should I not sketch my story
On that white surface,
But rather give it my attention
then I might see that texture,
and then see it clearly,
and - eventually - feel it
as I glide my hand
though space...
Blind and at ease.
Category Archives: Mindfulness
FIVE WISE LINES [October 2024]
If any thing is sacred the human body is sacred
walt whitman; Leaves of grass; “I sing the body electric”
Strong in their softness are the sprays of the wisteria creeper;
Saying of Master Jukyo as Translated by Trevor Leggett in Zen and the Ways
The pine in its hardness is broken by the weak snow.
When there is mutual ignorance, confidence indeed is king.
Trevor leggett; Zen and the Ways
Do not see the gate and think it is the house. The house is something which is reached by passing through and going beyond the gate.
YAgyu Munenori’s Art of War (As translated by trevor leggett in Zen and the ways)
Students of the Ways must see clearly that in an untrained man the intellect is like a barrister. It argues clearly and logically, but the aim is not truth, but to reach a predetermined conclusion.
Trevor Leggett; Zen and the Ways
BOOKS: “Zen and the Ways” by Trevor Leggett
Zen and the Ways by Trevor LeggettMy rating: 5 of 5 stars
Open Library Page
This book is the most densely populated with interesting insights that I’ve read in some time. It’s not new, being first published in 1978, but it takes a variety of approaches to give the reader a better understanding of Zen and the application of Zen mind to martial arts and other activities that found benefit in stillness and clarity. By “the Ways,” Leggett is referring to those arts and activities benefiting from Zen, which include: tea ceremony, flower arranging, painting, poetry writing, and all manner of martial arts. [Often represented by ending “do” in Japanese.] (The latter are dealt with most extensively, but not exclusively.)
The book is arranged in six parts, the first half of which focus mostly upon Zen Buddhism and, particularly, the Kamakura school that found a huge following among warriors and other artists. Those first three chapters take a big to small approach, examining Zen from ever finer levels of detail, starting with an introduction to Zen Buddhism broadly, moving on to the Kamakura developments, and then finally focusing on one particular practice — that of Koans (stories that present riddles which the student can only “solve” in a non-intellectual fashion.)
The second half of the book investigates the ways Zen has been applied to various arts. This is where one sees the varied approaches used to explore the confluence of Zen and artistry. Part Four consists of a series of essays explaining concepts such as ri (universal truth) and ji (formal technique,) ki (vital energy,) and isshin (single-heartedness) / zanshin (lingering awareness.) Part Five consists of historic martial arts scrolls and excerpts, including Yagyu Munenori’s Art of War and Chozan Shisai’s “Tengu’s Guide to the Martial Arts.” The final part consists of stories that illustrate crucial ideas in a readable and memorable fashion.
I was extremely pleased to stumble across a copy of this book in a second-hand bookshop. I’d long ago heard a fascinating story about murders in Edo era Japan of high-level martial artists, all killed in the same manner. They never found the killer, but they figured out how the murders were done easily enough. The killer exploited his knowledge of that school’s techniques to lay a fake that exploited their own technique to create an opening. It’s a cautionary tale that drilling muscle memory is not the end-all be-all of martial arts, and that it can create its own problems. At any rate, I’d never been able to find the source… until now. There is a detailed discussion of it in this book.
For readers interested in how state of mind influences artistic performance, I’d highly recommend this book.
View all my reviews
PROMPT: Attention
What details of your life could you pay more attention to?
When I chop carrots, I should chop carrots; when I walk in the park, I should walk in the park; when I poop, I should poop.
PROMPT: Negative Feelings
A practice of feeling gratitude is extremely beneficial in that regard. Simple meditative practices help one become aware of thoughts and feelings more quickly, before they are fed through rumination, making the down-spiral cycle easier to disrupt.
And, sometimes, I rant. This usually veers quickly into comedic territory and I’m reminded of the ridiculousness of taking human life too seriously, given the absurdity of being primates in pants who love shiny things. (It would be unimaginable if human life weren’t absurd.)
Stalking Tiger [Free Verse]
PROMPT: Clutter
Where can you reduce clutter in your life?
My mind. It’s a constant battle.
Zen Garden [Lyric Poem]
PROMPT: Future Past
Do you spend more time thinking about the future or the past? Why?
I spend the most time trying to figure out how to live mostly in the present. The past is dead and the future is unknowable, so I might as well settle into this moment.
PROMPT: Should Know
What’s something you believe everyone should know.
At the risk of mixed metaphor and cliche: how to walk a mile in another person’s shoes while keeping in mind that no one is the villain of his or her own story.




