Category Archives: Magic

PROMPT: Magic Genie

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Daily writing prompt
You have three magic genie wishes, what are you asking for?
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For any wish number one, wish number two always has to be that one suffer no adverse consequences of the law of unintended consequences (i.e. like Midas who turns his food and even his daughter into solid gold.) Wish number three should be that the receipt of wish number one does not rob one of any experience that makes one a better version of oneself in the long-run (e.g. like the lottery winner who had been chugging along through life just fine and then ends up broke and suicidal because of both the additional pressures and the lack of need to be frugal and satisfied with simple things.)

Personally, I don’t know that it’s worth it. The bill always comes due.

But, if forced:

1.) To be contented with what is.

2.) Healthfulness all around.

3.) To die a good death (in due time.)

BOOK: “Tell My Horse” by Zora Neale Hurston

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Tell My Horse: Voodoo and Life in Haiti and JamaicaTell My Horse: Voodoo and Life in Haiti and Jamaica by Zora Neale Hurston
My rating: 5 of 5 stars

Author’s Book Site — Zora Neale Hurston Trust

This is a beautifully written and fascinating look at Jamaica, Haiti, Voodoo, Zombies, and the sinews that run between them. The first half of the book reads largely like a travelogue of, and introduction to, Jamaica and Haiti, respectively. In this half, Voodoo is only mentioned here and there as an aside. There is much more discussion of culture, race, and politics, notably the disheartening politics of Haiti. (I should point out for those unfamiliar with Harlem Renaissance figures, this book dates to the 1930’s — so current affairs are not addressed, but — unfortunately — Haiti has a long history of troubles.) The second half of the book delves much more intensely into Voodoo and the supernormal happenings broadly connected to it. Hurston’s exploration is neither as a tried-and-true believer, nor as a hardcore sceptic; rather she takes a more journalistic objectivity.

The language of this book is splendid, and Hurston produces many a quotable line. It is true that the subject matter, Voodoo, is extremely compelling, but this book is more than just a collection of tales of magic, superstition, and the weird. It also offers depth of insight into the cultures of these countries and their peoples. Hurston frequently mentions the differences between classes on the matter of Voodoo, the upper-class rejecting it as mere superstition and the lower classes often engaging with it as a way of life.

I’d highly recommend this book, not only for those interested in learning more about Caribbean Voodoo practices, but also for travelers with an intense curiosity about culture.

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PROMPT: Guaranteed

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What’s something you would attempt if you were guaranteed not to fail.

Cast a magic spell? Everything I know of in this world comes with no such guarantee — at least anything worth one’s time. It’d be better to spend one’s time learning to thrive under uncertainty.

BOOKS: “Magic: A Very Short Introduction” by Owen Davies

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Magic: A Very Short IntroductionMagic: A Very Short Introduction by Owen Davies
My rating: 5 of 5 stars

Publisher Site – OUP

The first thing that a potential reader should be aware of is that this book isn’t about stage magic or sleight of hand, and that form of magic — in which all parties are aware that techniques are being used to exploit perceptual limitations so as to create the illusion of a supernatural occurrence — doesn’t even really come up as an aside. This book is about magic that (at least some) people believe is a demonstration of actual supernatural happenings in the world.

The book looks at the topic largely from a historical viewpoint; though special emphasis is given to the relationship between religion and magic, in both its congruous and adversarial aspects. That said, for the most part, it’s not arranged historically but rather topically. It does have one chapter on historical perspectives (ch. 3) and one that addresses the ways and degrees to which magical thinking still exists in the modern world (ch. 6.) But it also has chapters on the anthropology of magic (ch.1,) the shifting landscape of thinking about what magic actually is (given that it’s clearly something to many people but isn’t likely the actual exploitation of loopholes in the laws governing the physical world that believers feel it to be — ch. 3,) the role of language in magic (ch. 4,) and the practices of magic (ch. 5.)

The book does focus heavily on the Abrahamic world (Judeo-Christian-Islamic) and its Janus-faced relation to magic over time, but not exclusively so. It brings in African, Chinese, Caribbean, and Native American traditions here and there as well.

I found this book interesting and thought-provoking and would highly recommend it for anyone looking to gain a better insight into how humanity has thought about magic over time and how those beliefs have aligned – or conflicted with – religious beliefs and practices.

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A Spell [Free Verse]

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Write me a spell:
   A tiny bit of magic --
      Nothing massive
       Or mind-blowing --
   Just a simple piece
      Of Magic.

Introduction to Spellcasting [Lyric Poem]

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We cast our spells by way of words --
 Each sound, sacred. Its magic blurred
 By mundane ways and untrained ears --
 Failure to feel one's way to tears.

So, we're lost upon silent seas
 Even when one could hear with ease:
 Because boundless is speech's spread,
 And boundless, still, within one's head.

Some seek their way to the magic
 By means that are truly tragic,
 When all they really need to do
 Is listen as it passes through.

A Feather in Flow [Free Verse]

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How do I roll like a
   feather in flow?

The one that can't be
   pulled from the pool.
 It slips around the 
   lifted hand,
 Retreating back into 
   the water that it never
     really left.

It's like sleight of hand
   one plays upon oneself:
     at once magician & mark.

The faster one snatches at it, 
   the greater the miss.
 The slower one moves,
   the more frustratingly
     one sees one's failure. 

How to roll like a feather in flow?

BOOK REVIEW: Here Is Real Magic by Nate Staniforth

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Here Is Real Magic: A Magician's Search for Wonder in the Modern WorldHere Is Real Magic: A Magician’s Search for Wonder in the Modern World by Nate Staniforth
My rating: 4 of 5 stars

Amazon page

 

When stage magician, Nate Staniforth, becomes disillusioned with traveling around America performing magic tricks on college campuses — and the distinct lack of wonder that it entails, he packs his bags and flies to India to explore the centuries old magic traditions of the subcontinent. Part memoir and part travelogue, the first part explores how Staniforth got into magic and his struggle to achieve everything he always wanted, i.e. the ability to make a living performing magic – a desire far more would-be magicians have than the market will support. However, he finds a disjoint between the feeling of wonder and surprise that made him love magic and what he witnesses in the audience night after night – which include a heaping mix of indifference, skepticism, hostility, and even the occasional pious fear that he is dabbling in dark arts.

In India, he finds a mix of some of the same but also some very different perspectives on magic. One the one hand, he learns that magic tricks aren’t just a good way to break the ice with strangers, but also a means to bridge cultural divides. Sleight of hand doesn’t require perfect communication to build bonds between people. As he travels from Kolkata to Varanasi to Rishikesh to Hardiwar to Delhi to Jodhpur, he shares magic tricks with young and old alike, as well as getting to witness some of India’s magic. The highlight of the trip is when he meets with a family of street magicians from Shadipur Depot slum in Delhi, and can at last exchange ideas and learn about their long lineage as illusionists.

However, Staniforth also finds many Indians who are hostile toward the practice of illusions and magic tricks. To understand this hostility, one must know that historically “godmen” who used illusion and sleight of hand to convince individuals of their divinity were more common than those who practiced it as entertainers. This resulted in a couple different types of hostile witness to magic in India. On the one hand, there is the scientifically-minded individual who is distraught by the image of India as a land of superstition and naively pious followers. (A war on superstition in India probably made it harder to research this book because doing street magic is largely prohibited because of the history of duping people for personal gain.) On the other hand, there are those who are ardent believers who dislike magicians who do magic tricks because it contributes to a general skepticism about their gurus — who such individuals believe can actually do magic. It should be said that variations of those two types of individual could be found almost anywhere, including his home nation of America. What is more uniquely Indian is the individual who fits into a third category of simultaneously believing both of the aforementioned criticisms. That is, said individual believes that any illusion someone like Staniforth performs can be scientifically explained and is merely a deceit against the gullible, but at the same time this person believes that there are spiritual masters who can do “real magic.”

The title, “Here Is Real Magic,” could be received in many ways. However, taking it literally, as though the author believes that there are those in India with supernatural powers, isn’t consistent with the book’s message. In one sense, the title is meant to be controversial, but Staniforth is also indicating that he rediscovered wonder in India — not through the supernatural, but through surrender to the experiences he had there.

As an American who has lived in India for many years now, I found this book to be fascinating in places. I believe that it’s useful both as a call to rediscover the wonder that we usually lose somewhere before adulthood, as well as a primer into the similarities and differences between the Indian and Western mindsets on magic in the modern world. I’d recommend this book, particularly for anyone who has interest in magic.

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BOOK REVIEW: Houdini: The Ultimate Spellbinderby Tom Lalicki

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Houdini: The Ultimate SpellbinderHoudini: The Ultimate Spellbinder by Tom Lalicki
My rating: 4 of 5 stars

Amazon page

 

This is a biographical sketch of the life—mostly the professional life–of Harry Houdini. I call it a sketch rather than a biography because it’s a short work (less than 100 pages) and it’s not the case that Erik Weisz (a.k.a. Ehrich Weiss, a.k.a. / stage-name: Harry Houdini) led a life too dull to merit full-length biography. There are several biographies available. I present this not as a criticism, but to make the reader aware that one will be reading the condensed version of Houdini’s story. If what you seek is a short and sweet description of the highlights of Houdini’s life, this is the book for you. If you are a huge fan and want to know as much as you possibly can including the intimate nitty-gritty, you might start with one of the full biographies and / or even the books written by Houdini [Full-disclosure: most of them were ghost-written as I understand it.]

Houdini was a fascinating person in many ways. Parallels have been drawn between Houdini and fictional heroes, notably Bruce Wayne / Batman. At first this seems like an inappropriate comparison because Houdini was a showman to the core—not one to hide his light under a bushel. However, what such comparisons get to is that Houdini was preternaturally fit for his time and his approach to illusions relied not only on his smarts but on his conditioning. He developed some tricks that other magicians couldn’t repeat even if they knew the trick in great detail. The average man just wasn’t physically capable of pulling them off. Today there are artists such as David Blaine who follow in Houdini’s footsteps, but Houdini blazed a trail in this regard.

There’s another way in which the Batman comparison may be more apropos than it first seems. While Houdini didn’t fight violent criminals like the Joker or Bane, he did take on the con artists—most notably mediums who preyed on grieving family members. Like most magicians today—notably Penn & Teller and James Randi—Houdini was adamant that his tricks were products of skill and involved no supernatural powers whatsoever. As I say, today magic is heavily populated by science nerds who love that magic is the exploitation of the limitations of our sensory and nervous system organs, and who reject the supernatural, but in Houdini’s day there were still many frauds and charlatans in the industry. (It should be noted that Houdini invariably discovered these medium’s tricks or the restrictions that he insisted upon to study the act were unacceptable and the mediums and they backed out, but when he put out a challenge that he could figure out any magic trick he was shown three times he was stumped. However, the magician who stumped him, Dai Vernon, made no claims of supernatural abilities. He was just a supremely skilled close-up magician and—to be fair—showed Houdini multiple versions of the same trick, making it virtually impossible for Houdini to pin down the trick. Note: this story isn’t in Lalicki’s book, but is something I read in another book, I think in “Fooling Houdini“.)

The book has quite a few graphics, notably photos and old posters. There is also a brief chronology and a biography at the book’s end.

I enjoyed this book. While it’s concise, it’s not colorless. It reads well. If you are looking to get a quick look at the life of this fascinating person, check it out.

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BOOK REVIEW: Fooling Houdini by Alex Stone

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Fooling Houdini: Magicians, Mentalists, Math Geeks, and the Hidden Powers of the MindFooling Houdini: Magicians, Mentalists, Math Geeks, and the Hidden Powers of the Mind by Alex Stone
My rating: 4 of 5 stars

Amazon page

 

This book operates on two levels. The first is the autobiography of a magician, telling a tale from being gonged off stage at the “Magic Olympics” through a rising obsession with the craft before rolling into his redemption. On a second level, it’s a history of magic in the modern age (although there are occasional forays into more ancient history.) The author tells of the magicians that inspired him, some of whom he learned from personally and some were from the preceding generation, such as Dai Vernon—the magician who actually fooled Houdini. However, the book’s title doesn’t come from Vernon’s feat with the Ambitious Card Trick, but is instead a more general statement about the challenge of tricking magicians—an accomplishment a great deal more prestigious than fooling a pod of eight year olds at little Timmy’s birthday party.

Stone was a science writer turned Physics graduate student, and so the science of magic and mentalism comes out frequently. However, this book is distinct from one such as “Sleights of Mind” by Macknik & Martinez-Conde, which is focused entirely upon conveying the science of how magic tricks work (primarily neuroscience with a focus on how the sense organs and brain interact to a magician’s advantage.) In truth, I expected this book to more along the lines of “Sleights of Mind.” However, in a way, it’s a good thing that it wasn’t. Stone reviews the science that Macknik and Martinez-Conde drill down into enough so that it’s a good review if one has read that book (I had) or an introduction if one hasn’t. What Stone does a great deal more of is describing the perfection one’s craft. Along the way he shows us a blind card handler with a preternatural capacity for tactile control of the deck, he takes us to clown college to improve showmanship, and he meets up with some street hustlers of the 3-card monte variety.

Throughout the course of the book are ups and downs that maintain the tension. In fact, one chapter is actually entitled “It’s Annoying and I Asked You to Stop,” about the inevitable point at which a magician’s obsession with improving his/her skills stops being cute to loved ones. There is also a chapter about Stone’s [almost] being blackballed from the magic community for revealing secrets in a general readership magazine (I guess that’s a muggle-mag?) An important part of the story is Stone’s search for a Yoda, a wizened member of the magic community who can give him the deeper insight needed to fool a room of experts. He eventually finds said individual, but is not quickly adopted. (It has a hero’s journey feel through this part.)

I thought that the author did a good job of building an interesting story arc within a work of nonfiction. This increases the book’s readability, particular if one has no particular interest in magic. One need not be knowledgeable about the discipline to find the story interesting and to learn some fascinating tidbits. If nothing else, one will learn how con men cull marks, so one can avoid falling prey to their potent psychology (though I expect the subset of readers of books and those tricked into gambling 3-card monte is probably not huge.)

One area in which a reader might be dissatisfied is in the coverage given to mentalism and math-based tricks. The alliterative subtitle makes reference to “magicians, mentalists, and math geeks…” but the bulk of the book is about close-up magic; mentalism and mathematical methods don’t come in until the last few chapters. If you’re expecting that the coverage of those topics will be on par with that of close-up magic, this may not be the book for you. Still, while this was different from I expected, it didn’t hurt my impression of the book.

I enjoyed this book, and received some intriguing insights from it. I’d recommend it for those interested in magic and in particular the craft and science of it. Even if you aren’t that interested in magic, you might find the story of one man’s development of his discipline to be worth reading.

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