Adrift on West Lake in a wine-laden, colorful skiff:
As flutes play fast and lutes, deftly
And a jade cup circuits swiftly,
The boat's calm rocking lulls the drunk into sleep.
Thin clouds seem to float right under the rudderless boat.
The water's blue matches the sky's,
As lake to sky and back move eyes,
"Do the clouds above match those that in the water float?"
You know where you despise
(Tother day) my little Eyes,
Little Legs, and little Thighs,
And some things, of little Size,
You know where.
You, tis true, have fine black eyes,
Taper legs, and tempting Thighs,
Yet what more than all we prize
Is a Thing of little Size,
You know where.
The way a crow
Shook down on me
The dust of snow
From a hemlock tree
Has given my heart
A change in mood
And saved some part
Of a day I had rued.
The man who says to me, “Believe as I do, or God will damn thee,” will presently say, “Believe as I do, or I shall assassinate thee.”
Voltaire, in On superstition
The real voyage of discovery lies not in seeking new landscapes but in having new eyes.
Marcel proust
The translation of a poem having any depth ends by being one of two things: Either it is the expression of the translator, virtually a new poem, or it is as it were a photograph, as exact as possible, of one side of the statue.
Ezra pound
The people are of supreme importance to the ruler,
Chinese adage
food is of supreme importance to the people.
All translators face two choices: leave the reader in peace and drag the author closer, or leave the author in peace and drag the reader closer.
Friedrich schleiermacher (1768-1834)
[Referenced in Twenty-Nine GOODBYES, ed. by timothy billings]
The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine? --
See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?
"Hope" is the thing with feathers --
That perches in the soul --
And sings the tune without the words --
And never stops -- at all --
And sweetest -- in the Gale -- is heard --
And sore must be the storm --
That could abash the little Bird
That kept so many warm --
I've heard it in the chillest land --
And on the strangest Sea --
Yet -- never -- in Extremity,
It asked a crumb -- of me.
Like water spilling over rocks?
Like a bead's roll across the floor?
Cliches, they fail to tell the story,
As no doll shows life's splendor.
But the Earth' unsupported spin through space,
As the heaven's pivot and sprawl for more...
If you could find how it all began,
You'd see it'll be as it was before.
The high and bright realm of the gods
Returns to nothing and nevermore.
And if you lived ten-thousand years,
You might find yourself in days of yore.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twenty-fourth of the twenty-four poems. This poem has been alternately titled “The Flowing Style,” “Fluid,” “Motion,” etc. by varied translators from its Chinese title of 流动.
Where is the grave of Sir Arthur O'Kellyn?
Where may the grave of that good man be? --
By the side of a spring, on the breast of Helvellyn,
Under the twigs of a young birch tree!
The oak that in summer was sweet to hear,
And rustled its leaves in the fall of the year,
And whistled and roared in the winter alone,
Is gone, -- and the birch in its stead has grown. --
The Knight's bones are dust,
And his good sword rust; --
His soul is with the saints, I trust.
I made my song a coat
Covered with embroideries
Out of old mythologies
From heel to throat;
But the fools caught it,
Wore it in the world's eyes
As though they'd wrought it.
Song, let them take it
For there's more enterprise
In walking naked.
Mine eye hath play'd the painter and hath stell'd
Thy beauty's form in table of my heart;
My body is the frame wherein 'tis held,
And perspective it is best the painter's art.
For through the painter must you see his skill
To find where your true image pictur'd lies,
Which in my bosom's shop is hanging still,
That hath his windows glazed with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, wherethrough the sun
Delights to peep, to gaze therein on thee.
Yet eyes this cunning want to grace their art;
They draw but what they see, know not the heart.
Tiger Riding for Beginners 