Afoot and light-hearted I take to the open road, Healthy, free, the world before me, The long brown path before me leading wherever I choose.
Henceforth I ask not good-fortune, I myself am good-fortune, Henceforth I whimper no more, postpone no more, need nothing, Done with indoor complaints, libraries, querulous criticisms, Strong and content I travel the open road.
The earth, that is sufficient, I do not want the constellations any nearer, I know they are very well where they are, I know they suffice for those who belong to them.
(Still here I carry my old delicious burdens, I carry them, men and women, I carry them with me wherever I go, I swear it is impossible for me to get rid of them, I am fill'd with them, and I will fill them in return.)
I know what my heart is like Since your love died: It is like a hollow ledge Holding a little pool Left there by the tide, A little tepid pool, Drying inward from the edge.
Available online at Project Gutenberg
As the title suggests, this is all the published poetry of Paul Laurence Dunbar. With a career pre-dating the Harlem Renaissance, during which lyric poetry ruled the roost, Dunbar may not be as well-known today as several of the African American poets who came later, but it’s not for being any less masterful.
The collection includes a wide variety of lyric forms from simple quatrains to intermediate length poems of several pages. The content and tones also vary, and there is often a sense of whimsy in the poems that goes beyond just being lyrical in form. Dunbar wrote both in dialect and in standard English. He was a big fan of James Whitcomb Riley’s dialectal work, as a poem in Riley’s honor attests. The dialect poems are easy enough to follow and are a pleasure to read. Dunbar was by no means limited to dialectal writing; he also wrote in Standard English cleverly, and the juxtaposition of his very “proper” poems and the dialectal ones shows a great range.
I’d highly recommend this collection for poetry readers, particularly those who enjoy lyric and dialectal poems.
Passage O soul to India! Eclaircise the myths Asiatic, the primitive fables.
Not you alone, proud truths of the world, Nor you alone, ye facts of modern science, But myths and fables of eld, Asia's, Africa's fables, The far-darting beams of the spirit, the unloos'd dreams, The deep diving bibles and legends, The daring plots of the poets, the elder religions; O you temples fairer than lilies, pour'd over by the rising sun! O you fables, spurning the known, eluding the hold of the known, mounting to heaven! You lofty and dazzling towers, pinnacled, red as roses, burnish'd with gold! Towers of fables immortal, fashion'd from mortal dreams! You too I welcome, and fully, the same as the rest! You too with joy I sing.
Passage to India! Lo, soul! seest thou not God's purpose from the first? The earth to be spann'd, connected by network, The races, neighbors, to marry and be given in marriage, The oceans to be cross'd, the distant brought near, The lands to be welded together.
A worship new I sing, You captains, voyagers, explorers, yours, You engineers, you architects, machinists, yours, You, not for trade or transportation only, But in God's name, and for thy sake, O soul.
You better not fool with a Bumblebee!-- Ef you don't think they can sting -- you'll see! They're lazy to look at, an' kind o' go Buzzin' an' bummin' aroun' so slow, An' ac' so slouchy an' all fagged out, Danglin' their legs as they drone about The hollyhawks 'at they can't climb in 'Ithout ist a-tumble-un out ag'in! Wunst I watched one climb clean 'way In a jimson-blossom, I did, one day,-- An' I ist grabbed it -- an' nen let go-- An' "Ooh-ooh! Honey! I told ye so!" Says The Raggedy Man; an' he ist run An' pullt out the stinger, an' don't laugh none, An' says: "They has be'n folks, I guess, 'At thought I wuz prejudust, more or less, -- Yit I still muntain 'at a Bumblebee Wears out his welcome too quick fer me!"
Are you the new person drawn toward me? To begin with, take warning, I am surely far different from what you suppose; Do you suppose you will find in me your ideal? Do you think it so easy to have me become your lover? Do you think the friendship of me would be unalloy'd satisfaction? Do you think I am trusty and faithful? Do you see no further than this facade, this smooth and tolerant manner of me? Do you suppose yourself advancing on real ground toward a real heroic man? Have you no thought, O dreamer, that is may be all maya, illusion?
Yes, I have a thousand tongues, And nine and ninety-nine lie. Though I strive to use the one, It will make no melody at my will, But is dead in my mouth.
Tiger Riding for Beginners 