“The Pasture” by Robert Frost [w/ Audio]

I'm going out to clean the pasture spring;
I'll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I sha'n't be gone long. -- You come too.

I'm going out to fetch the little calf
That's standing by the mother. It's so young,
It totters when she licks it with her tongue.
I sha'n't be gone long. -- You come too.

“The Bridge” by Henry Wadsworth Longfellow [w/ Audio]

I stood on the bridge at midnight,
As the clocks were striking the hour,
And the moon rose o’er the city,
Behind the dark church-tower.

I saw her bright reflection
In the waters under me,
Like a golden goblet filling
And sinking into the sea.

And far in the hazy distance
Of that lovely night in June,
The blaze of the flaming furnace
Gleamed redder than the moon.

Among the long, black rafters
The wavering shadows lay,
And the current that came from the ocean
Seemed to lift and bear them away;

As, sweeping and eddying through them,
Rose the belated tide,
And, streaming into the moonlight,
The seaweed floated wide.

And like those waters rushing
Among the wooden piers,
A flood of thoughts came o'er me
That filled my eyes with tears.

How often, O, how often,
In the days that had gone by,
I had stood on that bridge at midnight
And gazed on that wave and sky!

How often, O, how often,
I had wished that the ebbing tide
Would bear me away on its bosom
O'er the ocean wild and wide!

For my heart was hot and restless,
And my life was full of care,
And the burden laid upon me
Seemed greater than I could bear.

But now it has fallen from me,
It is buried in the sea;
And only the sorrow of others
Throws its shadow over me.

Yet whenever I cross the river
On its bridge with wooden piers,
Like the odor of brine from the ocean
Comes the thought of other years.

And I think how many thousands
Of care-encumbered men,
Each bearing his burden of sorrow,
Have crossed the bridge since then.

I see the long procession
Still passing to and fro,
The young heart hot and restless,
And the old subdued and slow!

And forever and forever,
As long as the river flows,
As long as the heart has passions,
As long as life has woes;

The moon and its broken reflection
And its shadows shall appear,
As the symbol of love in heaven,
And its wavering image here.

“They shut me up in Prose–” (445) by Emily Dickinson [w/ Audio]

They shut me up in Prose --
As when a little Girl
They put me in the Closet --
Because they liked me "still" --

Still! Could themself have peeped --
And seen my Brain -- go round --
They might as wise have lodged a Bird
For Treason -- in the Pound --

Himself has but to will
And easy as a Star
Look down opon Captivity --
And laugh -- No more have I --

BOOKS: “Language” by Xiaolu Guo

LanguageLanguage by Xiaolu Guo
My rating: 5 of 5 stars

Publisher Site

This book is excerpted from a full-length novel entitled, A Concise Chinese-English Dictionary for Lovers, and it conveys what it’s like to be a stranger in a strange land — particularly when one has only a rudimentary grasp of the local language. Specifically, the story revolves around a young Chinese woman who moves to London to pursue her studies. In London, the young woman becomes involved with an older man, and much of the story looks at how culture — and particularly language — impacts the nature of the relationship. (And, also, how being in a relationship with a native of her new home impacts her language learning.)

Perhaps the most important factor influencing whether a reader will like or loath this book is how one feels about reading broken English. Like the dialectic poetry of Paul Laurence Dunbar, this book isn’t written in grammatically correct standard English. The broken – “learner’s” – English is quite effective at conveying the struggle of language learning and how culture and language are intertwined. But if reading grammatically incorrect writing gives you a headache, then this book is not for you.

As for why this book consists of excerpts, it’s part of a series called “Vintage Minis” that consists of short (or excerpted) works from prominent authors from around the globe, generally with a straightforward unifying theme. [Vintage Classics is an imprint of Penguin Random House.] The fact that the book was an excerpt didn’t create a problem for me. The origin material is a literary fiction novel and doesn’t seem to be significantly plot-driven. It’s much more character-driven, and thus getting a limited picture doesn’t open up a lot of unanswered questions about what will come next. In other words, it felt like it could have been a full piece of short, character-driven literary fiction.

I enjoyed reading this slim volume. I think it offers interesting insight into being a language learner abroad. If you’re interested in the challenges of language and culture in an unfamiliar place, this thin book is well worth reading.

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“Fulani Creation Myth” by Anonymous [w/ Audio]

At the beginning there was a huge drop of milk.
Then Doondari came and he created the stone.
Then the stone created iron;
And iron created fire;
And fire created water;
And water created air.
Then Doondari descended the second time.
And he took the five elements
And he shaped them into man.
But man was proud.
Then Doondari created blindness,
and blindness defeated man.
But when blindness became too proud,
Doondari created sleep,
and sleep defeated blindness;
But when sleep became too proud,
Doondari created worry,
and worry defeated sleep;
But when worry became too proud,
Doondari created death,
and death defeated worry.
But then death became too proud,
Doondari descended for the third time,
And he came as Gueno, the eternal one.
And Gueno defeated death.

NOTE: The Fulani (also known as Fula and Fulbe) are a West African herding tribe that live in Mali, Niger, Nigeria, Guinea, and Senegal.

“I’m Happy to Be a Free Yogi” by Drukpa Kunley [w/ Audio]

I'm happy to be a free Yogi,
growing evermore into inner happiness.

I can have sex with many women
as it helps them find the path of liberation.

Outwardly I'm a fool
and inwardly I live a clear spiritual path.

Outwardly I enjoy wine and women
and inwardly I work for the benefit of all beings.

Outwardly I live for my pleasure
and inwardly I do everything in the right moment.

Outwardly I'm a ragged beggar
and inwardly a blissful Buddha.

“Toward the South” by Guillaume Apollinaire [w/ Audio]

Zenith
These griefs
These gardens on and on
Where the toad croons a tender cry skyblue
The hind of silence startled races by
The nightingale that love has bruised sings in
Your body's bush on which I've picked each rose
Our hearts hang from the same pomegranate bough
And in our gaze pomegranate blossoms blow
That falling one by one have strewn the road

Translator: Harry Duncan

“Still will I harvest beauty where it grows” by Edna St. Vincent Millay

Still will I harvest beauty where it grows:
In coloured fungus and the spotted fog
Surprised on foods forgotten; in ditch and bog
Filmed brilliant with irregular rainbows
Of rust and oil, where half a city throws
Its empty tins; and in some spongy log
Whence headlong leaps the oozy emerald frog...
And a black pupil in the green scum shows.
Her the inhabiter of divers places
Surmising at all doors, I push them all.
Oh, you that fearful of a creaking hinge
Turn back forevermore with craven faces,
I tell you Beauty bears an ultra fringe
Unguessed of you upon her gossamer shawl!

“The Poets light but Lamps –” (930) by Emily Dickinson [w/ Audio]

The Poets light but Lamps --
Themselves -- go out --
The Wicks they stimulate
If vital Light

Inhere as do the Suns --
Each Age a Lens
Disseminating their
Circumference --

BOOKS: “The Art of Writing” Trans. / Ed. by Tony Barnstone and Chou Ping

The Art of Writing: Teachings of the Chinese MastersThe Art of Writing: Teachings of the Chinese Masters by Tony Barnstone
My rating: 5 of 5 stars

Publisher Website

This thin volume is packed with insights on writing — especially, but not exclusively, poetry. It consists of four chapters. The first two are the ars poetica of Lu Ji and Sikong Tu, respectively (i.e. The Art of Writing and The Twenty-Four Styles of Poetry.) The second half of the book consists of two chapters of collected sayings and poetry commentary excerpts.

I haven’t read a book so dense with quotable lines in a while. Some of the advice offered is universal and timeless (e.g. avoid cliches and read voraciously,) but some of it reflects a uniquely Chinese perspective rooted in Taoist and Zen sentiments (e.g. how to use wu wei [effortlessness] in one’s writing and so forth.)

There is a preface and each of the sections has its own editorial opening, but these never feel like padding (which often happens with books that come out to less than a hundred pages of content.) Instead, this ancillary material is concise and helps to offer historic and cultural context.

I’d highly recommend this book for writers and those interested in Eastern aesthetics and literature. That said, you don’t necessarily have to be interested in both. Any writer could pick up some beneficial tips while reading this book, and it’s compact, highly readable, and even humorous in places.

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