No. It’s not that I’m insufficiently petty, but rather that I lack the requisite memory and passion for such things.
I once read about a psychopath who claimed that when he was wronged, he would hold onto it, bide his time, and get his nemesis with a commensurate reply at a later date — often years later when other person had completely forgotten about the matter. Quite frankly, I don’t know how he had the mental energy.
Author’s Book Site
This fascinating work of immersion journalism offers insight into the human memory at its best (and worst,) and throughout the book one follows the author’s experience in preparing for and competing in the American and World Memory Championships. A central theme of the book is how humanity’s attitudes toward (and approach to) memory have changed over time. The tactics that allow competitive mnemonists to perform astounding feats of memorization were well-known in the ancient world and Middle Ages but began becoming less practiced from the dawn of the printing press, becoming almost unheard of by the general population in this, the internet age. Questions such as whether education’s shunning of memorization is, indeed, a sound move are explored. (The mnemonists argue that memorization is done poorly by our educational system, but — if it was done correctly — it would offer tremendous value.)
I found this book to be quite compelling. Foer pulls no punches when presenting individuals who are (or appear to be) charlatans — though in a way that is fair and doesn’t deny things are not always straightforward. (Most of the mnemonists he talks to are clear that they do not have particularly good memories but rather are well-practiced in a set of techniques — e.g. the “memory palace” — that allow even mediocre memories to memorize stacks of cards, chains of random numbers, or even poems at lightening speeds.) Hence the author, with no such background, can learn the skills well enough to be competitive in the US national competition after practicing about a year.
The author speaks to semi-celebrities such as Kim Peek (whom Dustin Hoffman’s character in “Rain Man” is very loosely based upon,) and self-help guru Tony Buzan. But he also interviews a man who has no long-term memory (except from his childhood) and speaks to experts in optimal human performance.
I’d highly recommend this book. It is intensely readable. The stories are riveting and sometimes humorous and the throughline of Foer’s preparation and competition just add icing to the cake.
Publisher’s Website
This is one of the most useful books I’ve read in some time. Wyner proposes a method to learn a new language that both removes some of the drudgery while improving retention. Anticipating the skepticism that I would have myself at this point: no, it is not one of those books that makes ridiculous and unfounded claims such as that you can learn a language entirely in your sleep or that you can develop native fluency in seven days. Instead, Wyner’s method is based on sound scientific ideas.
So, what does this method consist of? A few of the key points are: first, one doesn’t skip straight to basic conversational phrases as many books and courses do, but rather places great emphasis on learning how to hear and say the sounds of the target language. This phase is often given short shrift, presumably assuming that this skill will be picked up automatically in the process, but Wyner’s argument is that not being able to hear what’s correct or not great slows progress in the long run. Second, memorization tasks use the “spaced repetition system” (SRS) method whereby you increase the time between exposure to new knowledge as you learn it until it is firmly entrenched in one’s mind. Third, one seeks to build a more visceral connection to the new vocabulary and phrases, and this makes learning more fun while improving retention. This is principally done by making flash cards that tell a story relevant to one’s personal experience (and / or which uses subject matter such as sex [which tends to produce more indelibility of memories.])
Beyond the method presented by the book, one is also presented with a great number of resources that can be helpful. Some of these resources are a part of the author’s own website, but many are external resources (from Anki [an app that allows one to build flashcards and study them on a SRS schedule] to courses of the State Department’s Foreign Service Institute.)
I’ve started to learn Mandarin and have begun employing a number of ideas from this book. I would highly recommend the book for anyone who is interested in learning another language, no matter what said language might be. (This is a book of “how to” learn, not “what to” learn.)
Which food, when you eat it, instantly transports you to childhood?
Probably Fair food would (as in County Fair.) Provided they haven’t all changed since I was a kid. (Having not been to a Fair since childhood, I wouldn’t know. Hence, its validity as an answer.) So, anything inappropriately breaded and deep-fried.
I’ve never run across home-cooking or home style cooking that was close enough to my mother’s to trigger nostalgia. (Though I guess tuna-mac recalls undergrad years lean on time and money, but with a youthful propensity to not worry over the waistline.)
Drunk, I'd keep a lamp lit to find my sword, The blare of horns sounded throughout the camp. Soldiers ate meat under waving banners; The military band played boisterous tunes. Autumn brought our troops to the battlefield.
Carried by a charger at full gallop, My bow thwipped, sending swift arrows flying. We restored Imperial lands, boldly, And won great fame for fighting gallantly, But fame grows thin and gray just like my hair.
Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you plann'd: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do no grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.
Twelve o'clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium.
Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, 'Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.'
The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap.
Half-past two, The street lamp said, 'Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.' So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child's eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him.
Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: 'Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.' The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.
The lamp said, 'Four o'clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair; Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.'